Seeing Old Friends and Meeting New Friends - Introducing Elle McKenzie to ENF

 Last month was a busy one for me shoot wise because unlike my typical pattern of shooting once per month, I had the luck of shooting twice in September when Izzabella Robbins was coming back to my neck of the woods looking to shoot. This time, she was bringing her friend, Elle McKenzie. Elle is a model who often acts in rope bondage scenes. Shortly after I heard they were both coming, another film producer I see in the community, I-Love-Rope-Bondage also told me about how great it was to work with Elle as a rope bondage model and that she had never acted in ENF before. I wasn't sure if Elle would be interested so I had three clips ideas, ones that could be used if Elle declined, and two that could be altered to include Elle as a character if she said yes, much to my delight she was on board for it and the race was on to prepare to shoot a video game parody I had in mind for almost a year, a Resident Evil parody that would become Resident Nudist.

 Resident Nudist was originally written as a POV solo model shoot in which the heroic police character would lead the survivor through a house of monsters only to be stripped and humiliated in embarrassing panties. Eventually she escapes but is naked. Although she is safe, she becomes frustrated at the commune because food, weapons, and supplies are not enough, she has sexual needs. This would lead her to finding one of the monsters and have sex with them, with an amusing end scene where she and the monster share a cigarette in bed right before they are caught.

Once Elle signed on, I knew there would be potential to make this more exciting with the addition of a scientist that leads the officer around advising her to take items. In the original game, you have to carry items to survive, some of them weapons, others are objects needed to unlock traps to get to the next stage. You have a limited amount of space to carry things and some of the challenge is figuring out what to let go. With this idea, I thought it would be a great way to have someone's pants fall down, wouldn't it be funny if in having to carry so many items, her pants would eventually surrender to gravity and fall, exposing her embarrassing underwear?

 Re-writing the script with two characters went by quickly and I loved the revision. I had a hunch that two models acting off of each other would be funnier than someone acting alone. Plus, who doesn't want to see two people get stripped and embarrassed? The biggest pain in the behind was costumes, more specifically finding embarrassing underwear. I had a lab coat and police outfit for Izzie and Elle, but finding embarrassing underwear for each video is a fun, but sometimes difficult, challenge because I do not want to buy from Amazon, Target, or Wal-Mart unless I absolutely have to. So Ebay is where I turn to and have had success in the past. Unfortunately, I've had a few instances where the item I ordered didn't arrive or in this case, was never actually shipped by the time Elle and Izzie would arrive. 

I was not worried because this was a minor issue. Since filming ENF I have had a collection of cute, embarrassing underwear for shoots. Luckily, Elle and Izzie are great to work with because they are also willing to help in this area. When they arrived they each had their own travel case full of costume choices, Elle even went out and bought some cute panties that would be a key part of the story - Lilo and Stitch panties! I don't require models to buy items if they do not have them, that's usually an expense I'll cover. I was pleasantly surprised and touched that Elle bought several items for the videos we planned to shoot that day and the idea of both characters being caught wearing Stitch underwear was an unplanned but very funny idea that we would use in jokes throughout the story.

 

 

If you're an ENF fan, you know that more times than not, you'll have to explain to someone unfamiliar with ENF what it is. It is a conversation I love to have but it is a little tricky to explain that while yes it is a kink that for many folks it is something they find arousing, the tone is meant to be more silly and funny than it is overly sexual. For models new to ENF, I've enjoyed directing them to find their comedic voice and capturing the embarrassed tone. I like it because every model's voice is different and their embarrassment acting is also different. For example, Izzy's improv skills are fantastic, she delivers dialogue in a no-nonsense, take charge way so that when her character gets stripped to embarrassing underwear, it portrays a great contrast with mocking her no-nonsense demeanor. Dr. Elle played a scientist who was kind and playfully mocked Izzy's cute Stitch underwear, as an NPC she unfortunately could only laugh at Izzy's embarrassing situation but couldn't carry any items herself. So when Dr. Elle finally gets stripped, her anger at Izzy is a complete 180 from her nice demeanor that I thought was a great embarrassing choice. Anger and embarrassment are actually two emotions that link quite well and seeing someone angry from being embarrassed is not something I often see, usually it's someone timidly covering up and begging for clothes, so it was awesome to see Elle develop her own ENF voice.

 

With Elle and Izzie having worked together before, it made for great onscreen chemistry. They riffed off each other well, I didn't need to do a lot of coaching with story dialogue, I would give them some general plot points and they would run with it. Their chemistry was so good, I actually ruined some takes because I couldn't stop myself from laughing at their jokes. I still laugh at some of their jokes and to me that is a great sign of a good ENF parody, it has to be silly in addition to the exposure. Dressing up as the tongue monster would also be part of the fun, the hardest part was not being able to see because the costume required two hoods to give me a blank face. Again, I didn't need to do a lot of acting because once Izzie grabbed me out of the closet and pinned me against the wall, I just let them riff while acting as if I was struggling to escape from the clutches of Dr. Elle and Officer Izzie looking for sexual gratification.

 

The tropes I wanted to pull from Resident Evil were stocking on items causing someone's pants to fall, Zombies and monsters ripping off clothes, and navigating through a creepy house with traps that would require people to strip naked. ENF is straight forward to shoot, the fun as a director is collaborating with models with the use of lighting, costume, props, to get a certain tone. Horror is one of my favorite movie genres and this was a blast to problem solve how to get lighting to reflect scary in an otherwise silly video. So if you're a fan of the Resident Evil franchise or a fan of ENF, give Resident Nudist a watch. Both Izzie and Elle knocked it out of the park and this was the second video we shot that night, meaning, you'll another one in the future. 

 

 

 

 

How Platonic Friendship Evolved into Exposing Ourselves on Film

 

Today marks the day a bonus video, Demon Humiliates a Cum Faerie in her Princess Panties gets released. It features myself as the Demon and my long time, closest friend and play partner, Ly Lyra. I think everyone at one time gives thought to the idea of having sex on camera. It's not something I ever thought would be serious or likely to happen, at least not until I began shooting ENF films. I always thought it might be fun to do, but my real job would make it hard to do so, thus requiring me to wear a mask. I didn't think it would ever happen because I value my professional relationship with the models I work with and do not ask about any sex scene because it would impact the trust we have in our working relationships, it also makes an assumption that they want to which I do not want to make. 

So when Ly asked to do a humiliation scene with me, wanting to be ravished and embarrassed, I knew they post their own pictures on their OF and thought, this could be a special moment to capture an embarrassment scene on film to share with their fans as well as y'all. So what made me change my mind? Ly is someone I felt safe being naked on camera with, even with my own insecurities about my body and sex from my own past traumatic moments. This trust doesn't happen overnight, it is something that developed over time. We've known each other for over a decade, being close friends who also enjoyed casual sexual . Ly is someone who also helped me grow from a social justice perspective, helping me think critically about systems of oppression across capitalism, ableism, misogyny and racism. We also supported each other during our own rough times. Our own paths in grad school had us move away from each other, but we kept in touch. Every time we reunited it was a joyful moment in reconnecting and filling each other's cup with our love and positive energy. 

Ly was one of the first play partners I got to explore kink with. I still think fondly of those moments, it was  a powerful, hot energy where we both enjoyed mixing elements of impact play with sex. I also loved the communication we engaged in throughout, discussing what safe words we wanted to use and aftercare to make sure we were both okay.Years later, when they visited the states again, they were the first person I got to tie after I began my rope practice. Again, this was a groundbreaking moment in kink for me because I got to see the power and magic of tying someone up, both of us conjuring an intimate closeness while creating visually stunning art. 

 

With each kinky scene we created together, we would check about what we liked about the scene, what we found fulfilling about it and more importantly, how every scene strengthened our connection. I felt safe with Ly, expressing my dominant, sometimes bully-ish mean side, and also showing my naked body to. I also felt safe with Ly as a play partner because I know they would be honest in discussing what they are and not okay with. Because we felt safe with each other, we both agreed with filming our play scene together, which is what led to the video we shot. this would still come with a lot of anxiety and intimidation with shooting a sex scene and it was also exciting.

 A point of connection for embarrassment play with Ly was panty play, which as you all know is my favorite. This may have started last year when in about to play with Ly, they realized the underwear they had on was something they legitimately felt embarrassed being seen in. The natural feeling of embarrassment while we played was something they found exciting as much as it was embarrassing for them.

 

 

Posted with permission 

 I had just the cute pair I wanted them to wear for our scene. They wanted to act as a fairy, the idea is having a Demon rip off their wings before ravishing them. That was the concept and with that I added a script with some ENF elements, exposing the faerie in cute, polka dotted, princess panties. In terms of sex acts we negotiated, the idea of cumming on them appealed to me and that's where the term "Cum fearie" came up. With this premise, we had a beginning, middle, and end, stripping, dry humping, and cumming. So what was actually going to happen then for the scene itself?

 This is where one of my biggest challenges was, trusting the creative process and not planning. I'm someone who is used to planning a lot, from ordering costumes a month in advance, to planning out the shots and the script in my head. I was able to do some of that, I know the room I wanted to use, I knew the angle I wanted to use, but i wasn't sure how my own body wold handle being on camera, aware that I was being filmed while I also had to act as a mean Demon who spanks the faerie into submission before doing a sexual act that is very goal focused.Not only that, i had to make sure we were in frame so that we were on camera. Sex is an intimate, special act, that can be impacted when my anxiety brain kicks in. So shooting a sex scene involved a lot of multitasking - making sure the camera s were running, staying present to enjoy the moment, also listening to Ly to make sure they were okay, making sure I could hear their safe words if they said them. Adding to this was the mask I wore which blocked some of my vision. This definitely impacted how I tie rope because I was less able to check the length of my tails. I knew shooting porn wasn't as easy as it looked, but it was an interesting and fun experience. As with many kink scenes, this scene will stand out for me for years to come, because even though I was keeping track of the cameras, Ly''s reactions, and making sure I was staying in character, I was present the entire time. I was doing the thing I love most - Topping kinky humiliation with spanking, rope, and verbal humiliation, and we got to capture it on film for everyone to see. Ly and I didn't have a beat-by-beat setup of what we were going to do, we listened to each other's energy, I loved how I used a simple tie, using it to pull Ly close when I needed or to push them down, alternating between groping them, spanking them, or gagging them with my fingers. 

 We both are very proud of this video. What I like most about it is it captures things in kink that I find hot - stripping, embarrassing panties, spanking, rope, and I got to share it with someone I love. It's special to me because I think it's a good reflection of me and my relation to kink. I know sex and raunchier forms of it are not everyone's preference with embarrassment and exposure. I do like it from time to time, and in my view, I saw this as making an ENF video but a more personal touch as I"m exposing to you all parts of my I otherwise would keep private - my body, and my relationship with others. For those who do buy this video, we hope you like it, we are quite proud and very lucky to get to fuck because we find each other hot. I also want to wish Ly a Happy Birthday and many thanks for your friendship, your wisdom, and your kind, radical heart. Without you I don't think I would have had the connection to my sex magic that I am flourishing with now, so I honor and appreciate that you're in my life. If you don't follow Ly, change that now and subscribe to their OF and give them a kind gift as they have blessed me with theirs. 

Filming a real humiliation scene with Violet

Today I'm happy to release the video that is a bit more personal in that, it is something that portrays something very important in my life and that is kink. Violet and I were excited to show you Punishing the Nun's Hypocrisy: A Humiliation Scene. I have been in the lifestyle sine 2011 and whenever I wasn't writing erotica, drawing ENF art, or making films, I have been and am actively involved in my kinky community. If you follow my newsletter (check your spam folders if you haven't been getting them!), then you may have heard me talk about how kink has been central to my growth, helping me learn to be a better communicator and also expanding my own emotional and artistic growth. Violet Vixen and I were friends before we made films together, and have enjoyed the pleasure of doing scenes at events. 

When I debuted my mask on Instagram, Violet had reached out asking to do a scene together. Initially, I thought it would be a scene in private but then I thought that this could be an opportunity where we could enjoy a scene together and also showcase what a humiliation scene could look like. I have previously written on the complex, diverse way humiliation and embarrassment can be utilized in a scene. Beyond stripping someone of their clothes, there can be other elements of embarrassment, humiliation, and shame. There can be verbal teasing or bullying, exposing someone's secrets that they'd be embarrassed if they were shown, or tapping into the way in which religion uses shame to enforce its values. 

 

With humiliation, I saw this as the chance for us to have fun including several of my favorite elements in kink - rope, impact play, and stripping. We wanted to have a slight horror element and with that in mind, I wanted to bring back Sister Francesca from the Embarrassed Naked Nun

I have seen several humiliation themed videos on Kink.com. There are mixed stories about how ethical they are in how they treat models as representation of kink. They showcase a preshoot interview where they negotiate what will be done in the scene and what the safe words are. It's not clear however, if the negotiation being shot is part of the scene itself or an actual negotiation. Kink.com has a lot of Public Disgrace scenes, which sways on the side of humiliation/degredation than embarrassment. I have found myself less into the more degrading aspect of the scene than I enjoy the beginning where the person is stripped of their clothes and acts embarrassed. It was this tone that Violet and I had in mind when we talked about shooting a long scene. I wanted something that would be more kink-focused, but also enjoyable for an Embarrassed and Exposed audience as I get feedback that they are not as interested in the more kink heavy aspects of the genre.

The idea at the time was that my character would be more of a scary type figure. This of course was before we ended up making me a silly, cartoon trope in Shego Stripped to her Tighty Whiteys. My style with an actual humiliation scene is humorous. There was a period where I was a standup comic and what has stayed with me was my ability to roast someone in a teasing/bullying type of humor that works well with embarrassment and humiliation. Admittedly, I myself was nervous about being on camera for such a long time. As someone with my own personal experience with anxiety, perfectionism sometimes spills into that, making me trip up on my words or stutter or become hesitant. I was worried this might show up on camera as I played with Violet. This would definitely disrupt the perfectionist in me with editing and the thought of being so concerned about something not turning out "perfect" that I'd hesitate from posting was a worst-case-scenario fear that I knew I'd have to keep at bay.

 That did not happen however, because Violet and I have played several times before and so I felt comfortable being on camera because we had established trust and care for each other long before that. This is important in kink because when it works, as I think you'll see in this video, the players are fully present in the scene and time flies by because we're not in our heads thinking about "what if" anxieties, we're fully present, and that is what I find fulfilling about kink, when the magic is there, it is truly a mentally transformative experience where you can take on a role you otherwise might not embody in real life, and it gives your mind a sense of healing, purpose, and excitement to create something powerful. 

 In any scene, it is more complex than simply striking someone, tying someone up, or being tied or being hit. It is a risky practice, there is no way there is zero percent chance that harm could be done mentally or physically. That is why, it requires constant communication and constant check in throughout a scene. What you see is an edited video to tell a story, what you don't see is the safe words Violet and I negotiated before a scene, what we agreed would and wouldn't happen in the scene, and adjustments that needed to be made during the scene in terms of how intense things would be. In any scene, at any time, something can change and the previously planned scene might need to change. This can be due to someone's body experiencing pain or discomfort that was not planned or even a psychological trigger that requires ending the scene early. While safe words are one way to minimize risk of harm, sometimes that doesn't always work either. This is why it's also important to observe each other's nonverbal language, their facial expressions, an abrupt silence after they were talking a lot, or even a freeze response. We had to constantly monitor each other's and our own internal response to make sure it was safe to continue playing. The challenge for me was that the mask made it slightly more challenging to observe Violet's reactions, although I kept close watch the entire time while also staying in character.

 Violet did amazing work. Not only did she also have to act in character for the whole scene, she had to do so while in a position that over a long period of time was uncomfortable. The setup we chose was one that Violet felt most comfortable in for sustaining the pose for a long time. yet, even though she felt comfortable, over time, that pose with wrists tied to a hard metal pole while being flogged, caned, and spanked with a crop would add tension and more intense physical effort over time. Having been tied myself with the intent to hold a pose for a long period of time, by the end of ten even twenty minutes can be intense. Your body starts to shake, muscles are tense and you have to constantly check in with your tying partner to let them know if adjustments need to be made. So, big hats off to Violet for being able to sustain that pose, to sustain being spanked all while acting in what was a long-form improvised humiliation scene. There were was actually only once instance where we had to make adjustments to the intensity of the scene but otherwise, what you see is the scene that we shot in one take. A performance like this does not happen easily, but for us it did because of our long-term friendship and experience playing before.

 You may find Punishing the Nun's Hypocrisy a Humiliation Scene different from my other ENF videos. however, we hope you give it a shot and enjoy it as a representation of kink between two close friends who both share a love for celebrating the power of telling a story through rope, canes, floggers, and of course, exposure ;).

 

Directing and acting in a Shego ENF Clip

Now that Shego Stripped to her Tightey Whiteys is out, I'm delighted to talk about the experience in which I got to collaborate with my friend Violet, which included by on-screen debut. When I set on this path of making ENF films, I didn't have a strong urge to be on screen, however I also didn't want to rule it out. The main reason for staying off camera was because I still have a day-job that requires privacy, not just for myself but also the other people I work with. The reason I did keep my options open for being on screen was that I did want to be able to showcase my work, mainly rope bondage and I felt that in the event of a performance or on screen full-length video, I wanted to be able to be on screen but hide my face as well.

I did not have an exact idea in my head but knew i wanted to have some form of mask that covered my whole head. I'm so grateful for the existence of Phant0masy, an artist who hand crafts the most gorgeous masks I have ever seen. I can't recall how I find her Instagram page but as soon as I saw demos of her full face-covered masks, I immediately fell in love and knew it was something I would want to represent myself. I ended up choosing the High Court Mask because I liked its elegant design with the chains along the front and the decorative pattern. The amazing part about these masks are that it covers the whole head and can be large enough for people who require glasses. The other cool part about the site is it has a simulator that let's you pick colors and other specific visual choices before sending you a PDF of what the mask would look like, so you know what you're getting before you place an order.I wanted a simple black and white design and what I didn't know until after I did my first self-portrait shoot was that this design allowed itself to absorb the colors of whatever lights I used. To my surprise, the reaction to this was quite positive, so much so that my friend Violet asked to do a scene with the mask. Before  I move forward with talking about the shoot, what I will say is that buying a mask from Phant0masy is worth the price and wait. It takes about six months to make but this is because of the skilled hand-made design of the mask. Not only was it worth it for me but I'm already thinking about buying another in the future. 

 

 Violet and I have played  a few times together. I was delighted to get to role play and don the mask for a scene. Our humiliation scene isn't ready for release yet, but you will see in the future. Because I usually shoot two videos in one block, I did want to shoot a second story involving the mask. This is where the idea behind Shego Stripped to her Tightey Whiteys formed. I first saw Violet cosplay as Shego when she posted it on her website (she has requested not to share the link). 

 

As always with cosplay artists, I'm blown aware at the precision and accuracy of their detail to creating a real-life replication of the character they portray. Shego has been given the spotlight in several embarrassed naked art pieces within our community.

 

                                                                      Art by Zap1992
 

I suspect the reason why Kim and Shego both are popular in our community is because the Spy-themed cartoon has a lot of embarrassment gags, most famously this gag in which the character Ron loses his pants after he fires his grapple hook gun.

 

I first got to enjoy the fun of shooting cosplay with my friend in our Tarot the Black Rose themed shoot. Shooting cosplay is such a joy to me because it's still fun to play pretend and, there's an added challenge of getting shots that mimic the mood and tone of the original character. This usually requires making sure lighting and colors match the art tone. After the Tarot shoot, I knew I wanted to try shooting a cosplay type ENF clip in the future. Because this would be my first time acting on camera, I was admittedly, a bit nervous. I had always envisioned being off camera, speaking a few lines at most but my preference is always to have models acting solo with very little dialogue coming from me. I do think that when I do give some dialogue, it does help the model react to something and the idea of being a character that can be both dark and silly gave me ideas for different embarrassed and exposed possibilities.

 

 

Since Shego is a cartoon character, I wanted to tell a cartoon-like story with lots of classic embarrassment exposure gags based on a science fiction genre. This included X-Ray glasses, magic hats, vacuums, and the device that set me down my creative path as an ENF storyteller - Time Stop. The setup for the jokes was easy and so was working with Violet. The new challenge I had was figuring out how to film and direct when I have to be on camera. Prior to this shoot, directing was straight forward, it wasn't easy but it was straight forward. I could ensure I had the exact shot I wanted because I was watching in real time what was captured on camera, making adjustments as needed. 

 With being on camera, I had to make sure the camera was positioned in frame and that both of us would be on camera. Violet helped with making sure I was on frame but once I hit record, it was a trust game to reassure myself that we had what we needed. The other challenge was sight. I'm actually wearing two masks, a hood to cover my head so that the Phant0masy mask I wear isn't obscured by my hair. The mask itself is a mesh see-through fabric, but it did require a lot of squinting to make sure I was positioning things where they needed. Overall it was a fun and new experience to be on the other side of the camera while directing. In the style of silent comedy, I opted to avoid giving myself dialogue, making my character a silent, almost cartoon like foil to Shego's plans. In looking back, I do like this approach because of how much it calls back to the classic embarrassed exposed gags in cartoons. Violet also did amazing becoming angrier with each humiliation she endured. I had less familiarity with the character and put my trust in Violet to depicting an accurate portrayal of Shego. In her other videos, Violet also acts in more of a Domme role, which is why she is a great actor when she shifts from a dominant/bossy role to a more timid, embarrassed and humiliated silly persona once stripped. This made it a great story because in the cartoons, Shego is arrogant and cocky, so to watch her lose her dignity each time makes this an embarrassed underwear exposed story that we hope you all enjoy. 

 

The True Opponent in Filming an ENF Mortal Kombat Parody - Nature!

                  

 I have been looking forward to this Memorial Day weekend for a month ever since I booked the shoot with Skunk and Violet for what would become Embarrassed Kombat. The video game itself is all about humiliating your opponent with a gruesome finisher. Even the non fatal finishers imply a sense of embarrassment. How humiliating is it to go from being a tough martial arts warrior and become reduced to a baby?

 

I explored the idea of humiliation and stripping an opponent of their clothes in my Mortal Kombat Fanfic, Finish Them! In it, the fighters get stripped during battle, with their special abilities being used to accidentally or intentionally damage their opponent's clothing. I didn't finish the series as I moved on to writing my own erotica however, the year I made the plan to make ENF films,  I knew a long-term goal would be to shoot a two-model video parodying Mortal Kombat. With your support within my first year, I felt ready to make the leap and bring the idea to life. As exciting as it was to write the script, inventing my own characters that parodied Princess Kitana and Sonya Blade, the shoot would not be without its challenges.

With Global Warming impacting the intensity and stability of weather patterns, Michigan's weather is even more unpredictable. As I write this on Memorial Day weekend, it's actually in the high 40s. When Skunk and I first met and planned to shoot, it was delayed because we had a snow storm...in April.

                              

This fella visited me minutes after Skunk and I agreed to reschedule shooting Officer Undressed

Experiences like this make me used to the unpredictability of what can happen leading up to, during, and after filming an ENF video. I have found the mantra, "It will not turn out exactly as you planned" to be helpful in grounding me so that I am not overwhelmed or panicked when things happen unexpectedly. It's not that things will go wrong, but rarely have shoots gone 100% the way I wanted. Weather changes, scripts changes, making adjustments to costumes/props, and travel are factors that can affect a shoot. Embarrassed Kombat was hit with multiple unexpected moments.

The unpredictability of the weather was the first issue. In April, temperatures were averaging at mid 40s to 50s, which if you've ever been naked in these temperatures, it's not very tolerable. It's also risky because it could result in health issues for exposure to cold temperature for long periods of time. In that sense, I was ready to reschedule if the temperatures were not going to rise. With this comes another challenge, booking. Scheduling with one model takes time and a lot of communication to figure out the right time because we all have our own schedules. Booking two models adds complexity because I had to coordinate between Violet and Skunk's schedules to make sure all three of us could meet to shoot at the booked outdoor location. With a lot of back-and-forth texting, we had our day and I knew that rescheduling could risk further delaying the video if Violet and Skunk couldn't meet on a second day.

 By the week of, things were looking to be better, it seemed it would be in low 60s with sun. It was not my preferred condition, but better than what I had feared and with that, we made the choice to try to shoot. I did let both models know that if they felt uncomfortable or needed to stop then we would because I want to prioritize safety and health of the performers above everything else.  With props, costumes, and robes in hand, we went to work in this wonderful outdoor wooded location that reminded me of the forest fight scene in Mortal Kombat 2

 I was more anxious than I typically feel with shooting, more because this was my first time shooting a two-model scene. I also felt pressure running against the time of nature because I wasn't sure how long we would have sunlight and worried we would lose it. Lucky for me, it was cloudy because...Michigan, and we got a total of 5 minutes of sunlight, so problem solved! I usually shoot things in linear order of the story, but given the time constraints of temperature and lighting, I prioritized efficiency and shot scenes in order of action, stripping, and eventually dialogue. Skunk and Violet handled this all with amazing grace and talent, their motivation and enthusiasm created a fun energy that kept us moving throughout the shoot.

 

 

 My current equipment setup includes a Sony ZV-E10, a Rode Video NTG mic and then my camera phone. The nice part about the Rode mic is it can plug into my Sony and allow me to check the quality of the sound while recording. That day, it had difficulties holding a charge, it would a low battery even after charging all day. It was likely that it would die out during shooting, Luckily, the camera has its own built in mic that I was ready to use but my saving grace would by my camera phone.

My phone has a better quality camera built in than what I've previously had. I still prefer to use my Sony for better image quality, but it does get the job done when needed. I first used it as a second camera with Embarrassment Quest as a wide angle shot.

 

 I regret forgetting to use this more consistently during filming as I only got this shot for the second half of the battle. Despite only using a few scenes spliced with the close-up shots, I liked the transition between wide angle and POV shots because I felt it resembled the camera changes in Final Fantasy 7 combat scenes. With Embarrassed Kombat, I knew I was going to do a section that would parody the actual side-angle shot of the original video game and made sure I had enough space to run the camera phone during the whole shoot. This choice ended up making it the MVP when another issue would happen....gravity. If you watch the video, you can see the fun blooper of my camera lens reaching its end when the stand tipped and landed lens first. This is a bad habit of mine of leaving things unstable and letting them fall, from leaving objects on the edge of a table, to light stands, and the ZV-10 kit lens.

                           Violet's concerned face seeing the last moments of my lens before I could.

At this point, halfway through the shoot I was down my primary camera and no microphone. It was not great however, I didn't panic. Again, the mantra that things will not turn out as I planned helped ground me. I also knew I had my phone camera set up to get a wide angle shot on run the whole time and luckily this was our saving grace because thanks to that, I got every shot I needed and I had decent enough audio to mix with the shots on my Sony camera when the microphone battery died. So, lesson learned, always have a backup camera ready and also make sure your camera stand is stable XD.

 The other unexpected challenge that day was the wind chill factor, bringing our 60 degree temperature down to more of a mid 50 degree temperature. This meant the amount of time being naked outside that was tolerable and safe was a lot shorter. Typically, I try not to rush through takes or if needed, reshoot a take to make sure we have the shots we need. With the temperature a factor and with Skunk and Violet the ones who are naked, I wanted to be mindful of their safety and eliminate any time of unnecessary reshoots. I kept checking in with them for the rest of the time, offering to stop and reschedule if needed. To their credit, they were on board with finishing the shoot and we quickly shot the rest of the script. There might have been a few points from the original script that were omitted, mainly some dialogue, but this was something that wasn't central to what I wanted - an ENF parody in spirit of the videogame Mortal Kombat, not necessarily just the story. Like Embarrassment Quest and Embarrassment Quest 2, I wanted to tell a story that resembled the game mechanics and that meant I could coach Violet and Skunk during their solo fights rather than stop and start multiple takes with scenes involving dialogue.

 By the time we wrapped up shoot, I was anxious if I got everything I needed to edit a coherent story. My hope was to have two parts to this Mortal Kombat themed ENF shoot, something I wanted to film ever since I planned to make films. Having watched it in full sequence, from splicing in the music, the fight sound effects, and my own attempt at mimicking the Mortal Kombat narrator voice, I am overjoyed with this long film Violet, Skunk, and I created. We hope you enjoy it. I would love to make this a series, and so your support in buying the video would be of great help because once cost is covered, I can definitely plan a sequel and I already have a few ideas as to what it could be.

 

Commanded by Skunk - Exploring different forms of humiliation

 Around this time would've been the year anniversary of when I reached out to Devious Skunk to start my career in producing enf content. This comes with the release of Spy vs the Commander - Skunk's Uniform Stolen! This was actually the first video we shot before we shot The Men in Black versus the Kinky Clownians. The idea of this story stemmed from my love of the exposure trope of a character's clothes being stolen and used for a disguise. This is often shown in a lot of action-type movies, sometimes not even showing the actual removal of one's clothes, instead one shot will portray the protagonist and the other character,  with the following scene to show the protagonist wearing the character's clothes. Sometimes we would get to see the character stripped of their clothes and tied up, a double whammy of humiliation. G.I. Joe often used this trope both in the comics and the TV show.

 

 

I also highlighted this trope in a fanfiction story featuring Black Widow in Black Widow's Bad Luck. In this story Black Widow sneaks around, stripping guards of their clothes before she gets caught and is stripped herself. It's one of my earliest stories and one of my most popular ones.

 Thus, that was the idea I had when I created Commander Skunk. I liked the idea of a dominant boss who demeans her soldiers only to be stripped and humiliated as she's tied up in her panties and later, no clothes at all. Still, I didn't feel this was quite enough, I wanted to do something else to make this ENF clip more than just a clothed/unclothed story.

As I have said before, erotic embarrassment and exposure is not just about the nudity/panty exposure, it's about exposing someone's secrets. Most folks have no problems with being seen naked or in their underwear, but it's when there's a detail they don't want people to know about that makes it embarrassing. I thought it would be fun to be in a situation where in being stripped and tied up, that The Commander had a sexual fantasy of this but didn't want anyone to know. This led to the funny premise of her bossing the Spy, to do what she wants him to do to her. We both enjoyed this idea because of how silly it was because in turning the tables, the Spy is now stuck at the mercy of the Commander before she's horribly embarrassed when her men see her caught in the passion of her submissive fantasy.

 

 I thought this would be a simple clip to shoot in terms of the set up and boy was I wrong. Do you know how hard it is to strip someone with a camera strapped to your chest and make sure you have it pointed on the actor? Suuuuuuuupeeeer hard. Once we started filming I realized that I couldn't just focus on removing her catsuit, but I also had to make sure the camera was steady and aimed where I wanted it to. I had to summon all of my lessons from yoga by being very mindful of my body movements so that I moved slowly and not shake the camera. Adding to the challenge was that the catsuit was a lot tighter than I realized, it wasn't something I could simply just pull off.  

These technical issues initially had me concerned because I wasn't sure if the camera would be so shaky it would impact the clip. It was one of the first time I thought about booking a re-shoot, which I now understand the purpose. Thankfully my fears were unfounded as I have watched the clip several times and l love the diverse types of stripping scenarios that Spy vs the Commander has, capturing my love of exposed nerdy and sexy underwear and naked exposure. As always, Skunk's playful and silly energy made this shoot a fun hangout than work. I'm impressed with her ability to write her own cue cards while tied up. We hope you enjoy the clip!

Forget The MCU or DCU, let's make the ECU (Embarrassed Cinematic Universe)

I hope folks had fun celebrating National Erotic Humiliation Day, I have recently released a very personal essay in which I process the painful emotions behind my own embarrassment and shame. It's not exactly a sexy piece, but I felt it honored the spirit of celebrating that people who enjoy this kink have an emotional connection to the fetish as well.

This month's release is the Embarrassed Naked Supervillain, staring Riley Jane. This was the second film I shot with Riley the same day I shot Embarrassed Naked Goth. It was my first time shooting two in one scheduled block of time and I wasn't sure how I would do with getting the shots I needed while sticking to time. Thankfully, Riley was game for it and brought the same fun energy to this story as she did with playing the Dark Empress. As a professional Domme, it was fun to write a character with a dominating personality and see how Riley made her own acting choices to make the character come to life. I wanted her character, The Mad Mask, to be a dominant figure who talked down on her henchmen, mocking them when they are stripped of their underwear before mocking their nakedness. I don't have a small penis humiliation fetish but it was nice to incorporate that kink into the story before Mad Mask gets stripped to her embarrassing underwear.

 

 

 

You may recognize a character mentioned off camera, The Mistress, who I introduced in a story called The Suit, in the Immodest Collection vol 2. This could have been a straight forward ENF clip in that it would have been simple to splice up the shots together for the final cut. I certainly felt too busy and tired at the end of a work week to shoot extra shots. However, in the spirit of a superhero movie, specifically the Batman movies, I felt an added touch would be showing close-up shots of "The Mistress" preparing to fight crime. If you remember the comical way Batman and Robin get suited up in Batman Forever, this is the idea I had when I did some shots of my character. 

 

I didn't have a suit or an actor to play the character, but I knew I could still add dramatic effect with some quick close-up shots of me-er-em the Mistress, putting on a suit just before the actual clip starts. It might not be the reason people buy the clip, but it's a minor detail that adds excitement for me when I watch it through because I wanted to give viewers a visual of who would be behind stripping the Mad Mask. 

 Shooting this scene involved less technical effects than Embarrassed Naked Goth. Both films involve a jump cut between a clothed and less clothed Riley. With the goth storyline, it took more time because we tried our best to match one cut to look like the next to make the time switch seamless. Finding the right smoke and fire effect for the demon magic also took additional time in editing. With Embarrassed Naked Supervillain, it took less time because the lights going on and off took less time to edit. Also, Riley was free to act however she wanted to being stripped in the dark before the lights went on. She used this to her advantage as she came up with some great sound effect ideas to make it clear she was being stripped. I had a great time working with her and it made four hours of shooting fly by because we both had so much fun collaborating ideas. I look forward to shooting with her again and hope you enjoy this latest video.

 You can read more stories featuring the Mistress in A Submissive Superhero Gets Stripped and The Immodest Collection vol 4.

Making a scary ENF sequel with Skunk!

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The Embarrassed Naked Goth video with Riley Jane and my newest ENF Anthology is out!

 It's that time again to talk about my newest ENF/EUF release. This time I got to work with another model with years of experience in the industry, Riley Jane. Riley's clip stores have a wide variety of various fetish content. She had never shot ENF/EUF before but was on board with two scripts we booked to shoot at her dungeon.

 

I always feel a bit anxious working with someone new, I especially feel that way when I'm working with an experienced performer in the industry like Riley. I was also a bit more anxious because this was my first time attempting to shoot two films in one booked session. Up until that point, I've taken my time shooting one clip at a time because I wanted to be patient with learning my own filming process.When I started, I had no idea how long my scripts would be nor did I know how long it would take me to make sure I got the shot I needed. I would usually take 2-3 shots per take because I felt it was effective in giving models a chance to get into character and find more effective choices once they act a second or third time. As I have been filming more of these, I realize that this is not always the case. For some actors, doing every shot 2-3 times results in expending more energy, which can affect their performance later in the shoot. It also takes time. I realize now my scripts at a minimum run about 11 minutes, so the fear of clips being too short was unfounded. Shooting this length typically takes almost the whole amount of time I have booked models. While that was okay starting out, I knew that shooting multiple clips would be something I want to try after it was something Ariel Anderssen suggested to me when we worked together.

Another reason my shoots take longer is that when I write scripts, they tend to be dense in terms of dialogue. A lot of this is due to me pouring out the initial idea on paper, in which the character is not fully formed. This can be hard for me and the model to memorize on the day of shooting and if they are trying to get all of the lines right, one forgotten line means we need to do it again and an otherwise great shot is lost. In preparation for shooting with Riley, I re-edited the scripts, trimming all of the unnecessary wordy dialogue out so that when we shot each scene, it was easier for me to give concise beats of what Riley's character would say. In doing this, I made the decision to forego shooting a second or third take unless a mistake was made. This was risky because if I moved forward with only one take and found out a mistake later (usually a sound issue, something out of continuity, a big ass yellow jeep in the background of a medieval themed story -_-), there would be no way of going back. However, I knew this needed to happen if I was going to shoot two scripts in a quick amount of time.

As soon as I arrived, Riley and I hit it off well. I explained to her a bit more about the ENF/EUF fetish and she got it mainly because as a Domme, she specializes in humiliating folks and understood the assignment. We shot Embarrassed Naked Goth first and it all worked amazingly. Riley got the character and did a wonderful job playing out the vlogger-acting-like-an-occult personality. When it came time to do the exposed underwear scene, Riley did some fantastic improvisation acting embarrassed and alternating between embarrassed poses as she covered up her big, white, strawberry print panties. I also knew things were working because multiple times I had to work hard to stifle my own laughter from what Riley said. We all know ENF/EUF is about being silly and over-the-top ridiculous and Riley delivered some great lines that I think you'll all enjoy.

The concept of the Embarrassed Naked Goth stemmed from an oooooooooooold story I wrote back before I started self publishing called Karmic Balance Dark Magic. In that story a goth woman finds a book that gives her powers to stop time, which she uses to strip her enemies. The demon who possesses those powers eventually strips her, exposing her in strawberry print panties. This was a huge hit with readers when it came out and why I, and others like it is that there's a nice added layer of humiliation when we contrast the dark, brooding image of someone wearing goth attire only to be exposed to be wearing bright, colorful, fruit-themed undergarments underneath the clothes. It's a cutesy look that does not fit with the stereotype of what we see in the goth look. That's why I think a lot of folks in our community like the evil/dark character stripped in cutesy undies trope. It's created a lot and it was something I wanted to shoot as I was planning out my filming projects. Riley also thought the idea was fun and naturally pulls off the goth/occultist look. She also understood how fun it would be once her character is  stripped and exposed.

I've said it before, but I continue to be so grateful for being lucky to work with talented performers who have never acted ENF before but have a knack for it. I hope everyone gives Embarrassed Naked Goth a chance. It is a long clip, and I tried to set a price that is reasonable but also honors the hard work we put into making it. It is 15+ minutes of various ways an occultist who wants to be called the Dark Empress is humiliated as various aspects of her style that contradict this persona (stuffed toys, silly socks, cutesy undies) are exposed.

So please give the clip a watch and stay tuned for Riley's second film with me before the end of the year!

In non film related news, my newest exposed and embarrassed anthology The Immodest Collection Stories of Exposure and Shame vol 4: Bigger & Barer is out! 

 

It's been a long labor of love because I wanted to write a series where I revisit characters from the previous anthologies. This means Erica Hardy from Knockout, The Mistress and Riot from The Suit, and then Caitlin from One Step Too Far and Rana from Indecent Exposure Therapy are all features in their own stories exposed to new embarrassing situations. In addition, I wrote a free follow-up story to The Suit that takes place after that story but before the events in Domina Gets Dominated which is in the next book that you can find here. 

The Bigger & Barer sale and my newest ENF video Haunted House of Humiliation

It's hard to believe summer is over. Before it ends I have lots of exciting things in store for this month and for sENFtember. As you all know, The Immodest Collection volume 4 will be released on 9/1, the first day of sENFtember. The book will feature the return of Erica Hardy and Caitlin McNally from The Immodest Collection volume 1 , The Mistress and Riot from the Immodest Collection volume 2, and Rana Halaweh from Indecent Exposure Therapy To give folks who have not read these books a chance to catch up, for the whole month of August, I am running the Bigger and Barer sale! From now until 8/31/24, you can get the Immodest Collections volumes 1 and 2 AND Indecent Exposure Therapy each for 50% off! That's $1.50 for each story. So, with the final month of summer, use that time to catch up on some spicy exposed and embarrassed erotica and turn up the heat even more! Each book can be purchased on Smashwords . I hope everyone who has not read these books gets a chance to cash in on more enf/euf erotica! In addition, I will be releasing a free story featuring Riot and The Mistress that takes place between the Immodest Collection volume 2 and 4 on my Medium page

Because of these writing projects, I took a month off from filming. So when I resumed again, I was ready to get back into the swing of things with filming and took a step into another area of growth for me, and that was shooting two ENF films back to back.

I previously hesitated into doing two in a row because I did not know the length of time it would take to shoot one clip. I wanted to give myself time to mentally process directing, adjusting lights, and filming and the first 5 films took roughly about 4 hours each. However to be more cost effective, I know a lot of professionals shoot multiple clips within that 4 hour time frame. This makes sense in terms of being cost effective, especially when it comes to booking a shoot space.

So once I found a location I was excited to work with Violet Vixen and Devious Skunk again. My long term goal is to work with a wide range of models but since I'm still new and I have such good fun shooting with both Violet and Skunk, I knew it would be a fun process.

The concept I wanted to do was a relatively simple ENF storyline in terms of setting up ENF gags and a common plot that I see is a real estate agent visiting a house story. The idea is always a model going into rooms with their clothes disappearing. It seems like a basic idea but that was where the fun came in writing the characters. With Violet I envisioned her being a Type A, bossy real estate agent obsessed with a perfect record so that when she is exposed, it makes the contrast nice in terms of focusing on her humiliation. 

 

 

The challenges to this shoot. Which I am still trying to figure out is making seamless cuts between pre and post stripping. For ease of shooting, I break things in chunks so that dialogue is easier to act out and memorize. I also think this makes for stronger performances as there is mental effort put into wondering what the next line is. 

Of course, a seamless cut makes for a smoother transition but here in lies one of the challenges to directing. I could do take after take hoping that the model will eventually get a long page of dialogue down in one take without any slip ups. However, there are other things to keep in mind and that's the models physical and mental well being. It was HOT that day, at least into 90 degree range and to keep sound off I had to switch between turning air conditioners on and off for sound. Violet and Skunk each had to wear business attire and so the risk of doing take after take could have been exhaustion or worse dehydrating them to the point of passing out which I did not want. So making sure water was in supply and also doing as much as I can to minimize wait time wad this shoots lesson, which meant stopping longer to review my shots and make sure I got what I needed before moving forward. 

 

I also have learned more about writing in that I need to trim up and be concise with dialogue. When I write scripts I'm used to pouring the dialogue out as it flows through my imagination, cutting up bits I don't feel are needed later. Much of the extra dialogue is what I think is embarrassing for the character but not exactly what the model will think when they make acting choices. It also adds unnecessary time to shooting because the model wants to do their best to get the lines right and it can be easier on them if I cut out the excess that isn't important. 

I also learned a lot about my own stamina for shooting as it was essentially a full work day. While I was tired by the end, it was satisfying to walk away with two full clips that have been fun editing. Violet stars in Haunted House of Humiliation, in which a real estate agent finds out why anyone who buys the home abandons it out of fear of being stripped naked and spanked. It is available now on my MV page. Skunks film will be not so much a part two and more of a sequel to this story which I will reveal likely at the start of October for the scary season.

As always I appreciate the support from you all and hope you enjoy the latest ENF film!