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Pick up each Immodest Collection for 50% off on Smashwords! Six #erotica stories incorporating force #stripping and #humiliation for the price of one!



For the Immodest Collection use the promo code: VS73E

https://www.smashwords.com/books/view/693640

For the Immodest Collection Volume 2 use the promo code: PL66A

https://www.smashwords.com/books/view/937233

National Erotic Humiliation Day 2019 - FEAR

The following blog was written with Brigit Delaney's #eroticjournalchallenge

https://brigitdelaney.com/2019/09/the-erotic-journal-challenge-october-fears-insecurities/#

FEAR, Insecurity, Anxiety, and Self-Doubt

For some of us, fear holds us back from experiencing life to its limits. For others, fear is a catalyst. Whatever its place in your life, consider how fear, insecurity, anxiety, and self-doubt affect your erotic/sexual existence, either as an individual, a lover, or a writer.

"Has fear been part of your kink?"

Up until this past year, I never thought fear was part of my kink. I always identified embarrassment as it relates to forced stripping my primary kink, assuming embarrassment was a separate emotion from fear. As I have thought more about what emotions my kink taps into, I realize fear has a very potent role in many aspects of my life.

I remember dating someone several years back who would become very anxious to public acts of embarrassment. When I say anxious, even watching someone else do something awkward would make her uncomfortable. She would need to look away or leave the room, just from watching someone else do something embarrassing.  Need an example? She mentioned being very anxious watching this: http://www.cc.com/video-clips/eot1dx/the-daily-show-with-jon-stewart-tori-amos

Embarrassment is the surface emotion, but what is so bad about embarrassment?

In my own clinical work, judgement is something I have become very attune to identify. Words like "should" "guilt," and "feel bad" are all tied to shame. Embarrassment, is on the lighter side of this spectrum. We become hypervigilent of the threat of embarrassment. So what is the big deal about being embarrassed? My kink, forced stripping, usually isn't a big deal for someone who is comfortable with their body, and for exhibitionists, it's exciting. It's not the exposure, it's not the fear of exposure, it's the shame. shame underlies fear. and with shame comes judgement towards the self. Any threat to our sense of self is scary, because it taps into our thoughts as to who we are. Fear - Embarrassment - Shame. With exposure, it's not being naked that might be embarrassing, it's exposing what we don't want others to see. We may be comfortable naked in the right light or when our bodies look a certain way, but if there's threat of being seen in an unfavorable way, then we run and hide.

I find humiliation and embarrassment sexy because underlying that is a sense of vulnerability. It strips the individual of their armor that they try to present to the world. It scares us to think that we will not be seen as we wish to be seen. I once spoke with a friend who had no shame in walking around naked in public. When I asked them to imagine walking in public with their pants around their ankles, they said they could never do that, because that would be embarrassing. For them, that image was not how the wanted others to see them. In my field of psychology, social justice is another important aspect of my training. We are challenged to confront our own biases over gender, ability, sexuality, and race. Bring up any of these topics at a dinner party and what do you hear?

"No talking about politics"

"Why does everything have to be about race?"

"let's talk about something else."

What do phrases like these do? They avoid. What's the emotion? Discomfort? Annoyance? Fear...fear of what? Fear of saying something wrong? Fear that something will be misunderstood? Fear of being seen as racist? Again, underlying this fear is embarrassment or shame as being seen as such. From my own personal experience, these are things I have thought, done, or said at one point in my life. I was afraid of saying something wrong, because an anti-racist stance was what mattered to me. To say something wrong would invoke embarrassment, shame, and anger towards myself. These are powerful emotions and why I like kink is because it allows us to tap into emotions we otherwise try to avoid. Enter my short story "Privilege"

Privilege was my attempt at exploring how race, accountability, and silence can be used as a form of embarrassment in the context of kink. I initially wanted to resist writing it and when I identified my own resistance, I knew that was a sign that I needed to write it. Having seen silence in many classrooms used to avoid confrontation over the topic of race, I could see how it is used to protect the ego, protect one from being challenged, to protect one's dignity, often times, White people's dignity. I love the word "dignity", because in a forced stripping context, the loss of dignity usually results in someone being naked and exposed. That's why i am delighted when I discover new ways to apply my kink, especially in contexts that might not seem sexy at all. In the case of "Privilege" it is the topic of critical race theory in the classroom.

As I write this blog I still have fear, because i know what type of reaction the topic of race invokes from people on the internet. But as I celebrate Erotic Humiliation Day, I am happy to share with you all a new story that is perhaps the most personal as it mixes my life experience and my professional work with my passion. When I think more about the fear - embarrassment dynamic, I see so many new doors and possibilities and I can't wait to see where this takes me next. 

https://www.amazon.com/dp/B07ZCKQHL9

https://www.smashwords.com/books/view/987115

Happy Erotic Humiliation Day

Trade For Time: And Other ENF, CMNF, and Humiliation Stories review!

I haven't had much time to read for fun, which is why I was excited to finally pick up Trade For Time: And Other ENF, CMNF, and Humiliation Stories by K.S. Thompson. You cannot go wrong when the artist for the book cover is Gao23 !

This book contains four short ENF stories and it did not disappoint! ENF/EUF related fiction is taboo because it is a genre that deals with nonconsensual acts, in this case forced stripping. On the more extreme end, this can lead to other humiliating situations that can become quite extreme, which may not be for everyone. That is why I enjoyed the setups Thompson used for each scenario. The setups for "Couples Retreat" and "Marcy Takes a Nosedive" were very creative in setting up a believable dilemma that forced the protagonists, Holly and Marcy to strip down. For Holly it is entering the compound of a cult and for Marcy, it is an unfortunate mishap in which the actor in her film who is supposed to pose nude gets cold feet and splits. "The Breast of Friends" is a nice follow-up story in which we learn more about how Marcy has coped from her previous embarrassing situation.

The other story, Trade for Time uses a favorite trope of mine, a police officer losing their uniform. In this case, it is a sheriff and a deputy who are caught in a hostage situation. Again, on the surface this is a scene that could be violent, but what Thompson does well is set up a dilemma in which the coercion to strip comes from the main character, Stephanie, to strip in order to buy time for backup. What I liked about this approach was that it gave more agency to Stephanie rather than the violent suspect who is holding hostages. Although all three characters are forced to strip, I like that Thompson wrote them in a way in which they had some agency in taking off their clothes in that stripping naked served a means that benefited them and not someone else watching. I think Trade for Time was my favorite of the four, mainly because I liked the slow build-up in which Sheriff Stephanie feels more pressure to strip as the hostage situation carries on. As a fan of panty-play, this story in particular does a good job incorporating EUF, particularly with the character Amy, Stephanie's deputy.

In addition to the unique setups to their enf situations, Thompson uses a lot of humor in their stories. As previously discussed, one thing that makes the enf genre unique from other humiliation fetishes is the emphasis on comedy and silliness. The dialogue for many of the characters is hilarious as they each get their chance to make witty comebacks or wisecracks. I think this is another reason why Thompson is able to humanize their characters. There are also some sexual elements in these stories, some of which Thompson utilized as a form of embarrassment, which I enjoyed. Most of the attention is given towards the stripping itself and the aftermath once the characters have lost their clothes. For those who aren't as interested in sexual content in their enf stories, these stories are perfect for you.

 Overall, these are four fun ENF stories that are worth adding to your collection. I admire Thompson's creativity in setting the characters up to make the choice to sacrifice their dignity. Look for Trade for Time here on Amazon!

Featured Artist: Biker

It had to have been around 2004. I was still developing in terms of my own sexuality and what I knew that I liked. So far, I knew that was women in their underwear. I can't remember how, but I ended up on a website called Writings of Leviticus. It had two types of stories, Bondage, and Enforced nudity. It was here that I found a comic strip story involving a maid whose dress was sucked up by an evil vacuum The artist, Biker. Seeing the maid's black uniform sucked off her body, leaving her in panties and a garter belt left me aroused in a way i had not experienced. From that day, I had a name for what kink that turned me on the most, it was not just women in their underwear, it was women left embarrassed after losing their clothes. Enforced nudity, or embarrassed nude females was the internet rabbit hole that would have a lasting impact on my life, going from just a fetish to my own exploration in the kink community and finally an erotica writer. Throughout that time, one person I would continue to see, whose work I continue to admire is Biker. This was such a great interview and I appreciated how vulnerable Biker was willing to be in answering my questions. Being that ENF is a non-consensual genre, I too had struggled with writing these stories and so I appreciate the reflection that Biker has when he makes his own artwork. Enjoy!

Autobiography

The pseudonym "Biker" was adopted by me back in 1997 as a net name for an ENF forum called Byron's Stripped naked forum. It's long gone now but birthed several like-minded forums of that genre, including Indian Outlaw's Stripping Naked Discussion Board, which is still running to this day! I'd spend many a happy hour there reading the stories and such and then one day someone posted a comment saying it was a shame no one did ENF photos shoots or even drew artwork along those lines. I'd been drawing this sort of thing since my teens so I sorta stepped into that gap when I posted my very first Jenny drawing in March of that year from a story I had written, which, as it happens, was also my first ever written story. That was my first artistic step on this path.
However, the first real step began waaaay back in 1975 when I was a 13 year schoolboy with a crush on my geography teacher. One fateful day she happened to be walking down a flight of stairs towards me and the wind whipped open her denim buttoned skirt, showing me a gorgeous expanse of her left thigh. I was blown away by that sight, and it was the catalyst that started me down this route. When I got home from school, I tried to draw what I had seen but sadly I wasn't able to do that moment any justice whatsoever. However, I did find I didn't have to replicate it because I could draw ANY scenario I wanted to. And that's how it all started for me.

I wish I could say it's been an easy path, but guilt and dark thoughts that I was somehow perverted wracked me for years, that is until I got online and found out there were others like me, and along the way I learned that my stuff was so pathetically tame in comparison. That discovery was very liberating.

I'm now 57 and married to my very own pin-up who is also the love of my life (she knows what I draw and is totally supportive of it). We live in a small cabin in the woods (with wifi) in rural Normandy, France. I'm a carpenter by trade but nowadays I'm fortunate enough to be able to make a modest living from my artwork. Something I never dreamed of being able to do. Funny old world, eh?

Q -How long have you been doing sketches?

A - For as long as I can remember I've been drawing. As a child, my mother would encourage my brother and I to amuse ourselves by drawing and I'd create a cross section of fantastical islands with secret military bases built into the mountain side with underwater submarine pens. I'd spend hours doing this. So drawing had always been a big part of my childhood. It also kept me out from under mum's feet. Clever lady.

Q - When did you first discover embarrassed nude females as a fetish and what made it resonate with you?

A - It's not so much the nude aspect that gets me, it's her simply losing some of her clothes or unintentionally showing off too much skin that does it. Like Daleksupreme's (DS) Q&A answer, Benny Hill has to be right up there at the top of the list for influences, and there was always an innocence about the sketches Benny Hill did. He was the proverbial schoolboy, with humour to match, and there was no harm or malice towards the damsel in distress, not even implied. Like DS, I later discovered Carrie in the Mayfair magazine, but unlike DS, I prefered Don Lawrences's version of Carrie. Don Lawrence also drew The Trigan Empire as well as Storm. Heroic characters and not a bit like Carrie but the artwork was amazing! I love looking at good artwork and his was exceptional. There was another character who appeared in a daily comic strip in The Daily Mirror (UK newspaper) called Amanda. I fell in love with her and would use those drawings as the basis for my own scribblings.

What made it resonate? Maybe seeing my geography teacher's silky thigh that day and her frantic need to cover it back up before any other hormone-fueled teenage schoolboys saw it. I'm convinced that there is a certain moment in a person's life when they become hard-wired to a certain "thing", whether it's a particular fetish, hobby, passion or lifestyle. Others glide over those moments while others might settle upon them and make their home there. Mine was seeing an unintentionally exposed thigh... I've been a leg man ever since.

Q - What inspired you to draw ENF?

A - Ever read a book or comic or seen a film when the damsel gets into a situation and the writer/artist/director chooses a safe option to allow her an escape, but your immature schoolboy humour wished they'd gone along a more "naughty" route and said damsel loses her skirt in the process? THAT'S what inspired me to draw ENF. Disatisfaction at how a scene ended when it could have been sooo much better.

I remember watching a TV show back in the late 70's called The New Avengers featuring Joanna Lumley as Purdey. One episode had her running around London wearing only silky pajamas whilst escaping from thugs with guns. In one scene she's cornered in a shop and posed as a shop maniquinn hoping they wouldn't spot her... until her pajama bottoms fell down around her ankles. That was one of the rare moments a TV script went along the lines I wanted it to go. So Purdey hiked up her jimjams and proceeded to knock the crap out of the thug, then miracles of miracles her bottoms fell down AGAIN. I was on the edge of my seat by now... until she took the belt out of the unconscious thug's trousers and used it to hold up her own. I felt cheated at that solution. So near.. yet so far. My own version would have had her running around the rest of the show bottomless, possibly without her underwear too. So I drew ENF because no one else was doing the stuff I wanted to read/see/watch.

Q - There are many fun embarrassing situations to tell stories with, how do you come up with fresh ideas to avoid rehashing old ideas?

A - I guess I never really grew out of that schoolboy type humour. So whenever I watch a DVD or read a story and said damsel escapes with her clothes intact, I dream about what could have happened and go down that route. There's also nothing wrong with rehashing old ideas - Just file off the serial numbers and make them your own.

I've been drawing this stuff and posting it online since 1997 and I follow a lot of artists on DeviantArt and many other online sources that inspire me for either a one page gag, or sometimes a whole multi-page story. For example, over at my website (http://www.bikersplacetwo.com/page01.html) I'm currently working on a story featuring Ashley. What started as a simple one-page cartoon is now up to page 26. This story was inspired by my webmaster, Torben, who wrote a short story of just a couple of paragraphs, but it opened the floodgates for an idea and it took off. I'm just hanging on and enjoying the ride with it. Ashley's scooter broke down at the roadside so she resorted to flashing the passing traffic in the hope that some kindly knight in shining armour might stop and assist her. But she got arrested instead by a big blonde lady cop who isn't taking any lip from her. Once that snowball starts rolling and gaining momentum it's easy to nudge it in the direction I want it to go. I have several more pages to go with this, another 15 at least.

Q- You've been a popular artist in the ENF scene before spaces like DeviantArt were created to host its art. What have you noticed about the genre's growing popularity and why do you suppose it isn't a "mainstream" fetish?

Funnily enough I HAVE noticed the popularity of the ENF genre. When people start faving a drawing of mine and add it to a folder titled "Damsels in Distress" or "ENF", I realize that there is a genre there that is expanding. Years ago such a folder was a rare find indeed, so it's great to see so much more artwork and photography of this theme out there. Why it's not a more mainstream fetish I don't know. Maybe the younger generations need to have more Benny Hill in their lives? But each to his own, I suppose.

I remember once reading a fetish someone had for seeing a hint of petticoat peeping out from under a hemline, another was for women wearing glasses. I'm rather envious of those folk, because it's something so common they get to see it almost daily. Me, I have to wait for a breeze in the right direction and a passing geography teacher. I do hope the trend for more ENF continues, it's a light subject and not at all nasty like certain other more dark fetishes. Again, each to their own.

Q- ENF seems to have been used in a lot of British humor sketches. What do you suppose has been the origin for this style of comedy?

A - Saucy Seaside postcards has got to be a huge influence on those originators back in the day, the busty blonde in the tight dress popping a button or two fuels the imagination far more than any porn centrefold with her legs up behind her ears ever did... at least for me. Imagination is everything. The Carry On films did a lot to encourage this saucy humour and growing up in the 70's and what was on TV at the time influenced a whole generation. In my opinion, if you can mix humour and sexiness into something then you're on a good path. People basically want to laugh and if it gets them a bit steamy as well, then so much the better.

Q- I also struggled with shame and guilt when I got interested in ENF. Which leads me to ask how you moved past your guilt?

I honestly think the "guilt" is a VERY healthy aspect in this fetish, it means we actually care about the characters we create and it shows a certain respect for and who they represent. A woman. If all we did is put them through hell and not bat an eyelid, that says a lot about the psyche of the author I think. Sorry if that sounds a bit judgy. I do look at ENF photos and artwork and if, to my eyes, there's even an element of cruelty in the content it puts me right off, which is why I suppose I put such a healthy dollop of humour into my artwork.

Short answer. Getting over any guilt is a personal journey, but for me finding I wasn't alone in this fetish was the biggest step and then finding the content of my own drawings wasn't as bad as some was the second.



Look for Biker's art on his website or his Deviant Art page .

The Suit - Immodest Collection volume 2 sample excerpt

I've been giving a lot of love to the second story of the Immodest Collection and you've all seen the cover which comes from the first story. But I have not given much attention to The Suit, which was my nod to superhero comics. Typically we're supposed to look up to the superhero and they are often written to be perfect, physically and interpersonally. We are not supposed to question their values or behavior because, they are the hero. This inflexible mental "armor" gave me a great idea for an embarrassed nude female story. Enjoy a brief excerpt from The Suit and then check out the Immodest Collection Volume 2: Stories of Exposure and Shame on Amazon and Smashwords. 

The crackled sound of radio static interrupts my sleep and causes me to slam my hand on my snooze button. Through one open eye, I see it’s not my alarm clock going off. It’s my police scanner.

"...all units, report to the Bank of the Nation off Michigan Avenue. Shots have been fired. Eye witness accounts say it’s the Engineer."

"Shit." I whip my sheets off and roll out of bed, slapping my face to wake up.

"Remember, the Engineer will be armed and is extremely dangerous, do not engage..."

I scramble to pack my suit, I don’t need to listen to the rest, I remember. It was at the Natural History Museum, the Engineer tried stealing the tomb to a 14th century warlord. He booby trapped the place with motion sensor-activated automatic rifles. The memory of the dumbstruck look on his face when he saw bullets bouncing off my suit makes me smile. That and remembering the cracking sound of his ribs when my gauntlet connected with his chest. His frail body flew back several feet and landed ass-first into a garbage can. The memory brings back the fuzzy sensation all the way down to my toes.

The Engineer escaped six months later. Prison guards reported hearing him rant about “that butch bitch who needed armor to compensate for her inferior strength.” The word “butch” makes me laugh because it’s so different from my actual appearance. I wear makeup in public, I go to the salon to straighten my long black hair, and I have a closet full of tube top dresses that I adore because of the way they hug my tiny frame. That’s why I love being Riot, because I can beat up a dangerous criminal like the Engineer and I can be feminine the day after. It’s a shame I can’t reveal that to him but he can hold onto his “butch fantasy” all he wants.

The Bank of the Nation covers half of a block in downtown Detroit. I know a few spots that are safe to park my van two blocks away behind an abandoned factory. I slip into the back of the van and change into the Riot suit. Once I put my helmet on I leap out of the van. My steel boots slam into the ground and I slowly make my way towards the bank, each step feels like a sledgehammer slamming into the pavement. The air is humid, I’m already sweating in my suit but it’s a price I’m willing to pay to feel nothing.

I take a shortcut through the alley and step onto the sidewalk. The sound of my steps draws attention from the crowd grouped behind the barricade. They hold their phones up for pictures. I wave before I see an officer in uniform run up to me.

"We were wondering if you'd show up. Riot-er Ms. Riot-Mrs?” He looks young. The lack of facial hair gives him a babyface, a cute babyface with freckles. His body on the other hand reminds me of a football player with his wide shoulders and tight forearms. My boots me so much he has to look up to maintain eye contact. I try not to smile too much.

"Riot is fine. Any hostages?" I ask in a graveled tone of voice by straining my throat.

Officer Babyface shakes his head, "They all came out with their hands on their heads. Said that the Engineer killed two guards. We think he’s in the vault. The captain told us all to stand by but I guess you don’t have to worry about any danger.” He stops to scratch his head as he examines my suit. “I sure wouldn’t want to be him. What is it made of?” 

His eyes are level with my chest and I clear my throat, “Why don’t you let the others know I’m coming?”

“Right. Sorry!” He touches the radio resting on his shoulder, "Dispatch, Riot has arrived. I'm sending her over."

I wait for confirmation before continuing towards the bank. A parade of squad cars surrounds the massive twenty story building. A detective runs up to me as I approach the steps. He stops when I hold my hand up. The armored fist is the size of his head. "I already know the situation. Just sit tight, I need to teach him a harder lesson this time."

"Be careful, we don't know what booby traps he's set up. We heard shots fired before the hostages ran out."

I can’t resist being corny in that moment. I slowly turn my head to reveal a smirk. “Bullets aren’t my problem.”

Approaching the glass doors, I pull my arm back before driving my right fist through them. Shards explode and scatter across the tile floor. I step inside and the glass crushes under my boots. My head turns slowly from left to right as I take in the sight of a deserted lobby.

"Okay Engineer. I have better shit to do than play around. Why don't you save us all some time and surrender?"

My hands clench tighter once I hear a speaker system come on. "I've been waiting for you again Riot." his monotone voice is so deep it makes the speakers give off feedback. "You're right. Let's get down to business, I'm waiting by the vault on the other side of the bank."

"Smart man. I’d advise you to have your hands up by the time I get there. I'd hate to have to smash your toys after you worked so hard on them.

I hear the speaker cut off and roll my eyes, he’s so damn serious. I walk past the teller desk and through the metal detectors.  My upbeat mood is soured when I pass through a doorway and see two security guards lying face down on the ground. I clench my jaw, slowing the pace of my walk as I round the corner and see a massive round steel door slightly open. A sliver of fluorescent light spills out.

My left forearm shields my face as I approach the door, using my right to grab the handle and pull it wide open. My pulse rises as I step into the vault shouting, "Hands up Engineer!"

The interior of the 500 square foot roomis lined with metal lockboxes. Standing in the center of it all, a White bald male in his 50s. The red in his beard has started to turn gray. He wears brown khakis and a green plaid button up. Thick bifocal glasses magnify the hate in his dark brown eyes.

"Ms. Riot." His graveled tone is devoid of any warmth in his greeting. "How’ve you been?"

"I guess I didn't hit you hard enough last time." I see a black remote in his hand. His thumb rests on a red button. "Drop the device and you get to keep your teeth."

His body shakes and I see a vein on his forehead. He holds both hands in the air as if to comply, then his thumb pushes the button. "Oops."

I hear a rumble from outside, followed by a humming sound encompassing the entire vault. My eyes shift to the floor, then the ceiling. I hear metal tapping and I hold my hands up to protect my face. It’s not gunfire, it’s the rattling of coins bouncing inside their metal lock boxes. I can’t move my legs, but I notice my feet sliding toward the wall. “Shit.”

I try to lower my arms, but they won’t budge. My breathing gets heavier as I square my hips, trying to put weight into my heels. My triceps and shoulders burn as I try resisting the force pulling me away.

"What's the matter Riot? Is my magnet too much for you?" the Engineer stands next to me with his hands held behind his back.

My head dips ever so slightly, and then I curse when my helmet rips off my head, the red tint replaced with the natural colors of the room. I hear the thud of my helmet sticking to the wall. My pony tail falls loose.

"Mmm, you're a pretty one." The Engineer leans closer. His smile reveals a row of yellow teeth. "What's your name?"

"Fuck you!" I swing my right arm at him, only to lose balance as my right gauntlet rips off my fingers. Before I can save it, the other gauntlet sails towards the wall. With my weapons gone, I stare at my trembling arms. Unlike the bulging shape of my gauntlets, they lack any muscle tone, looking like rubber pencils in comparison. 

I’m snapped out of my trance when a high pitched squeal echoes in the vault. I look down and see the bolts around my chestplate shaking loose. A lump in my throat forms as I try not to wince in front of my enemy. I look back and reach for the doorway. I’m able to grab onto the edge with both hands. Turning my body is a mistake as my feet lift off the ground. I scream, looking down to see metal bolts shoot across the room. The chest and back piece split apart and collide into the wall,

I feel a breeze against my midriff and I kick my legs. "Stop it!" I shout in my natural voice, too panicked to hold onto my bravado. The tank top I wear might as well be a bra with how small it is.

           "Sorry, the remote is fried. Forgot the magnet was going to ruin the hardware." The Engineer dangles the remote before dropping it. "I hope you wore something under there."

Featured artist: Dalek Supreme!

Dalek Supreme was created in a Parallel universe where his Dad, Davros had an idea of creating a
super race devoid of pity for fabric. As a result fabric became rare enough to be used as currency.
Ultimately Davros was put into forced retirement, and Dalek Supreme settled down with Mrs
Supreme to rule the known universe as Emperor. His Peace was occasionally troubled by the
Gallifreyan Time Lord the Doctor! In this Universe the Doctor had always been female and tried to
overthrow the fabric based economy and return to the days of excessive female fashion houses.
She was always thwarted until that fateful day when she regenerated as a male. The idea of a
Naked Male Doctor caused Dalek Supreme to flee his universe to ours where he found Earth... a
treasure trove of unlimited fabric that could be exterminated one bit at a time.

Dalek Supreme has been creating poser ENF art for over ten years. I first was introduced through poser art through the enf stories "Joanna C Mutchmore goes to Cyber Hell" by Morphy and "Particles of Chaos" by Moses3000 (you can find both stories here and here ). Both artists hadn't created any new content but I loved the way poser art captured a realistic style while also maintaining the comedic aspect of enf. Enter Dalek Supreme and Emperor comics. The first story he had published staring Debbie McClintoc was great in that it was a comic that took its time building up the stripping elements to the very end. Dalek has created multiple comics that you can find on his DA page and has been so supportive of other members of the ENF community. I had a great conversation with him about the ENF genre and his approach to writing ENF stories. I was floored when he created these two poser pics incorporating both volumes of the Immodest Collection.

 1. When did you first discover embarrassed nude females as a fetish and what made it resonate
with you?

Well it was of course Benny Hill. It was watched by my father with my mother “tisking” every
time a girl was revealed in her underwear. For some reason the embarrassment the girls
showed appealed. I think it was because they seemed vulnerable and sexy at the same time...
and then cross... in particular it was the brief period of time between when the dress had been
ripped off and when they noticed they were half naked. They were carrying on without
realising their state of dress. It’s soft porn of course and no one gets hurt except for pride, and
Pride can always do with a bit of exposure.

Also Carrie in Mayfair magazine drawn by Steve Kingston. She always lost her clothes in the
most wonderful ways possible. I did some Carrie tributes and Steve was kind enough to say
that they captured the essence of his gal. That was really kind of him.

2. I remember you being one of the earlier enf artists utilizing poser art. how did you get into
using poser as a medium?

Morphy. He was the inspiration. His series Joanna Muchmore was so good and such a labour
of love. And Moses3000, his work was brilliant. Morphy was kind enough to point me in the
direction of Poser and explain how this stuff worked. He was a great bloke and really
encouraging and I hope he is still out there somewhere appreciating what he started. Then I
found Biker... Good grief the grumpy old pencil head is good at what he does... I hope he
doesn’t read this... praise goes straight to his head.

3. It's hard for any artist for fit in time to consistently put out content, you'd been making pdfs of
comics for quite a while. what has that been like and what did you learn over time as you
continued to make comics?

Yea time is hard especially as on a good day I may be able to find time to make 4-5 pages.
The story evolves in my head and then I compose the actual script at the end when compiling
the comic. What I learnt was... to manage expectations. For a time I did one comic a month and I was
also editing, compiling and scriptwriting for Bluetakes Comics. It was too much and I was
working full time as well. I wasn’t being paid and have never asked to be for the comics as I
do it for fun, but the monthly cycle and trying to meet what I perceived as expectations of the
audience was really hard and I had to stop that routine or else I would stop altogether. Now I
do stuff when I feel inspired rather than just trying to hit a deadline.

What else did I learn? I hate Yahoo and Yahoo’s abandonment of Groups and Yahoo Mail!
Also I learnt to help people. I love it when new ENF artist appear on the scene and try to
encourage them. Morphy encouraged me so much... I try to pass that on.

3a.  You mentioned hating yahoo's changes, before yahoo was the only mainstream place to find ENF content in yahoo groups. what have you noticed different between yahoo groups and DA?

I’m concerned by the changes DA are doing with Eclipse as although DA could do with an update they run the risk of ruining what’s good for the sake of trying to make money. The black or white colour scheme is very hard on the eyes and notifications and comments are a complete mess. No doubt they will sort it out. My simplistic view is reproduce what you have first then add new features. They are doing it back to front! Lol!

3b. What did you find challenging as a scriptwriter for ENF for stories involving real models? I also write stories for a fetish model who does ENF clips and I learned early on that the silly-factor is limited with real life actors.

Yes, real life models can be a challenge. Really it depends on if the model “gets it” and understands the fun and the suspension of reality. ENF is certainly not a genre restricted to men and some models love to do ENF as it’s a breath of fresh air and requires them to act. ENF also has an element of burlesque tease. It’s the slow reveal of the girl that is the hook... it’s the performance that’s important.

4. One thing that I find challenging as an ENF writer is thinking of new embarrassing situations.
 What is your process in coming up with stories?

Well some times you see something and think that would be a funny situation, or what would
happen if... or part of a sketch show on TV where you can take a situation further than the
original writers. At other times you get a suggestion from someone that triggers an idea that’s
why feedback is so important. Also you have to play with the world a bit. ENF won’t function in the real world. Clothing does not tear in the way it should and people get embarrassed and cover up within seconds. So lets suspend reality and have fun. I like the suspension of reality... the girls lose clothing and don’t notice or have to carry on regardless. If you make the world less real you can have more fun.

5. As someone who's been part of the community for a while, what have been your impressions
on the enf community and how it responded to your work?

The ENF community is Brilliant! Some of the best and most generous Men and Women and
“Others” (as DA calls gender fluid folks) you could want to meet. They are kind and
encouraging and supportive. Who could ask for more? How have people responded? Wonderful. Its funny I was saying to one of my mates Memfic only the other day about this. Most of us artists love feedback and about 20ish of my 1000 or so watchers comment. Every comment is gold. It’s nice to know you are doing things people like and that they have fun reading my work.

6. Many of your protagonists are either in the navy or policewomen. What was the inspiration for
those tropes?

I love women in uniform. A proper smart uniform. Whether in a suit in the office or in a
profession. Some of Benny Hills sexiest girls were in the traditional British WPC uniform, as
was my favourite Carrie Strip. The Navy, Army, Air force and Police uniforms gives one the chance to put protagonists anywhere doing anything... they start always prim and smart and end up naked and embarrassed having to complete the job as that is their task or mission. They have no choice
but to carry on regardless. They also as very smart dignified professional women have further
to fall into embarrassment. It makes my life easier. Think about it:a woman in a bikini gets stripped she covers up and runs off. End. A Female Navy officer has to retrieve a special document. Her skirt gets ripped off by accident... she has to continue she has no choice and like a beautiful present being
unwrapped she keeps going and gradually is reduced to her underwear. Then her knickers get
snagged on the way out... she has been successful but has left a trail of clothing behind. End.
Which is the more fun?

 Follow Daleksupreme on his deviantart page: https://www.deviantart.com/daleksupreme

Also, be sure to check out my second anthology, Immodest Collection Volume 2: Stories of Exposure and Shame!

Book cover reveal: Immodest Collection Volume 2!

It took over two years, but I'm happy to share with you all that The Immodest Collection Volume 2: Stories of Exposure and Shame will be out May 24th on Smashwords and Amazon! You can pre-order it now on Amazon and Smashwords . Let's all celebrate National Masturbation Month with three new enf tales focused on forced stripping. I wanted to explore some fantasy elements this time around so not only will you get embarrassed nude females, you will get medieval fantasy, superhero fantasy, spanking, wedgies, and other erotic encounters that would not be able to be published here on DA. Book cover by Jes Richardson

Plucking the Peacock
Queen Anna Wismont has conquered every realm in the land of Altrea. She seduced every king and forced them to serve her as slaves. When she learns of a mysterious "Golden City" across the sea, Anna sets sail to meet the Emperor so that she can take his kingdom. Will Anna succeed in taking the Emperor for everything he owns or will she leave the Golden City more than just empty handed?

Reconciling
Robin is a newly hired professor seeking tenure. Her future is dependent on meeting with the Dean at the department banquet. But when an unfortunate spill ruins her dress, Robin is forced to seek help from the person she's tried to avoid, her ex-girlfriend. How will Robin manage to fix her dress before the banquet when her only salvation is a woman she hasn't spoken to in years?

The Suit
Amanda Shepard has protected the city of Detroit from criminals as the superhero, Riot, a brawler who fights crime using an armored suit. But when a former dominatrix, called the Mistress, comes onto the scene, Amanda becomes jealous of the Mistress stealing her thunder. When both of them go after the same villain, what will Amanda do when she suffers a humiliating loss and becomes the unwilling damsel in distress?

Featured artist: Rafa Lee

Rafa Lee is a Brazilian artist who was born and raised in a small town in the Brazilian midwest, before internet even existed. He grew up having fun playing ball on the streets, playing Atari, and reading comics. He recalled that he wanted to draw comics when he was 12 as a profession.It took him some time developing his skills and at 25 years old, he was able to work full time as an artist. He has worked for 8 years as a professional artist and hopes to work for a publisher one day. I first saw one of his pieces that was based off of a scene in the Nutty Professor 2. I really liked the realistic style of his drawings and requested a commission from my short story Knockout from the Immodest Collection Stories of Exposure and shame. 

Rafa Lee has been an active artist in the ENF community and I wanted to reach out to him and talk about his work. I was so grateful he set aside time to answer a few questions.

How did you get started in drawing comics?

-       I loved reading comics as a kid and begin to draw because of that, I just had to make it my day job because honestly I don’t know how to do anything else.

When did you first discover embarrassed nude females as a fetish and what made it resonate with you?

-       It was because of a commission I did back in 2017 called Business Woman, where she is making a business presentation and get stripped by a ghost, this commission became my most popular piece and I gained many followers because of that so I started doing more stuff like it.

I was curious if you yourself enjoy the fetish at all and if so, what do you like about it?
- Well I like to keep my professional and personal life separated so when I'm drawing I'm only thinking about the art and nothing else.

Also, as an artist who has been working for 8 years, why do you suppose ENF was the genre that helped you gain more followers?
- Going back a couple years I didn't knew the importance of marketing for promoting my artwork, I was only posting random art and expecting a result today I know that an artist needs a fan base and I found mine in ENF.

I noticed that you've been drawing more ENF content over the past year, has this been due to commissions or has your own interest grown over time?

-       My interest is to give my followers what they want, so it’s natural do more artwork similar to my most popular posts.

A lot of your work focuses on superheroes. What do you feel makes that genre fit with the ENF genre?

-       Superheroes are what made me fall in love with comics, and also I know those characters very well so it’s easier to work with them than creating new characters every time.

You've drawn ENF characters in an anime style as well as a style that seems more "realistic." What do you enjoy about both?

-       Realism has always been my artistic goal, but anime craziness and exaggeration can be fun sometimes.

ENF/EUF is a genre that can be tricky at times as it is a kink that focuses around nonconsent. Where do you draw the line in terms of your own ethics when choosing a piece to draw?

-       Well, for my commissions I don’t have restrictions I draw anything my clients ask me to, but when it’s up to my Patreon I like to keep things light and fun, basically the kind of scene we would see on 70’s or 80’s movies or in an Anime.

What embarrassing situations inspire you as an ENF artist?

-       Old comedies and modern animes are a good source of ideas for new artworks.

Any upcoming projects you want readers to look out for?

-       Right now I’m really focussed in growing my ENF Comics on Patreon. Where I’m able to produce lots of ENF content every month.

Contact RafaLee for commissions at therafalee@yahoo.com 

You can also join his Patrion: https://www.patreon.com/join/enfcomics?

Deviantart page: https://www.deviantart.com/therafalee

and Twitter: https://twitter.com/rafaleeart