Back to Bondage by tying and stripping a police captain

Embarrassment and Exposure has so many different flavors as a fetish and even before the terms ENF/ENM were generated, I feel like there were other fetishes that depicted images of people humiliated from being stripped of their clothes and tied in a way that exposes them. Rope bondage and Damsel in Distress fetishes have been around for years and one thing that I always appreciated with rope bondage was how a simple tie (or not so simple tie) could be used to create a wonderful embarrassment scene. Which led me to casting Kody Evans as the bossy Police Captain in Police Captain Bound and Tied in her Disney Panties.

 

 

If you remember in my last post, the day Kody flew in to film with me was the unfortunate day that was the record breaking coldest day in Michigan. How cold? Apparently it gets so cold in some parts of Michigan it can cause trees to crack so loud it sounds like a gunshot and sounds as if an earthquake is happening. So needless to say, some of Kody's other plans changed and we had some extra time available to shoot. As a Taurus, I am used to planning ahead, like waaaaaay ahead, months, sometimes two months, in advance. Since filming fetish content, I've had to learn to be more flexible in that, some last minute things happen - models need to cancel, a camera falls and breaks, or Kody asks me if I want to book more time for an extra video. Luckily, because I have a lot of ideas I log throughout the week, I had this story in my folder that had actually been scheduled several times before. I always like to showcase my bondage work and this was a great chance to do so.

Having learned some things from shooting Exposing the Senator's Hypocrisy , I know I needed to find a better device to keep the camera steady for moving shots. With Rope Bondage videos, often times they are long videos where there are long sequences of the model struggling in ropes, with different angles capturing close-up shots of the rope and also whole body shots of the tie. I learned some of this from I-Love-Rope-Bondage 's videos. I wanted a simple story in terms of very few transitions from different settings so that most of the focus could be on the rope tie - and the embarrassment and exposure :).

The police stripped of their uniform trope is something I did before, but this was actually a callback to scene in The Republic of Doyle in which the police officer Patricia Isaacs gets stripped of her uniform and tied up.

 

 

 

I love the quick back to back cut of her clothed and unclothed. the humor of her colleague asking what happened and we hear her say "what do you think?" keeps the tone light and humorous as is in the mood of my videos. 

This was the second video we shot because I didn't know how much time it would take to tie Kody. I always go over safety with the model, asking them about any mobility issues/injuries I need to be aware of, as well as safety precautions like safety shears to use if I need to get them out immediately. I'm used to shooting scene after scene in quick succession and with rope, that adds time to an already packed day of shooting. There are quite a few different ways to tie someone to a chair, I've seen most of them with models sitting in the traditional way with ropes tied around their ankles an legs and hands tied behind the chair. I wanted to do something a bit different, adding some more bend to the pose by tying her legs in a bent position, with ankles tied to the chair and then using a criss-cross tie across her waist while her arms were tied behind the back of the chair.

 Once she was tied, I knew the next challenge would be shooting a long-cut of her struggling. Typically videos like his can run from 10 minutes or more. I thought maybe we could shoot for 15 minutes, which Kody was game for. My attention span however, was not and to Kody's credit I ended up cutting at the 10 minute mark while she was still willing and able to go for longer. By that time I felt I had enough footage. The other thing I needed to remember is that this was an embarrassed and exposed clip, not rope bondage solely, which means we had to get to the embarrassment part. 

I will say shooting rope bondage was fun because it was so cool to watch Kody in editing and see all of the acting choices she made. She knew how to act out the embarrassment the captain had in choosing her embarrassing Disney panties on the same day she had to strip and be tied up, as well as coming up with different ways to struggle, kicking her legs, sawing her arms against the chair, there's even a moment that she tried to hop free, which I didn't remember seeing when we shot. Rope bondage in general is a practice about patience and being present in the moment. Unlike impact play where you get to constantly do something like swing a toy, rope bondage is a lot of start, stopping, and pausing to let the rope bottom explore the sensation of being tied up. Kody did amazing work capturing her own sensation of being tied up in this video. 

 The other thing I wanted to keep in mind was sustainability. I wanted Kody to feel comfortable (well...as comfortable as she could) while struggling. The important fact about rope bondage is you are tying a person, it's not about the pretty shape, the priority is that they leave the scene being okay. With this, i wanted to choose and arm binding tie that would give her some space to maneuver her arms. the rope cuffs are actually singular cuffs tied around each arm, rather than what you might see in a strappado where a cuff is tied around both arms.

                                                  Ariel Anderssen tied in Exposing the Senator's Hypocrisy
 

The other reason I wanted to make sure the ties were sustainable was because we had another video to shoot after that (Poison the Embarrassed Naked Street Fighter) and so I wanted to make sure we didn't do anything too strenuous before moving onto the next video. The end of the video also got to touch on my other favorite part about embarrassment, when underwear is more embarrassing than being naked, to which Kody demands her police team take her underwear before the press arrive. She did some great embarrassed poses to wrap up the scene and so I hope you enjoy this little step outside of the typical silly (but still silly) embarrassed and exposed video by watching this rope bondage video. You find this on c4s, IWC, Loyalfans (subscribers can buy it 15% off). Because I'm transitioning my store from Manyvids, it can also be bought on Yourvids, plenty of spots to pick it up so check it out!

 

 

Filming a real humiliation scene with Violet

Today I'm happy to release the video that is a bit more personal in that, it is something that portrays something very important in my life and that is kink. Violet and I were excited to show you Punishing the Nun's Hypocrisy: A Humiliation Scene. I have been in the lifestyle sine 2011 and whenever I wasn't writing erotica, drawing ENF art, or making films, I have been and am actively involved in my kinky community. If you follow my newsletter (check your spam folders if you haven't been getting them!), then you may have heard me talk about how kink has been central to my growth, helping me learn to be a better communicator and also expanding my own emotional and artistic growth. Violet Vixen and I were friends before we made films together, and have enjoyed the pleasure of doing scenes at events. 

When I debuted my mask on Instagram, Violet had reached out asking to do a scene together. Initially, I thought it would be a scene in private but then I thought that this could be an opportunity where we could enjoy a scene together and also showcase what a humiliation scene could look like. I have previously written on the complex, diverse way humiliation and embarrassment can be utilized in a scene. Beyond stripping someone of their clothes, there can be other elements of embarrassment, humiliation, and shame. There can be verbal teasing or bullying, exposing someone's secrets that they'd be embarrassed if they were shown, or tapping into the way in which religion uses shame to enforce its values. 

 

With humiliation, I saw this as the chance for us to have fun including several of my favorite elements in kink - rope, impact play, and stripping. We wanted to have a slight horror element and with that in mind, I wanted to bring back Sister Francesca from the Embarrassed Naked Nun

I have seen several humiliation themed videos on Kink.com. There are mixed stories about how ethical they are in how they treat models as representation of kink. They showcase a preshoot interview where they negotiate what will be done in the scene and what the safe words are. It's not clear however, if the negotiation being shot is part of the scene itself or an actual negotiation. Kink.com has a lot of Public Disgrace scenes, which sways on the side of humiliation/degredation than embarrassment. I have found myself less into the more degrading aspect of the scene than I enjoy the beginning where the person is stripped of their clothes and acts embarrassed. It was this tone that Violet and I had in mind when we talked about shooting a long scene. I wanted something that would be more kink-focused, but also enjoyable for an Embarrassed and Exposed audience as I get feedback that they are not as interested in the more kink heavy aspects of the genre.

The idea at the time was that my character would be more of a scary type figure. This of course was before we ended up making me a silly, cartoon trope in Shego Stripped to her Tighty Whiteys. My style with an actual humiliation scene is humorous. There was a period where I was a standup comic and what has stayed with me was my ability to roast someone in a teasing/bullying type of humor that works well with embarrassment and humiliation. Admittedly, I myself was nervous about being on camera for such a long time. As someone with my own personal experience with anxiety, perfectionism sometimes spills into that, making me trip up on my words or stutter or become hesitant. I was worried this might show up on camera as I played with Violet. This would definitely disrupt the perfectionist in me with editing and the thought of being so concerned about something not turning out "perfect" that I'd hesitate from posting was a worst-case-scenario fear that I knew I'd have to keep at bay.

 That did not happen however, because Violet and I have played several times before and so I felt comfortable being on camera because we had established trust and care for each other long before that. This is important in kink because when it works, as I think you'll see in this video, the players are fully present in the scene and time flies by because we're not in our heads thinking about "what if" anxieties, we're fully present, and that is what I find fulfilling about kink, when the magic is there, it is truly a mentally transformative experience where you can take on a role you otherwise might not embody in real life, and it gives your mind a sense of healing, purpose, and excitement to create something powerful. 

 In any scene, it is more complex than simply striking someone, tying someone up, or being tied or being hit. It is a risky practice, there is no way there is zero percent chance that harm could be done mentally or physically. That is why, it requires constant communication and constant check in throughout a scene. What you see is an edited video to tell a story, what you don't see is the safe words Violet and I negotiated before a scene, what we agreed would and wouldn't happen in the scene, and adjustments that needed to be made during the scene in terms of how intense things would be. In any scene, at any time, something can change and the previously planned scene might need to change. This can be due to someone's body experiencing pain or discomfort that was not planned or even a psychological trigger that requires ending the scene early. While safe words are one way to minimize risk of harm, sometimes that doesn't always work either. This is why it's also important to observe each other's nonverbal language, their facial expressions, an abrupt silence after they were talking a lot, or even a freeze response. We had to constantly monitor each other's and our own internal response to make sure it was safe to continue playing. The challenge for me was that the mask made it slightly more challenging to observe Violet's reactions, although I kept close watch the entire time while also staying in character.

 Violet did amazing work. Not only did she also have to act in character for the whole scene, she had to do so while in a position that over a long period of time was uncomfortable. The setup we chose was one that Violet felt most comfortable in for sustaining the pose for a long time. yet, even though she felt comfortable, over time, that pose with wrists tied to a hard metal pole while being flogged, caned, and spanked with a crop would add tension and more intense physical effort over time. Having been tied myself with the intent to hold a pose for a long period of time, by the end of ten even twenty minutes can be intense. Your body starts to shake, muscles are tense and you have to constantly check in with your tying partner to let them know if adjustments need to be made. So, big hats off to Violet for being able to sustain that pose, to sustain being spanked all while acting in what was a long-form improvised humiliation scene. There were was actually only once instance where we had to make adjustments to the intensity of the scene but otherwise, what you see is the scene that we shot in one take. A performance like this does not happen easily, but for us it did because of our long-term friendship and experience playing before.

 You may find Punishing the Nun's Hypocrisy a Humiliation Scene different from my other ENF videos. however, we hope you give it a shot and enjoy it as a representation of kink between two close friends who both share a love for celebrating the power of telling a story through rope, canes, floggers, and of course, exposure ;).

 

Commanded by Skunk - Exploring different forms of humiliation

 Around this time would've been the year anniversary of when I reached out to Devious Skunk to start my career in producing enf content. This comes with the release of Spy vs the Commander - Skunk's Uniform Stolen! This was actually the first video we shot before we shot The Men in Black versus the Kinky Clownians. The idea of this story stemmed from my love of the exposure trope of a character's clothes being stolen and used for a disguise. This is often shown in a lot of action-type movies, sometimes not even showing the actual removal of one's clothes, instead one shot will portray the protagonist and the other character,  with the following scene to show the protagonist wearing the character's clothes. Sometimes we would get to see the character stripped of their clothes and tied up, a double whammy of humiliation. G.I. Joe often used this trope both in the comics and the TV show.

 

 

I also highlighted this trope in a fanfiction story featuring Black Widow in Black Widow's Bad Luck. In this story Black Widow sneaks around, stripping guards of their clothes before she gets caught and is stripped herself. It's one of my earliest stories and one of my most popular ones.

 Thus, that was the idea I had when I created Commander Skunk. I liked the idea of a dominant boss who demeans her soldiers only to be stripped and humiliated as she's tied up in her panties and later, no clothes at all. Still, I didn't feel this was quite enough, I wanted to do something else to make this ENF clip more than just a clothed/unclothed story.

As I have said before, erotic embarrassment and exposure is not just about the nudity/panty exposure, it's about exposing someone's secrets. Most folks have no problems with being seen naked or in their underwear, but it's when there's a detail they don't want people to know about that makes it embarrassing. I thought it would be fun to be in a situation where in being stripped and tied up, that The Commander had a sexual fantasy of this but didn't want anyone to know. This led to the funny premise of her bossing the Spy, to do what she wants him to do to her. We both enjoyed this idea because of how silly it was because in turning the tables, the Spy is now stuck at the mercy of the Commander before she's horribly embarrassed when her men see her caught in the passion of her submissive fantasy.

 

 I thought this would be a simple clip to shoot in terms of the set up and boy was I wrong. Do you know how hard it is to strip someone with a camera strapped to your chest and make sure you have it pointed on the actor? Suuuuuuuupeeeer hard. Once we started filming I realized that I couldn't just focus on removing her catsuit, but I also had to make sure the camera was steady and aimed where I wanted it to. I had to summon all of my lessons from yoga by being very mindful of my body movements so that I moved slowly and not shake the camera. Adding to the challenge was that the catsuit was a lot tighter than I realized, it wasn't something I could simply just pull off.  

These technical issues initially had me concerned because I wasn't sure if the camera would be so shaky it would impact the clip. It was one of the first time I thought about booking a re-shoot, which I now understand the purpose. Thankfully my fears were unfounded as I have watched the clip several times and l love the diverse types of stripping scenarios that Spy vs the Commander has, capturing my love of exposed nerdy and sexy underwear and naked exposure. As always, Skunk's playful and silly energy made this shoot a fun hangout than work. I'm impressed with her ability to write her own cue cards while tied up. We hope you enjoy the clip!

Forget The MCU or DCU, let's make the ECU (Embarrassed Cinematic Universe)

I hope folks had fun celebrating National Erotic Humiliation Day, I have recently released a very personal essay in which I process the painful emotions behind my own embarrassment and shame. It's not exactly a sexy piece, but I felt it honored the spirit of celebrating that people who enjoy this kink have an emotional connection to the fetish as well.

This month's release is the Embarrassed Naked Supervillain, staring Riley Jane. This was the second film I shot with Riley the same day I shot Embarrassed Naked Goth. It was my first time shooting two in one scheduled block of time and I wasn't sure how I would do with getting the shots I needed while sticking to time. Thankfully, Riley was game for it and brought the same fun energy to this story as she did with playing the Dark Empress. As a professional Domme, it was fun to write a character with a dominating personality and see how Riley made her own acting choices to make the character come to life. I wanted her character, The Mad Mask, to be a dominant figure who talked down on her henchmen, mocking them when they are stripped of their underwear before mocking their nakedness. I don't have a small penis humiliation fetish but it was nice to incorporate that kink into the story before Mad Mask gets stripped to her embarrassing underwear.

 

 

 

You may recognize a character mentioned off camera, The Mistress, who I introduced in a story called The Suit, in the Immodest Collection vol 2. This could have been a straight forward ENF clip in that it would have been simple to splice up the shots together for the final cut. I certainly felt too busy and tired at the end of a work week to shoot extra shots. However, in the spirit of a superhero movie, specifically the Batman movies, I felt an added touch would be showing close-up shots of "The Mistress" preparing to fight crime. If you remember the comical way Batman and Robin get suited up in Batman Forever, this is the idea I had when I did some shots of my character. 

 

I didn't have a suit or an actor to play the character, but I knew I could still add dramatic effect with some quick close-up shots of me-er-em the Mistress, putting on a suit just before the actual clip starts. It might not be the reason people buy the clip, but it's a minor detail that adds excitement for me when I watch it through because I wanted to give viewers a visual of who would be behind stripping the Mad Mask. 

 Shooting this scene involved less technical effects than Embarrassed Naked Goth. Both films involve a jump cut between a clothed and less clothed Riley. With the goth storyline, it took more time because we tried our best to match one cut to look like the next to make the time switch seamless. Finding the right smoke and fire effect for the demon magic also took additional time in editing. With Embarrassed Naked Supervillain, it took less time because the lights going on and off took less time to edit. Also, Riley was free to act however she wanted to being stripped in the dark before the lights went on. She used this to her advantage as she came up with some great sound effect ideas to make it clear she was being stripped. I had a great time working with her and it made four hours of shooting fly by because we both had so much fun collaborating ideas. I look forward to shooting with her again and hope you enjoy this latest video.

 You can read more stories featuring the Mistress in A Submissive Superhero Gets Stripped and The Immodest Collection vol 4.

The Bigger & Barer sale and my newest ENF video Haunted House of Humiliation

It's hard to believe summer is over. Before it ends I have lots of exciting things in store for this month and for sENFtember. As you all know, The Immodest Collection volume 4 will be released on 9/1, the first day of sENFtember. The book will feature the return of Erica Hardy and Caitlin McNally from The Immodest Collection volume 1 , The Mistress and Riot from the Immodest Collection volume 2, and Rana Halaweh from Indecent Exposure Therapy To give folks who have not read these books a chance to catch up, for the whole month of August, I am running the Bigger and Barer sale! From now until 8/31/24, you can get the Immodest Collections volumes 1 and 2 AND Indecent Exposure Therapy each for 50% off! That's $1.50 for each story. So, with the final month of summer, use that time to catch up on some spicy exposed and embarrassed erotica and turn up the heat even more! Each book can be purchased on Smashwords . I hope everyone who has not read these books gets a chance to cash in on more enf/euf erotica! In addition, I will be releasing a free story featuring Riot and The Mistress that takes place between the Immodest Collection volume 2 and 4 on my Medium page

Because of these writing projects, I took a month off from filming. So when I resumed again, I was ready to get back into the swing of things with filming and took a step into another area of growth for me, and that was shooting two ENF films back to back.

I previously hesitated into doing two in a row because I did not know the length of time it would take to shoot one clip. I wanted to give myself time to mentally process directing, adjusting lights, and filming and the first 5 films took roughly about 4 hours each. However to be more cost effective, I know a lot of professionals shoot multiple clips within that 4 hour time frame. This makes sense in terms of being cost effective, especially when it comes to booking a shoot space.

So once I found a location I was excited to work with Violet Vixen and Devious Skunk again. My long term goal is to work with a wide range of models but since I'm still new and I have such good fun shooting with both Violet and Skunk, I knew it would be a fun process.

The concept I wanted to do was a relatively simple ENF storyline in terms of setting up ENF gags and a common plot that I see is a real estate agent visiting a house story. The idea is always a model going into rooms with their clothes disappearing. It seems like a basic idea but that was where the fun came in writing the characters. With Violet I envisioned her being a Type A, bossy real estate agent obsessed with a perfect record so that when she is exposed, it makes the contrast nice in terms of focusing on her humiliation. 

 

 

The challenges to this shoot. Which I am still trying to figure out is making seamless cuts between pre and post stripping. For ease of shooting, I break things in chunks so that dialogue is easier to act out and memorize. I also think this makes for stronger performances as there is mental effort put into wondering what the next line is. 

Of course, a seamless cut makes for a smoother transition but here in lies one of the challenges to directing. I could do take after take hoping that the model will eventually get a long page of dialogue down in one take without any slip ups. However, there are other things to keep in mind and that's the models physical and mental well being. It was HOT that day, at least into 90 degree range and to keep sound off I had to switch between turning air conditioners on and off for sound. Violet and Skunk each had to wear business attire and so the risk of doing take after take could have been exhaustion or worse dehydrating them to the point of passing out which I did not want. So making sure water was in supply and also doing as much as I can to minimize wait time wad this shoots lesson, which meant stopping longer to review my shots and make sure I got what I needed before moving forward. 

 

I also have learned more about writing in that I need to trim up and be concise with dialogue. When I write scripts I'm used to pouring the dialogue out as it flows through my imagination, cutting up bits I don't feel are needed later. Much of the extra dialogue is what I think is embarrassing for the character but not exactly what the model will think when they make acting choices. It also adds unnecessary time to shooting because the model wants to do their best to get the lines right and it can be easier on them if I cut out the excess that isn't important. 

I also learned a lot about my own stamina for shooting as it was essentially a full work day. While I was tired by the end, it was satisfying to walk away with two full clips that have been fun editing. Violet stars in Haunted House of Humiliation, in which a real estate agent finds out why anyone who buys the home abandons it out of fear of being stripped naked and spanked. It is available now on my MV page. Skunks film will be not so much a part two and more of a sequel to this story which I will reveal likely at the start of October for the scary season.

As always I appreciate the support from you all and hope you enjoy the latest ENF film!

Starstruck experiences shooting my second ENF video Embarrassment is Forever!

 Well folks, ENF video number two is in the...digital folder (I guess we don't use film cans anymore). If you follow my newsletter then it is not a surprise to you that this past week I worked with the amazingly talented BDSM model and author Ariel Anderssen. Ariel has been in the adult industry for 20 years, coming from a strict religious upbringing that she has since talked about in her autobiography Playing to Lose. Much of her content focuses on themes related to bondage and spanking videos. Her catalog is huge so it's worth it to check out her website. Where we crossed paths was of course, ENF. She has shot quite a few ENF videos, one of which I reviewed in this month's newsletter. I would consider her one of the top ENF performers in the industry and that definitely showed when we met up to film Embarrassment is Forever, a parody on the James Bond Films.

 

 

 

I think I first saw Ariel's work maybe in 2017 or earlier. I never in a million year would have believed to ever be in the room directing her in my own video. I was so appreciative of her willingness to work with someone new to the industry and make my silly idea come to life. This was my first time shooting in a different location where I did not have weeks to prepare my shots in advance. I was also coming from work and so in general, I was coming into this shoot a bit more stressed and nervous than I already was feeling working with a well-known professional in the industry. Case in point, I almost had a panic moment when my camera microphone wasn't working, only to realize I plugged it into the headphone 

jack.

 

 

My nervousness did not last because Ariel was so pleasant and kind to work with.The hours flew by because in between shooting takes, we had a lovely time chatting about various topics, one thing we both enjoyed was talking about the industry and the psychology of kinks and why people enjoy various ones. Naturally, that is a topic I could talk endlessly about. I think that helped build a positive energy while we shot and also helped me feel calm and composed, making sure I could take my time with shooting so as not to feel rushed.

 

Watching Ariel's performances in ENF is a great experience. As I've discussed previously, it is easy to see performers who are comfortable with acting in an exposed and embarrassed story and those who seem less comfortable. This is especially the case when acting in a solo video where they have very little, if any, dialogue to react to. Often times it is on the performer to find ways to act throughout the whole clip, finding a pace that isn't rushed but also stay present in character to make a funny/sexy exposed and embarrassed story. Ariel demonstrates this excellently. You can pick any of her videos and know that she will deliver a stunning performance because she is fully in character and improvises for a long stretch of time. This is a skill that not many folks have and so when she was game to work with me, I had the exact script in mind, literally able to hear her voice speak lines as I was writing it.

 

Seeing Ariel perform in person is a whole other experience that I cannot put into words. Because I was so focused on getting the shot and also giving her direction to help explain what I was looking for, I didn't get to appreciate until editing just how good of an actor she is. It is so hard editing because I love all of the takes we did and it makes it very hard to choose one. I was floored at her ability to deliver two long takes without any hesitation or need to stop to be fed a line, she did it seamlessly. Although I had a script, I don't require actors to memorize anything because I want to give them as much flexibility to speak. Sometimes, I think this might may make folks feel uncertain of where to take the scene but Ariel did so well, adding ideas/dialogue that told a fun, hilarious exposed and embarrassed story. My training in acting is a few classes in high school and then 11 years of standup comedy, so you can probably tell from my poor attempt at a British accent that acting is not in my future. However, when I would say a line or make a gesture in response to what Ariel acted, she would use that to make the scene work. While I enjoyed working with Devious Skunk and coaching her through what ENF is and how to act, it was so fucking cool to watch a professional like Ariel act without really any need from my end for specific direction on how to act embarrassed. I've seen how good her work is and I trusted her instincts and skill in making the character Agent 34 come to life. She did not disappoint.

 

 

 

Without giving away too many spoilers, the film also called for some rope ;). Ariel has made some self-bondage videos and being that I was new, I let her know she was welcome to do the rope tie herself as it can require a lot of trust to have someone you might not know well tie you up. To my surprise and gratitude, she was okay letting me do the tie and I think I had the biggest starstruck/fan moment of my life as I did the tying. It was not a tie that was complex or high risk (there is lower risk and higher risk when it comes to rope but with rope there will always be some risk), but I felt so appreciative of her generosity in trusting me to tie her up for the shot we needed. What I like about kink, the skill in communicating boundaries and needs, exploring vulnerable states of emotion so we can come out feeling better about ourselves, and having fun, were all things I got to experience shooting with Ariel. We each made jokes throughout the whole shoot, shared our own mutual backgrounds and upbringings, and learned from each other. I felt like I gained so much wisdom from listening to Ariel talk about her experience in the industry and also just working with her as director to actor. I will hold this memory as one of the highlights of my life, not just professionally, but personally as well because I am so glad I got to share space with her. 

 

As I write this blog before uploading Embarrassment is Forever, I got an adrenaline rush listening to the public domain music play right before she stepped on screen for the introduction. There are some great embarrassed and exposed moments in here and so please check it out and watch Ariel's amazing work. If you are someone who pays for custom videos to be made, I can say without hesitation that hiring Ariel is worth your time and money.  Also be sure to follow her as she will be promoting her next book!