Commanded by Skunk - Exploring different forms of humiliation

 Around this time would've been the year anniversary of when I reached out to Devious Skunk to start my career in producing enf content. This comes with the release of Spy vs the Commander - Skunk's Uniform Stolen! This was actually the first video we shot before we shot The Men in Black versus the Kinky Clownians. The idea of this story stemmed from my love of the exposure trope of a character's clothes being stolen and used for a disguise. This is often shown in a lot of action-type movies, sometimes not even showing the actual removal of one's clothes, instead one shot will portray the protagonist and the other character,  with the following scene to show the protagonist wearing the character's clothes. Sometimes we would get to see the character stripped of their clothes and tied up, a double whammy of humiliation. G.I. Joe often used this trope both in the comics and the TV show.

 

 

I also highlighted this trope in a fanfiction story featuring Black Widow in Black Widow's Bad Luck. In this story Black Widow sneaks around, stripping guards of their clothes before she gets caught and is stripped herself. It's one of my earliest stories and one of my most popular ones.

 Thus, that was the idea I had when I created Commander Skunk. I liked the idea of a dominant boss who demeans her soldiers only to be stripped and humiliated as she's tied up in her panties and later, no clothes at all. Still, I didn't feel this was quite enough, I wanted to do something else to make this ENF clip more than just a clothed/unclothed story.

As I have said before, erotic embarrassment and exposure is not just about the nudity/panty exposure, it's about exposing someone's secrets. Most folks have no problems with being seen naked or in their underwear, but it's when there's a detail they don't want people to know about that makes it embarrassing. I thought it would be fun to be in a situation where in being stripped and tied up, that The Commander had a sexual fantasy of this but didn't want anyone to know. This led to the funny premise of her bossing the Spy, to do what she wants him to do to her. We both enjoyed this idea because of how silly it was because in turning the tables, the Spy is now stuck at the mercy of the Commander before she's horribly embarrassed when her men see her caught in the passion of her submissive fantasy.

 

 I thought this would be a simple clip to shoot in terms of the set up and boy was I wrong. Do you know how hard it is to strip someone with a camera strapped to your chest and make sure you have it pointed on the actor? Suuuuuuuupeeeer hard. Once we started filming I realized that I couldn't just focus on removing her catsuit, but I also had to make sure the camera was steady and aimed where I wanted it to. I had to summon all of my lessons from yoga by being very mindful of my body movements so that I moved slowly and not shake the camera. Adding to the challenge was that the catsuit was a lot tighter than I realized, it wasn't something I could simply just pull off.  

These technical issues initially had me concerned because I wasn't sure if the camera would be so shaky it would impact the clip. It was one of the first time I thought about booking a re-shoot, which I now understand the purpose. Thankfully my fears were unfounded as I have watched the clip several times and l love the diverse types of stripping scenarios that Spy vs the Commander has, capturing my love of exposed nerdy and sexy underwear and naked exposure. As always, Skunk's playful and silly energy made this shoot a fun hangout than work. I'm impressed with her ability to write her own cue cards while tied up. We hope you enjoy the clip!

The Embarrassed Naked Goth video with Riley Jane and my newest ENF Anthology is out!

 It's that time again to talk about my newest ENF/EUF release. This time I got to work with another model with years of experience in the industry, Riley Jane. Riley's clip stores have a wide variety of various fetish content. She had never shot ENF/EUF before but was on board with two scripts we booked to shoot at her dungeon.

 

I always feel a bit anxious working with someone new, I especially feel that way when I'm working with an experienced performer in the industry like Riley. I was also a bit more anxious because this was my first time attempting to shoot two films in one booked session. Up until that point, I've taken my time shooting one clip at a time because I wanted to be patient with learning my own filming process.When I started, I had no idea how long my scripts would be nor did I know how long it would take me to make sure I got the shot I needed. I would usually take 2-3 shots per take because I felt it was effective in giving models a chance to get into character and find more effective choices once they act a second or third time. As I have been filming more of these, I realize that this is not always the case. For some actors, doing every shot 2-3 times results in expending more energy, which can affect their performance later in the shoot. It also takes time. I realize now my scripts at a minimum run about 11 minutes, so the fear of clips being too short was unfounded. Shooting this length typically takes almost the whole amount of time I have booked models. While that was okay starting out, I knew that shooting multiple clips would be something I want to try after it was something Ariel Anderssen suggested to me when we worked together.

Another reason my shoots take longer is that when I write scripts, they tend to be dense in terms of dialogue. A lot of this is due to me pouring out the initial idea on paper, in which the character is not fully formed. This can be hard for me and the model to memorize on the day of shooting and if they are trying to get all of the lines right, one forgotten line means we need to do it again and an otherwise great shot is lost. In preparation for shooting with Riley, I re-edited the scripts, trimming all of the unnecessary wordy dialogue out so that when we shot each scene, it was easier for me to give concise beats of what Riley's character would say. In doing this, I made the decision to forego shooting a second or third take unless a mistake was made. This was risky because if I moved forward with only one take and found out a mistake later (usually a sound issue, something out of continuity, a big ass yellow jeep in the background of a medieval themed story -_-), there would be no way of going back. However, I knew this needed to happen if I was going to shoot two scripts in a quick amount of time.

As soon as I arrived, Riley and I hit it off well. I explained to her a bit more about the ENF/EUF fetish and she got it mainly because as a Domme, she specializes in humiliating folks and understood the assignment. We shot Embarrassed Naked Goth first and it all worked amazingly. Riley got the character and did a wonderful job playing out the vlogger-acting-like-an-occult personality. When it came time to do the exposed underwear scene, Riley did some fantastic improvisation acting embarrassed and alternating between embarrassed poses as she covered up her big, white, strawberry print panties. I also knew things were working because multiple times I had to work hard to stifle my own laughter from what Riley said. We all know ENF/EUF is about being silly and over-the-top ridiculous and Riley delivered some great lines that I think you'll all enjoy.

The concept of the Embarrassed Naked Goth stemmed from an oooooooooooold story I wrote back before I started self publishing called Karmic Balance Dark Magic. In that story a goth woman finds a book that gives her powers to stop time, which she uses to strip her enemies. The demon who possesses those powers eventually strips her, exposing her in strawberry print panties. This was a huge hit with readers when it came out and why I, and others like it is that there's a nice added layer of humiliation when we contrast the dark, brooding image of someone wearing goth attire only to be exposed to be wearing bright, colorful, fruit-themed undergarments underneath the clothes. It's a cutesy look that does not fit with the stereotype of what we see in the goth look. That's why I think a lot of folks in our community like the evil/dark character stripped in cutesy undies trope. It's created a lot and it was something I wanted to shoot as I was planning out my filming projects. Riley also thought the idea was fun and naturally pulls off the goth/occultist look. She also understood how fun it would be once her character is  stripped and exposed.

I've said it before, but I continue to be so grateful for being lucky to work with talented performers who have never acted ENF before but have a knack for it. I hope everyone gives Embarrassed Naked Goth a chance. It is a long clip, and I tried to set a price that is reasonable but also honors the hard work we put into making it. It is 15+ minutes of various ways an occultist who wants to be called the Dark Empress is humiliated as various aspects of her style that contradict this persona (stuffed toys, silly socks, cutesy undies) are exposed.

So please give the clip a watch and stay tuned for Riley's second film with me before the end of the year!

In non film related news, my newest exposed and embarrassed anthology The Immodest Collection Stories of Exposure and Shame vol 4: Bigger & Barer is out! 

 

It's been a long labor of love because I wanted to write a series where I revisit characters from the previous anthologies. This means Erica Hardy from Knockout, The Mistress and Riot from The Suit, and then Caitlin from One Step Too Far and Rana from Indecent Exposure Therapy are all features in their own stories exposed to new embarrassing situations. In addition, I wrote a free follow-up story to The Suit that takes place after that story but before the events in Domina Gets Dominated which is in the next book that you can find here. 

The Bigger & Barer sale and my newest ENF video Haunted House of Humiliation

It's hard to believe summer is over. Before it ends I have lots of exciting things in store for this month and for sENFtember. As you all know, The Immodest Collection volume 4 will be released on 9/1, the first day of sENFtember. The book will feature the return of Erica Hardy and Caitlin McNally from The Immodest Collection volume 1 , The Mistress and Riot from the Immodest Collection volume 2, and Rana Halaweh from Indecent Exposure Therapy To give folks who have not read these books a chance to catch up, for the whole month of August, I am running the Bigger and Barer sale! From now until 8/31/24, you can get the Immodest Collections volumes 1 and 2 AND Indecent Exposure Therapy each for 50% off! That's $1.50 for each story. So, with the final month of summer, use that time to catch up on some spicy exposed and embarrassed erotica and turn up the heat even more! Each book can be purchased on Smashwords . I hope everyone who has not read these books gets a chance to cash in on more enf/euf erotica! In addition, I will be releasing a free story featuring Riot and The Mistress that takes place between the Immodest Collection volume 2 and 4 on my Medium page

Because of these writing projects, I took a month off from filming. So when I resumed again, I was ready to get back into the swing of things with filming and took a step into another area of growth for me, and that was shooting two ENF films back to back.

I previously hesitated into doing two in a row because I did not know the length of time it would take to shoot one clip. I wanted to give myself time to mentally process directing, adjusting lights, and filming and the first 5 films took roughly about 4 hours each. However to be more cost effective, I know a lot of professionals shoot multiple clips within that 4 hour time frame. This makes sense in terms of being cost effective, especially when it comes to booking a shoot space.

So once I found a location I was excited to work with Violet Vixen and Devious Skunk again. My long term goal is to work with a wide range of models but since I'm still new and I have such good fun shooting with both Violet and Skunk, I knew it would be a fun process.

The concept I wanted to do was a relatively simple ENF storyline in terms of setting up ENF gags and a common plot that I see is a real estate agent visiting a house story. The idea is always a model going into rooms with their clothes disappearing. It seems like a basic idea but that was where the fun came in writing the characters. With Violet I envisioned her being a Type A, bossy real estate agent obsessed with a perfect record so that when she is exposed, it makes the contrast nice in terms of focusing on her humiliation. 

 

 

The challenges to this shoot. Which I am still trying to figure out is making seamless cuts between pre and post stripping. For ease of shooting, I break things in chunks so that dialogue is easier to act out and memorize. I also think this makes for stronger performances as there is mental effort put into wondering what the next line is. 

Of course, a seamless cut makes for a smoother transition but here in lies one of the challenges to directing. I could do take after take hoping that the model will eventually get a long page of dialogue down in one take without any slip ups. However, there are other things to keep in mind and that's the models physical and mental well being. It was HOT that day, at least into 90 degree range and to keep sound off I had to switch between turning air conditioners on and off for sound. Violet and Skunk each had to wear business attire and so the risk of doing take after take could have been exhaustion or worse dehydrating them to the point of passing out which I did not want. So making sure water was in supply and also doing as much as I can to minimize wait time wad this shoots lesson, which meant stopping longer to review my shots and make sure I got what I needed before moving forward. 

 

I also have learned more about writing in that I need to trim up and be concise with dialogue. When I write scripts I'm used to pouring the dialogue out as it flows through my imagination, cutting up bits I don't feel are needed later. Much of the extra dialogue is what I think is embarrassing for the character but not exactly what the model will think when they make acting choices. It also adds unnecessary time to shooting because the model wants to do their best to get the lines right and it can be easier on them if I cut out the excess that isn't important. 

I also learned a lot about my own stamina for shooting as it was essentially a full work day. While I was tired by the end, it was satisfying to walk away with two full clips that have been fun editing. Violet stars in Haunted House of Humiliation, in which a real estate agent finds out why anyone who buys the home abandons it out of fear of being stripped naked and spanked. It is available now on my MV page. Skunks film will be not so much a part two and more of a sequel to this story which I will reveal likely at the start of October for the scary season.

As always I appreciate the support from you all and hope you enjoy the latest ENF film!