Back to Bondage by tying and stripping a police captain

Embarrassment and Exposure has so many different flavors as a fetish and even before the terms ENF/ENM were generated, I feel like there were other fetishes that depicted images of people humiliated from being stripped of their clothes and tied in a way that exposes them. Rope bondage and Damsel in Distress fetishes have been around for years and one thing that I always appreciated with rope bondage was how a simple tie (or not so simple tie) could be used to create a wonderful embarrassment scene. Which led me to casting Kody Evans as the bossy Police Captain in Police Captain Bound and Tied in her Disney Panties.

 

 

If you remember in my last post, the day Kody flew in to film with me was the unfortunate day that was the record breaking coldest day in Michigan. How cold? Apparently it gets so cold in some parts of Michigan it can cause trees to crack so loud it sounds like a gunshot and sounds as if an earthquake is happening. So needless to say, some of Kody's other plans changed and we had some extra time available to shoot. As a Taurus, I am used to planning ahead, like waaaaaay ahead, months, sometimes two months, in advance. Since filming fetish content, I've had to learn to be more flexible in that, some last minute things happen - models need to cancel, a camera falls and breaks, or Kody asks me if I want to book more time for an extra video. Luckily, because I have a lot of ideas I log throughout the week, I had this story in my folder that had actually been scheduled several times before. I always like to showcase my bondage work and this was a great chance to do so.

Having learned some things from shooting Exposing the Senator's Hypocrisy , I know I needed to find a better device to keep the camera steady for moving shots. With Rope Bondage videos, often times they are long videos where there are long sequences of the model struggling in ropes, with different angles capturing close-up shots of the rope and also whole body shots of the tie. I learned some of this from I-Love-Rope-Bondage 's videos. I wanted a simple story in terms of very few transitions from different settings so that most of the focus could be on the rope tie - and the embarrassment and exposure :).

The police stripped of their uniform trope is something I did before, but this was actually a callback to scene in The Republic of Doyle in which the police officer Patricia Isaacs gets stripped of her uniform and tied up.

 

 

 

I love the quick back to back cut of her clothed and unclothed. the humor of her colleague asking what happened and we hear her say "what do you think?" keeps the tone light and humorous as is in the mood of my videos. 

This was the second video we shot because I didn't know how much time it would take to tie Kody. I always go over safety with the model, asking them about any mobility issues/injuries I need to be aware of, as well as safety precautions like safety shears to use if I need to get them out immediately. I'm used to shooting scene after scene in quick succession and with rope, that adds time to an already packed day of shooting. There are quite a few different ways to tie someone to a chair, I've seen most of them with models sitting in the traditional way with ropes tied around their ankles an legs and hands tied behind the chair. I wanted to do something a bit different, adding some more bend to the pose by tying her legs in a bent position, with ankles tied to the chair and then using a criss-cross tie across her waist while her arms were tied behind the back of the chair.

 Once she was tied, I knew the next challenge would be shooting a long-cut of her struggling. Typically videos like his can run from 10 minutes or more. I thought maybe we could shoot for 15 minutes, which Kody was game for. My attention span however, was not and to Kody's credit I ended up cutting at the 10 minute mark while she was still willing and able to go for longer. By that time I felt I had enough footage. The other thing I needed to remember is that this was an embarrassed and exposed clip, not rope bondage solely, which means we had to get to the embarrassment part. 

I will say shooting rope bondage was fun because it was so cool to watch Kody in editing and see all of the acting choices she made. She knew how to act out the embarrassment the captain had in choosing her embarrassing Disney panties on the same day she had to strip and be tied up, as well as coming up with different ways to struggle, kicking her legs, sawing her arms against the chair, there's even a moment that she tried to hop free, which I didn't remember seeing when we shot. Rope bondage in general is a practice about patience and being present in the moment. Unlike impact play where you get to constantly do something like swing a toy, rope bondage is a lot of start, stopping, and pausing to let the rope bottom explore the sensation of being tied up. Kody did amazing work capturing her own sensation of being tied up in this video. 

 The other thing I wanted to keep in mind was sustainability. I wanted Kody to feel comfortable (well...as comfortable as she could) while struggling. The important fact about rope bondage is you are tying a person, it's not about the pretty shape, the priority is that they leave the scene being okay. With this, i wanted to choose and arm binding tie that would give her some space to maneuver her arms. the rope cuffs are actually singular cuffs tied around each arm, rather than what you might see in a strappado where a cuff is tied around both arms.

                                                  Ariel Anderssen tied in Exposing the Senator's Hypocrisy
 

The other reason I wanted to make sure the ties were sustainable was because we had another video to shoot after that (Poison the Embarrassed Naked Street Fighter) and so I wanted to make sure we didn't do anything too strenuous before moving onto the next video. The end of the video also got to touch on my other favorite part about embarrassment, when underwear is more embarrassing than being naked, to which Kody demands her police team take her underwear before the press arrive. She did some great embarrassed poses to wrap up the scene and so I hope you enjoy this little step outside of the typical silly (but still silly) embarrassed and exposed video by watching this rope bondage video. You find this on c4s, IWC, Loyalfans (subscribers can buy it 15% off). Because I'm transitioning my store from Manyvids, it can also be bought on Yourvids, plenty of spots to pick it up so check it out!

 

 

The Sound of Embarrassment - Using sound to tell an ENF story in A GI Joe ENF Parody

 With the release of GI Joe: Knowing is Half the Embarrassment, I learned some new insight into why I enjoy editing so much. It's finding ways of telling a story behind the script. Knowing is Half the Embarrassment is a story parodying the public service educational segments that would happen after each episode, which Devious Skunk was happy to give a lesson in survival.

 

I thought GI Joe would be  a fun enf parody because much of the way we view GI Joe is patriotism and praising a franchise that represents military and the United States. I think GI Joe portrays its characters as overly heroic, mainly as a means to selling the toys to kids, and in doing so, putting them in stories that are somewhat corny. Of course this came from an era of Saturday morning cartoons where they did want kids to learn lessons about being "good" and in this, a specific type of perfection that I love to strip away in an ENF script. Bushwack is loosely based off of the G.I. Joe character, Lady Jaye  who uses a spear as a weapon. Lady Jaye actually had her own embarrassed exposure moment in the cartoon. 

 

 This was the first video we shot before shooting Embarrassment of the Ring. I did this because my intent was for GI Joe: Embarrassment is Half the Battle a simple story in which much of the stripping would happen off camera through implication. The comedy in the stripping gags would occur through clothes being torn off camera by both bear attack and branches being ripped off. This would mean Skunk would be off camera acting as if she were losing her clothes from animal attack and being lost in the woods. You will see without surprise that she did this well, delivering some funny improvised dialogue about an inappropriate bear attacking her or panicking in a tearful frenzy as she gets lost in the woods. With each time watching the clip I continued to laugh as she plays up the over-dramatic fear and panic of being lost, which makes the scene that much funnier.

 This would have otherwise been a simple clip to edit being that there were only a few shots I spliced together. The true work was finding the sound effects to add more realism to what happens to Bushwack off camera. This included various sounds of a bear growling and snarling, funny sounds of a spear falling from the air, as well as my favorite, clothes ripping. The clothes rip effect is actually something I recorded with an old shirt I tore up. I did this after feeling limited by the ripping sound effects I found online. There are lots of different ways to tear clothes to get a different variation of sound and that was perhaps the most interesting part of editing this time, syncing the different length/intensity of a rip depending on the situation. A brief quick rip might make sense for the beginning, but then a longer, louder rip would be more fitting in the end to imply more clothes have been torn off. This gets challenging because it really requires to listen to find the perfect timing. Too long of a gap and the surprise and smoothness of storytelling is disrupted because the audience might think "did something happen with my audio?" If the effect comes too soon well then it ruins the surprise and doesn't really have the same effect. I don't know what it is, but I get the same joy and elation I get from getting a gorgeous shot as I do when the dialogue and sound effect match up at the same time. 

I also had a fun time finding sounds of bushes and twigs snapping as Bushwack gets lost in the woods. The direction was vaguely written in that, Bushwack would get lost in the woods. Everything you hear is Skunk improvising and every time I listen I laugh with how well she did building up the tension from a cocky, confident Bushwack to a scared, sniveling Bushwack. I wanted to start subtly with a few snapping sounds of trees. As she begins navigating through the woods was when I wanted to add more sounds of bushes and increase the frequency of snapping as she starts to get scared. Again, my favorite part is the sound of the clothing rips as it creates a vision of clothes being ripped off by accident, which as an erotica writer, is more effective in evoking the image of embarrassed exposure than if we had shot it ourselves. I actually got this idea from The Silmarillion in which the character Nienor is written to have wandered in the woods and have had her clothes ripped off by the end of her journey and is found naked. So, making an ENF clip based on Lord of the Rings wasn't completely random, Tolkien may have been an ENF fan too! 

 The final sequence with the "Laser-amo" was more straight forward in that I just needed a laser sound effect. I wanted this to be a drawn out stripping where Bushwack gets stripped bit by bit with each laser before ending up naked. It was also a fun moment to break the meta and have Bushwack mention "ENF." I thought it would work in this story because the perfect story for a lesson on embarrassed naked females would be in a lief lesson type setting as in G.I. Joe. I would like to do an ENF lecture series on well...ENF in the future, but this was a fun little nod to my favorite kink.  We hope you enjoy GI Joe: Embarrassment is Half the Battle  and continue to see Skunk's amazing talent in being a chameleon for portraying so many different characters.

 

 

  

Closing the year out with a Mortal Kombat ENF Sequel - an unespected surprise shoot full of kinky gags

As we reach the end of 2025, in a time when our access and rights to freely express our creative kinks through porn is threatened by Age verification laws, I am happy to release an ENF video with several kinky elements into one 20+ minute video that is Embarrassed Kombat 2!

 

After the success of the first Embarrassed Kombat , I knew it was a series I wanted to revisit in the future because there are so many possibilities for humiliation to occur in a fight. I have and still have ideas and I didn't expect to shoot a sequel so soon. So when Izzabella Robbins told me Elle McKenzie would be interested in shooting with me, I fired up my laptop and came up with a script to introduce two new characters to the Embarrassed Kombat universe. The basic framework of these stories is simple - a tough fighter trope eventually humiliated when exposed wearing (or not wearing) something that contradicts their badass image.

 

 

 

I common and real experience many folks have, including myself, is the fear of being exposed as disengenuine or a "fake." We like to believe how we portray ourselves in front of others is how we really are. There is also a lot of shame when someone is exposed for being disengenuine. Musicians being exposed for lip syncing, someone in a subgroup being labeled a "poser," these examples are real-life representations in which shame and embarrassment can occur and it's where I thought to introduce the trope of the movie actor turned fighter - Izzie Cage

 

 

Obviously this is based off of the Mortal Kombat character Johnny Cage, who from the first 1995 movie had a great backstory of an actor trying to prove he isn't a fake by entering a tournament. I had no doubts Izzie would nail this character and from the moment we started shooting, I was giddy seeing her in a leather jacket and sunglasses, acting cocky in her character select screen moment. I used to watch MMA and the idea of a fighter or a celebrity has been used to criticize people like C.M. Punk, who went from professional wrestling to MMA fighting and lost. This type of backstory enriches an ENF video because it heightens the stakes when Izzie gets stripped to her Hello Kitty panties in the middle of a fight. 

 

 While there is not a ninja domme character in Mortal Kombat, it is full of ninjas and I think we need more ENF for ninjas. I also like contrasting dominance with submission, often times stripping the dominant of their status and exposing a submissive side. Mistress Elle would be that character and as I wrote the story, the basic premise of a domme being stripped of her clothes who enjoys being spanked evolved into another humiliating moment, being a secret fan of the opponent she fought. With the story written, I was excited, and with a bit of anxiety, curious how shooting this would turn out.

 

The part that can be intimidating about shooting Embarrassed Kombat is it involves more physicality, even though the fight is choreographed. This is due to the fact that there are a LOT of planned shots in these clips, a bit more than I usually plan. Often times scenes are broken up in two shots, one of the model clothed and the other of them unclothed or there is an uninterrupted take of them stripping. With Embarrassed Kombat, the story is told through fighting as well as other video game mechanics, like the character select screen costume swap scene. Each one of those changes means there was a cut before setting up the next shot. One of the shots I was most proud of was the scene in which Elle whipped Izzies' phone out of her hand. I obviously didn't want Izzy to actually get hit by a whip, so I planned two shots - one with Elle swinging the whip at nobody and then a close-up of Izzy with the whip on her phone, that Elle would pull back giving the image of Izzy being hit. With some editing that shortened both shot, it is a cool action moment.

 

 

 

This was actually the first video we shot before we shot Resident Nudist , meaning it was the first time Elle got to explore ENF acting. If you're unfamiliar with ENF, it does take some time to get into the right mindset. It involves tapping into comedy and awkwardness because embarrassment is about stripping away a perfect-well-rehearsed-well-said-well-thought-out-pose. What was cool was seeing Elle get into character, best captured when she wedgies Izzy and teases her as she pulls on her panties. It was that fun playful energy that makes ENF a joy to shoot and captured the mood that I wanted to continue making with Embarrassed Kombat. 

 

I feel like beyond fatalities, what makes Mortal Kombat, and Street Fighter to a degree, so popular is the backstory of the characters and how much of a trope they tap into classic martial arts cinema. In doing this, fans enjoy playing their character and in a sense, this brings them to life. I truly appreciate Elle and Izzie's performances because when I watch the clip, I see the characters Izzy Cage and Mistress Elle squaring off and this is thanks to their ability to act vulnerable in being both silly and of course embarrassed. We hope you enjoy the second installment of the Embarrassed Kombat series and if you like it, know that there's plenty more ideas to come. 

A New Challenger Appears! Making a Street Fighter ENF Parody

After the success of Embarrassed Kombat, I couldn't wait to shoot the next video game, fighting parody that I had planned with Ariel Anderssen. This is why we're happy to release Cammy The Embarrassed Naked Street Fighter!

I booked this before I booked Embarrassed Kombat when I wasn't quite ready to shoot a two person shoot. I had planned this to be a POV style story in which Ariel would play both the classic and new version of Cammy. 

 

 

 

I saw ENF potential in Cammy because since her original design, she has worn clothing that was revealing. While the character doesn't seem embarrassed, I saw the potential for her to acknowledge the humiliation of wearing thong leotard in a fight. I liked the idea of incorporating an embarrassed reaction for someone who is otherwise clothed.

 Perhaps the most challenging part was designing the costume while keeping to a manageable budget. From my friend and cosplayer Jaz, I have learned how expensive cosplaying is through getting materials to make the outfit as accurate as possible. With many of my shoots, I tread a line between spending money to get the desired props and costumes and not going over budget to the point the cost outweighs the payoff. With cosplay and parody videos, I don't mind spending extra money to get a better look. This was the case when I looked for the jacket that the new version of Cammy wears. As nice as it would've been for Ariel to say she already owned a leather jacket with the British flag, I would've been shocked if she actually did. So I did some searching and was able to find this amazing quality jacket from Dazcos. The hat and leotard were easier to find as solid color items are easier to find. The one item I didn't see worth spending money on was the finger-less gloves. I give props to Cammy cosplayers because her gloves are something I have not seen anywhere else, particularly with the thick wrist band. This is where being creative became fun as I knew I could mimic the look with red arm sleeves and spray painting the gloves.It took a few sprays but by the time Ariel arrived, I was satisfied with the bright colored pallet that would become her second outfit. It wasn't a perfect replication of Cammy, but when I saw her tie her hair in pigtails, I got excited because she did replicate the character as I'd hoped.

We shot this video after shooting Exposing Senator Anderssen's Hypocrisy. this was because I knew the fight scenes would be more intensive and I wanted to spare her energy for the two videos we shot. One of the challenges that would be new for me as trying to gauge distance so that I could be close enough to the camera to raise my arms to "block" Ariel's attack's when she fought me while also making sure I wouldn't disrupt the focus when I wanted to focus on her. the other challenge would be the timing of the fireball I was going to cast at Ariel. This in my opinion was one of the effects that was the key gag for her initial exposure of her underwear There are only so many light effects that mimic the Hadouken fireball. That wouldn't be so challenging. the real challenge would be the timing of me conjuring the blast before firing it at Ariel and for her to react in time. I had no doubts Ariel could pull this off as a professionally trained actor, but for me, it would be a matter of keeping the internal clock as accurate as possible. the effect I chose gives about 1-2 seconds before the big flash occurs to "blow her clothes off." What helped in preparation was doing some test shots prior to the day of the shoot.

 When I was editing the video again, one of my favorite moments was seeing Ariel walk back to the fighting arena in her green thong leotard, trying to act calm and collected while clearly being embarrassed that her butt is showing. This was the exact embarrassment gag I was hoping for. Ariel acted this beautifully  from the embarrassed reaction she has to bowing all the way up to her acting awkward with her fighting attacks because stretching too much would expose too much. It really is a marvel to watch Ariel act in ENF because most of this script had little dialogue. Because of the fighting scenes a lot of them were nonverbal actions that she had creative control to fill the time and space with

In thinking of a way to end the story, I try to think of what would make a loss embarrassing beyond losing naked. Another fantasy I had is for spanking to get involved. I couldn't think of a better move to parody than E. Honda's Hundred hand slap. 

 

How funny would it be to have Cammy lose due to orgasm from spanking? Shooting ENf and shooting spanking have two different focus points. I base this off of being an admirer of both ENF and spanking videos. With ENF it's close up shots but mostly wide angle shots to capture the model from heat to toe acting embarrassed as she's exposed .In spanking videos the choice becomes shooting an up close shot of the bottom being spanked and the reaction of the model being spanked. I have seen videos where they provide two cuts, one of the model from behind and another of them from the front to capture their reaction. I could see the point of doing it if we were doing actual spanking but if you can tell from our video, the actual spanking didn't occur and so I didn't see it as necessary to do the double cut of the spanking scene. What I did want to do was shoot two images, one of Ariel's face and the other up close of the hundred hand spank move. so we could do a side-by-side comparison. What I was concerned about with this shot as well as the other POV shots was making sure the camera was steady. I've learned my lesson from Embarrassment Quest about how jarring it is when the camera shakes, even from the subtle movements of my breathing. This was why I opted to use a tripod up close for most of my shots.

One creative decision I made that breaks canon from Street Fighter is the setting of the story. I like expanding the universe of characters I wrote, which includes expanding the world they are in. Rather than re-create the setting of Street Fighter, I liked the idea of merging Cammy into the realm of Aidos with Quokkan in the Embarrassed Kombat universe. This is because I want to expand the idea of what's possible for martial arts characters to fight and strip each other. Both Mortal Kombat and Street Fighter have dozens of characters and with the merging of Embarrassed Kombat and Cammy the Embarrassed Naked Street Fighter, I'm excited to continue expanding this world. 

Ariel and I were both tired by the end of shooting, but we had a lot of fun choreographing the fight scenes. Nothing makes me happier than when I see models like Ariel, smiling with glee before we record because of how game they are.The last three videos - Embarrassed Kombat, Shego Exposed in her Tighty Whities, and Cammy the Embarrassed Street Fighter have helped me identify a niche I enjoy filming, and that's cosplay parodies of video games or pop culture. I can't say that I will only film these shoots but I have had so much fun collecting the items and costumes to make the look as accurate as possible. The magic of seeing the model make the character come to life is even more enjoyable for me. At the end of the day, what is fulfilling for me is making ENF/EUF videos.  I am new to this game, I have to honor the many talented producers before me and I often do praise their work when I review the videos I purchase from their stores in my newsletter. What makes ENF interesting is coming up with unique concepts to make an idea that has is simple - exposing and embarrassing someone, unique and with cosplay I have found the spark of inspiration that has spread like a fire. That fire does not spread without your support, Embarrassed Kombat and Shego Exposed in her Tighty Whities have both been the top #1 ENF clip on c4s and so I am listening to y'all when I see what you like most. I hope you enjoy this one. 

Shooting an ENF video game sequel

 We're ending the year with another video game ENF parody! I'm happy to release Embarrassment Quest 2, with the return of Riley Jane! Embarrassment Quest was one of the few videos that had multiple positive comments (this always helps my stores so if you like them, please rate and review!). Rather than do another combat based story, I wanted to film another trope in video games - selling items or in this case, clothes!

 

                                             Selling and robbing clothes of townsfolk in Skyrim
 

I feel like I have seen this setup earlier in my days playing video games, but where I saw the specific idea was in the web series, The Guild. In it, one of the players has his keyboard hijacked by the protagonists, and they sell his avatars' clothes until he is left naked although it is never shown. In video games, like in reality, we want to dress our characters, who are sometimes an extension of ourselves, in the best/most badass look possible. This is why I like the idea of stripping away that "best self" and exposing one that we wouldn't want to be seen, because I find that this is best type of exposure and embarrassment. The heart-print underwear is always a favorite of mine, but it was also my nod to a classic video game Ghouls N' Ghosts, where the Knight in that came will be exposed in his strawberry-print underwear when his armor is destroyed by one hit (I just learned that it is strawberries NOT hearts!)

Initially my plan was to have Riley strip in one long cut as she negotiated for the sword she needs to use to slay the dragon. It occurred to me the day before that a more "video game" effect would be a jump cut where her clothes vanish after confirming the sale of an item. In one way, this would make shooting easier because it makes for a shorter take before cutting and moving to the next clip. The challenge becomes in having Riley freeze and then start the next take in as close of of a position that resembles the last one. Overall this went smoothly, with some very small differential placements. What helped as setting up the merchant table and leaving some items in frame that remained still in between each cut.

 

The other challenge was adding the other images/sounds/music to mimic a video game. The first time doing this in Embarrassment Quest it took two days. This time around things went a bit quicker now that I knew what animations I wanted. The added time can be exhausting but looking at the final cut make it all worth it because all of these elements remind me of video games I used to play. 

 

 

This was also the film that made me laugh the most, so much so I ruined some takes because I couldn't contain my laughter. I knew using the confetti popper was going to be funny, but the large amount of confetti that shot out made me laugh so hard. To avoid laughing on take two, I had to look away. Riley absolutely understood the idea, how it was meant to be silly and over-the-top, breaking the meta by writing her as a player who is aware there is a game. 

 

I couldn't wait to release Embarrassment Quest 2 and I hope y'all enjoy that in addition to the first. I don't know when I'll shoot a third sequel but I do have some ideas that I will save in the future because there are so many tropes I can make fun of.

Izzie Robbins is back! Paying homage to an old classic ENF moment in cinema

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The Bigger & Barer sale and my newest ENF video Haunted House of Humiliation

It's hard to believe summer is over. Before it ends I have lots of exciting things in store for this month and for sENFtember. As you all know, The Immodest Collection volume 4 will be released on 9/1, the first day of sENFtember. The book will feature the return of Erica Hardy and Caitlin McNally from The Immodest Collection volume 1 , The Mistress and Riot from the Immodest Collection volume 2, and Rana Halaweh from Indecent Exposure Therapy To give folks who have not read these books a chance to catch up, for the whole month of August, I am running the Bigger and Barer sale! From now until 8/31/24, you can get the Immodest Collections volumes 1 and 2 AND Indecent Exposure Therapy each for 50% off! That's $1.50 for each story. So, with the final month of summer, use that time to catch up on some spicy exposed and embarrassed erotica and turn up the heat even more! Each book can be purchased on Smashwords . I hope everyone who has not read these books gets a chance to cash in on more enf/euf erotica! In addition, I will be releasing a free story featuring Riot and The Mistress that takes place between the Immodest Collection volume 2 and 4 on my Medium page

Because of these writing projects, I took a month off from filming. So when I resumed again, I was ready to get back into the swing of things with filming and took a step into another area of growth for me, and that was shooting two ENF films back to back.

I previously hesitated into doing two in a row because I did not know the length of time it would take to shoot one clip. I wanted to give myself time to mentally process directing, adjusting lights, and filming and the first 5 films took roughly about 4 hours each. However to be more cost effective, I know a lot of professionals shoot multiple clips within that 4 hour time frame. This makes sense in terms of being cost effective, especially when it comes to booking a shoot space.

So once I found a location I was excited to work with Violet Vixen and Devious Skunk again. My long term goal is to work with a wide range of models but since I'm still new and I have such good fun shooting with both Violet and Skunk, I knew it would be a fun process.

The concept I wanted to do was a relatively simple ENF storyline in terms of setting up ENF gags and a common plot that I see is a real estate agent visiting a house story. The idea is always a model going into rooms with their clothes disappearing. It seems like a basic idea but that was where the fun came in writing the characters. With Violet I envisioned her being a Type A, bossy real estate agent obsessed with a perfect record so that when she is exposed, it makes the contrast nice in terms of focusing on her humiliation. 

 

 

The challenges to this shoot. Which I am still trying to figure out is making seamless cuts between pre and post stripping. For ease of shooting, I break things in chunks so that dialogue is easier to act out and memorize. I also think this makes for stronger performances as there is mental effort put into wondering what the next line is. 

Of course, a seamless cut makes for a smoother transition but here in lies one of the challenges to directing. I could do take after take hoping that the model will eventually get a long page of dialogue down in one take without any slip ups. However, there are other things to keep in mind and that's the models physical and mental well being. It was HOT that day, at least into 90 degree range and to keep sound off I had to switch between turning air conditioners on and off for sound. Violet and Skunk each had to wear business attire and so the risk of doing take after take could have been exhaustion or worse dehydrating them to the point of passing out which I did not want. So making sure water was in supply and also doing as much as I can to minimize wait time wad this shoots lesson, which meant stopping longer to review my shots and make sure I got what I needed before moving forward. 

 

I also have learned more about writing in that I need to trim up and be concise with dialogue. When I write scripts I'm used to pouring the dialogue out as it flows through my imagination, cutting up bits I don't feel are needed later. Much of the extra dialogue is what I think is embarrassing for the character but not exactly what the model will think when they make acting choices. It also adds unnecessary time to shooting because the model wants to do their best to get the lines right and it can be easier on them if I cut out the excess that isn't important. 

I also learned a lot about my own stamina for shooting as it was essentially a full work day. While I was tired by the end, it was satisfying to walk away with two full clips that have been fun editing. Violet stars in Haunted House of Humiliation, in which a real estate agent finds out why anyone who buys the home abandons it out of fear of being stripped naked and spanked. It is available now on my MV page. Skunks film will be not so much a part two and more of a sequel to this story which I will reveal likely at the start of October for the scary season.

As always I appreciate the support from you all and hope you enjoy the latest ENF film!

Getting blasphemous for the 4th of July

I never celebrated Independence Day and today feels particularly surreal in light of all of the recent Supreme Court rulings that empower cities to imprison the homeless, allow bribery for politicians, and for presidents to rule despite being tried for crimes. I've not been a good mental space this week as a result. But, something that gives me a sense of joy, which is important to manage in times of despair and hopelessness to allow survival to fight. So for Independence Day, we're getting blasphemous as I release my newest ENF/EUF film, The Embarrassed Naked Nun

June ended with me feeling slightly burnt out, much of it stemming from work but also in finding what my mental/emotional limit is in terms of shooting ENF films. The most recent film, The Embarrassed Naked Nun was the third film I shot in this month. It of course was fun and a great learning experience and also a bit more exhausting this time around since we shot it at night. As fun as this has been, it also takes time to recover. I love the editing process and it keeps me from being present and engaging in rest on the weekends, which is the only chance I have to recover. With 3 shoots booked in one month I realize I need to find a more balanced schedule with shooting so that it can still be fun for me and also be sustainable long term. 

Each shoot comes with excitement and also anxiety. The anxiety stems from my own worry about not knowing what to do if a shot doesn't work out or if I'm running behind. So that energy carries in the weeks leading up to the shoot. This gets added when I think of location, getting props, and planning my shots. It would be one thing if this was my sole job, but I also work in healthcare slightly over 40 hours. While it was nice to see I could do multiple shoots in one month, I am glad to have seen that this might be my ceiling for now and why for July I'll take a break from shooting so I can focus on wrapping up the Immodest Collection volume 4.

I am glad I was able to complete Embarrassed Naked Nun before this break. This was one of the first shoots I had on my list of ones to prioritize. I have plans to upload things on Clips4Sale and needed 10 videos. Being brand new to this, I wanted to keep story lines simple in terms of shooting, things that wouldn't require a lot of setup/tricks for the exposure scenes. Officer Undressed was easy because Skunk would simply strip in and out of a room that was off camera, which would make editing easier. Ariel Anderssen would strip in real time as part of her story in Embarrassment is Forever and so it was just a still shot on her for the whole clip. 

Embarrassed Naked Nun was planned to be my third film but was delayed after had the confidence to film Embarrassment Quest and Cat Embarrasses the Cartoonist. The Nun script was simple in that the Nun would get stripped as the possessed Matthew turns the lights off. My friend Violet Vixen is someone I met in the local kink community and have enjoyed doing rope scenes before. When I proposed shooting ENF with her she was totally down. She was also new to ENF so it was fun to introduce a new performer to this kink and see how she approached her character. 

 

It took Violet some time to get the sense of her character, but once we got to the stripping scene, she started to get the contrast between the shy-nice-timid seeming Sister Francesca and the kinky, expletive using, sexually repressed  nun that is slowly exposed over time. Violet helped me realize there are a lot of ways to help a performer with character, I used to just write dialogue and plan to work with them during shooting on getting the performance. She highlighted the other important aspect, which was understanding the character to help with the performance. For example, she learned more about her character as we shot the stripping scene and shot the outdoor scene last. She shared that had we shot that first, she would have had less idea about her character and the context of her conversation with Father Dyart. I appreciated her dedication to acting. Having tied with her before, I felt more comfortable trying the pentagram harness and rope panties, something I was most looking forward to because they were the first ties I taught myself when I got into Shibari.

 

The highlight of this film experience was shooting late, waaaaay past both our bed times (I know, we're truly edgy people). I needed the night effect so that when the lights go out it is completely black and with summer, it isn't getting dark until that time. Weather was also a rival as I wanted to get an outdoor shot of Violet under the lamp post, a slight nod to The Exorcist. We were able to get the shot just as it was about to rain but it didn't quite turn out as I'd hoped, and so I opted for an alternate choice, using the still frame of Violet in black and white and zooming in with the audio laid over. As much as I would've liked the outdoor shot, I do like the eerie vibe of the zoom in to her eyes. 

 

I really wanted to shoot this film because for this embarrassment and exposure story, I wanted to focus on a type of embarrassment of exposing secrets, and the idea of a nun having a very sexual side that she's tried to hide that's represented by the racy lingerie she wears was a hot ENF story. The contrast of Violet in her conservative nun habit to her revealing lingerie and then rope underwear I think makes for a wonderful ENF/EUF film that I hope you all enjoy.

A new ENF/EUF film paying homage to one of my favorite comic strips (pun intended).

Today I released my fourth ENF/EUF Clip Cat Embarrasses the Cartoonist. You can probably notice some similarities between the video and a certain comic strip (emphasis on stripped ;). Yes, this is an homage to the Garfield comic strip. This was inspired by an artist who I will discuss in a moment but I also felt inspired to film this long clip because the comic strip, and Jon Arbuckle in particular, is a good representation of what embarrassment and exposure looks like.

I grew up watching the cartoon and reading the comics as a kid. As i thought about that memory and how it led to my motivation to film a whole ass parody of the strip, I realized that an early kernel kink planted in my mind that helped cultivate my interest in embarrassment came from all of the exposure Jon Arbuckle endured in the Garfield comic strip and the cartoon. I cannot count the mount of times Jim Davis has used the exposure of heart/polka-dots/striped underwear for his characters, with Jon suffering the brunt of it. Even off panel it is implied he is exposed naked and so he should be honored as a legend in the exposed and embarrassed genre. 

 

                                              Here Jon embarrasses himself on the Thanksgiving episode

                                                                         Here he's embarrassed again

 

 

And again

                                                            No one's pants are safe!

There's a particular enjoyment I have from seeing Jon exposed in his underwear in front of his crush. Again this adds a simple exposed underwear gag into an even more embarrassing and in my opinion, erotic when someone we're attracted to sees us at our most vulnerable.  This is still only half of the story. The other half, is all thanks to an artist, who is also an ENF fan, named Miss Icy

 Look...I did NOT expect to have the feelings I did when I saw this piece on my Twitter feed. I don't think I've had a crush on a cartoon character in a long time but that ended thanks to this drawing of Icy's. I love the way the eyes are drawn, as if she is a different character than Jon, and I love the suave confidence in the image on the right. But knowing who she was based off of, my kinky mind couldn't resist imagining what happens when the same unlucky exposed and embarrassed situations apply to her. So when I decided to make ENF films, this idea was in the long list of ideas I had that I didn't expect I'd ever shoot. I didn't think I'd ever shoot this video mainly because I had a specific look for Jane I wanted to cast and luckily, through the magic of Twitter, with what little magic it has left now that Apartheid Clyde has taken over, I happened to find Izzabella Robbins who was up for the task at bringing Jane to life.

I tried writing the script to mimic several different scenarios I remember from the series. This meant setting up a storyline in which Jane was excited about preparing for a date and in her excitement, would suffer several embarrassing scenarios in which she's exposed. The challenge was in figuring out what sort of accidents could result in her losing her clothes? One thing that is clear is that Garfield was also responsible for Jon's exposure, often times unintentionally stripping Jon by doing something where he is trying to help. So, some ideas I had were Jane becoming so excited she rushes to greet Liz without pants, her cat (Parker) turning the heat all the way up, causing a fire hazard and forcing Jane to rush without her pants fully on only for them to fall. Her top catching fire, and a few other accidents that leave her naked (well I did let her keep some clothes you'll have to see what that is).
 

 The October 17 1993 strip was an exposed and embarrassed idea I liked for decades because it captured a lot of my favorite things in exposure: Heart-print underwear, an embarrassed/shocked reaction, and in this case, a unique scenario that elevates the humiliation, that is, Jon is exposed in front of a woman he would find attractive, which adds to his embarrassment as he would not want he to see him in such less flattering image. How often have you scrambled to get dressed and styled when someone you like asked to come over and you felt horrified at the idea of being seen in just your morning image? I would actually suggest asking yourself this question to get a good understanding of embarrassment, which is "What would you feel most embarrassed being seen in if your crush saw you? It is this strip below that inspired one of the scenes in Cat Embarrasses the Cartoonist.

            

 

 In talking with Izzie about Jane's character, I explained how Jane would meant to be intentionally, over the top, geeky/nerdy/awkward. This was fun to watch Izzie explore as we shot each scene, doing an adapted retelling of a story line in which Jon has a date with his vet Liz for the Thanksgiving episode of Garfield. This was I think one of the first times I ruined a take because I laughed during Izzie's performance. In my attempt to tell a great story, I didn't realize how long it would be. At 19+ minutes, this video is almost the length of a full Garfield episode. I do want folks to check it out because Izzie did an amazing job and I'm proud of what we made, and I also understand it's on the pricier side. My hope is y'all will find it worth it as lovers of exposed underwear and exposed nudity. There are a lot of fun gags in here, clothes ripping, pants dropping, silly underwear, sexy underwear, unraveling, I packed this video with a lot of exposed embarrassed gags that I hope makes the price worth it. Because we needed a voice for Parker, that is my voice you hear. I did read lines during recording but didn't like how the audio sounded and so I re-recorded it in post. I hope my voice isn't too distracting from what you paid to see. 

Cat Embarrasses the Cartoonist continues to fit in line with the weird, absurd, silly mood of ENF that I continue to be happy to make. I feel so lucky to continue to work with amazing talent who get the type of fetish content I want to make. This was Izzie's first time shooting an ENF focused clip and so I hope folks enjoy her performance and show her as much kindness and support as you have shown me.