A New Challenger Appears! Making a Street Fighter ENF Parody

After the success of Embarrassed Kombat, I couldn't wait to shoot the next video game, fighting parody that I had planned with Ariel Anderssen. This is why we're happy to release Cammy The Embarrassed Naked Street Fighter!

I booked this before I booked Embarrassed Kombat when I wasn't quite ready to shoot a two person shoot. I had planned this to be a POV style story in which Ariel would play both the classic and new version of Cammy. 

 

 

 

I saw ENF potential in Cammy because since her original design, she has worn clothing that was revealing. While the character doesn't seem embarrassed, I saw the potential for her to acknowledge the humiliation of wearing thong leotard in a fight. I liked the idea of incorporating an embarrassed reaction for someone who is otherwise clothed.

 Perhaps the most challenging part was designing the costume while keeping to a manageable budget. From my friend and cosplayer Jaz, I have learned how expensive cosplaying is through getting materials to make the outfit as accurate as possible. With many of my shoots, I tread a line between spending money to get the desired props and costumes and not going over budget to the point the cost outweighs the payoff. With cosplay and parody videos, I don't mind spending extra money to get a better look. This was the case when I looked for the jacket that the new version of Cammy wears. As nice as it would've been for Ariel to say she already owned a leather jacket with the British flag, I would've been shocked if she actually did. So I did some searching and was able to find this amazing quality jacket from Dazcos. The hat and leotard were easier to find as solid color items are easier to find. The one item I didn't see worth spending money on was the finger-less gloves. I give props to Cammy cosplayers because her gloves are something I have not seen anywhere else, particularly with the thick wrist band. This is where being creative became fun as I knew I could mimic the look with red arm sleeves and spray painting the gloves.It took a few sprays but by the time Ariel arrived, I was satisfied with the bright colored pallet that would become her second outfit. It wasn't a perfect replication of Cammy, but when I saw her tie her hair in pigtails, I got excited because she did replicate the character as I'd hoped.

We shot this video after shooting Exposing Senator Anderssen's Hypocrisy. this was because I knew the fight scenes would be more intensive and I wanted to spare her energy for the two videos we shot. One of the challenges that would be new for me as trying to gauge distance so that I could be close enough to the camera to raise my arms to "block" Ariel's attack's when she fought me while also making sure I wouldn't disrupt the focus when I wanted to focus on her. the other challenge would be the timing of the fireball I was going to cast at Ariel. This in my opinion was one of the effects that was the key gag for her initial exposure of her underwear There are only so many light effects that mimic the Hadouken fireball. That wouldn't be so challenging. the real challenge would be the timing of me conjuring the blast before firing it at Ariel and for her to react in time. I had no doubts Ariel could pull this off as a professionally trained actor, but for me, it would be a matter of keeping the internal clock as accurate as possible. the effect I chose gives about 1-2 seconds before the big flash occurs to "blow her clothes off." What helped in preparation was doing some test shots prior to the day of the shoot.

 When I was editing the video again, one of my favorite moments was seeing Ariel walk back to the fighting arena in her green thong leotard, trying to act calm and collected while clearly being embarrassed that her butt is showing. This was the exact embarrassment gag I was hoping for. Ariel acted this beautifully  from the embarrassed reaction she has to bowing all the way up to her acting awkward with her fighting attacks because stretching too much would expose too much. It really is a marvel to watch Ariel act in ENF because most of this script had little dialogue. Because of the fighting scenes a lot of them were nonverbal actions that she had creative control to fill the time and space with

In thinking of a way to end the story, I try to think of what would make a loss embarrassing beyond losing naked. Another fantasy I had is for spanking to get involved. I couldn't think of a better move to parody than E. Honda's Hundred hand slap. 

 

How funny would it be to have Cammy lose due to orgasm from spanking? Shooting ENf and shooting spanking have two different focus points. I base this off of being an admirer of both ENF and spanking videos. With ENF it's close up shots but mostly wide angle shots to capture the model from heat to toe acting embarrassed as she's exposed .In spanking videos the choice becomes shooting an up close shot of the bottom being spanked and the reaction of the model being spanked. I have seen videos where they provide two cuts, one of the model from behind and another of them from the front to capture their reaction. I could see the point of doing it if we were doing actual spanking but if you can tell from our video, the actual spanking didn't occur and so I didn't see it as necessary to do the double cut of the spanking scene. What I did want to do was shoot two images, one of Ariel's face and the other up close of the hundred hand spank move. so we could do a side-by-side comparison. What I was concerned about with this shot as well as the other POV shots was making sure the camera was steady. I've learned my lesson from Embarrassment Quest about how jarring it is when the camera shakes, even from the subtle movements of my breathing. This was why I opted to use a tripod up close for most of my shots.

One creative decision I made that breaks canon from Street Fighter is the setting of the story. I like expanding the universe of characters I wrote, which includes expanding the world they are in. Rather than re-create the setting of Street Fighter, I liked the idea of merging Cammy into the realm of Aidos with Quokkan in the Embarrassed Kombat universe. This is because I want to expand the idea of what's possible for martial arts characters to fight and strip each other. Both Mortal Kombat and Street Fighter have dozens of characters and with the merging of Embarrassed Kombat and Cammy the Embarrassed Naked Street Fighter, I'm excited to continue expanding this world. 

Ariel and I were both tired by the end of shooting, but we had a lot of fun choreographing the fight scenes. Nothing makes me happier than when I see models like Ariel, smiling with glee before we record because of how game they are.The last three videos - Embarrassed Kombat, Shego Exposed in her Tighty Whities, and Cammy the Embarrassed Street Fighter have helped me identify a niche I enjoy filming, and that's cosplay parodies of video games or pop culture. I can't say that I will only film these shoots but I have had so much fun collecting the items and costumes to make the look as accurate as possible. The magic of seeing the model make the character come to life is even more enjoyable for me. At the end of the day, what is fulfilling for me is making ENF/EUF videos.  I am new to this game, I have to honor the many talented producers before me and I often do praise their work when I review the videos I purchase from their stores in my newsletter. What makes ENF interesting is coming up with unique concepts to make an idea that has is simple - exposing and embarrassing someone, unique and with cosplay I have found the spark of inspiration that has spread like a fire. That fire does not spread without your support, Embarrassed Kombat and Shego Exposed in her Tighty Whities have both been the top #1 ENF clip on c4s and so I am listening to y'all when I see what you like most. I hope you enjoy this one. 

Directing and acting in a Shego ENF Clip

Now that Shego Stripped to her Tightey Whiteys is out, I'm delighted to talk about the experience in which I got to collaborate with my friend Violet, which included by on-screen debut. When I set on this path of making ENF films, I didn't have a strong urge to be on screen, however I also didn't want to rule it out. The main reason for staying off camera was because I still have a day-job that requires privacy, not just for myself but also the other people I work with. The reason I did keep my options open for being on screen was that I did want to be able to showcase my work, mainly rope bondage and I felt that in the event of a performance or on screen full-length video, I wanted to be able to be on screen but hide my face as well.

I did not have an exact idea in my head but knew i wanted to have some form of mask that covered my whole head. I'm so grateful for the existence of Phant0masy, an artist who hand crafts the most gorgeous masks I have ever seen. I can't recall how I find her Instagram page but as soon as I saw demos of her full face-covered masks, I immediately fell in love and knew it was something I would want to represent myself. I ended up choosing the High Court Mask because I liked its elegant design with the chains along the front and the decorative pattern. The amazing part about these masks are that it covers the whole head and can be large enough for people who require glasses. The other cool part about the site is it has a simulator that let's you pick colors and other specific visual choices before sending you a PDF of what the mask would look like, so you know what you're getting before you place an order.I wanted a simple black and white design and what I didn't know until after I did my first self-portrait shoot was that this design allowed itself to absorb the colors of whatever lights I used. To my surprise, the reaction to this was quite positive, so much so that my friend Violet asked to do a scene with the mask. Before  I move forward with talking about the shoot, what I will say is that buying a mask from Phant0masy is worth the price and wait. It takes about six months to make but this is because of the skilled hand-made design of the mask. Not only was it worth it for me but I'm already thinking about buying another in the future. 

 

 Violet and I have played  a few times together. I was delighted to get to role play and don the mask for a scene. Our humiliation scene isn't ready for release yet, but you will see in the future. Because I usually shoot two videos in one block, I did want to shoot a second story involving the mask. This is where the idea behind Shego Stripped to her Tightey Whiteys formed. I first saw Violet cosplay as Shego when she posted it on her website (she has requested not to share the link). 

 

As always with cosplay artists, I'm blown aware at the precision and accuracy of their detail to creating a real-life replication of the character they portray. Shego has been given the spotlight in several embarrassed naked art pieces within our community.

 

                                                                      Art by Zap1992
 

I suspect the reason why Kim and Shego both are popular in our community is because the Spy-themed cartoon has a lot of embarrassment gags, most famously this gag in which the character Ron loses his pants after he fires his grapple hook gun.

 

I first got to enjoy the fun of shooting cosplay with my friend in our Tarot the Black Rose themed shoot. Shooting cosplay is such a joy to me because it's still fun to play pretend and, there's an added challenge of getting shots that mimic the mood and tone of the original character. This usually requires making sure lighting and colors match the art tone. After the Tarot shoot, I knew I wanted to try shooting a cosplay type ENF clip in the future. Because this would be my first time acting on camera, I was admittedly, a bit nervous. I had always envisioned being off camera, speaking a few lines at most but my preference is always to have models acting solo with very little dialogue coming from me. I do think that when I do give some dialogue, it does help the model react to something and the idea of being a character that can be both dark and silly gave me ideas for different embarrassed and exposed possibilities.

 

 

Since Shego is a cartoon character, I wanted to tell a cartoon-like story with lots of classic embarrassment exposure gags based on a science fiction genre. This included X-Ray glasses, magic hats, vacuums, and the device that set me down my creative path as an ENF storyteller - Time Stop. The setup for the jokes was easy and so was working with Violet. The new challenge I had was figuring out how to film and direct when I have to be on camera. Prior to this shoot, directing was straight forward, it wasn't easy but it was straight forward. I could ensure I had the exact shot I wanted because I was watching in real time what was captured on camera, making adjustments as needed. 

 With being on camera, I had to make sure the camera was positioned in frame and that both of us would be on camera. Violet helped with making sure I was on frame but once I hit record, it was a trust game to reassure myself that we had what we needed. The other challenge was sight. I'm actually wearing two masks, a hood to cover my head so that the Phant0masy mask I wear isn't obscured by my hair. The mask itself is a mesh see-through fabric, but it did require a lot of squinting to make sure I was positioning things where they needed. Overall it was a fun and new experience to be on the other side of the camera while directing. In the style of silent comedy, I opted to avoid giving myself dialogue, making my character a silent, almost cartoon like foil to Shego's plans. In looking back, I do like this approach because of how much it calls back to the classic embarrassed exposed gags in cartoons. Violet also did amazing becoming angrier with each humiliation she endured. I had less familiarity with the character and put my trust in Violet to depicting an accurate portrayal of Shego. In her other videos, Violet also acts in more of a Domme role, which is why she is a great actor when she shifts from a dominant/bossy role to a more timid, embarrassed and humiliated silly persona once stripped. This made it a great story because in the cartoons, Shego is arrogant and cocky, so to watch her lose her dignity each time makes this an embarrassed underwear exposed story that we hope you all enjoy. 

 

The True Opponent in Filming an ENF Mortal Kombat Parody - Nature!

                  

 I have been looking forward to this Memorial Day weekend for a month ever since I booked the shoot with Skunk and Violet for what would become Embarrassed Kombat. The video game itself is all about humiliating your opponent with a gruesome finisher. Even the non fatal finishers imply a sense of embarrassment. How humiliating is it to go from being a tough martial arts warrior and become reduced to a baby?

 

I explored the idea of humiliation and stripping an opponent of their clothes in my Mortal Kombat Fanfic, Finish Them! In it, the fighters get stripped during battle, with their special abilities being used to accidentally or intentionally damage their opponent's clothing. I didn't finish the series as I moved on to writing my own erotica however, the year I made the plan to make ENF films,  I knew a long-term goal would be to shoot a two-model video parodying Mortal Kombat. With your support within my first year, I felt ready to make the leap and bring the idea to life. As exciting as it was to write the script, inventing my own characters that parodied Princess Kitana and Sonya Blade, the shoot would not be without its challenges.

With Global Warming impacting the intensity and stability of weather patterns, Michigan's weather is even more unpredictable. As I write this on Memorial Day weekend, it's actually in the high 40s. When Skunk and I first met and planned to shoot, it was delayed because we had a snow storm...in April.

                              

This fella visited me minutes after Skunk and I agreed to reschedule shooting Officer Undressed

Experiences like this make me used to the unpredictability of what can happen leading up to, during, and after filming an ENF video. I have found the mantra, "It will not turn out exactly as you planned" to be helpful in grounding me so that I am not overwhelmed or panicked when things happen unexpectedly. It's not that things will go wrong, but rarely have shoots gone 100% the way I wanted. Weather changes, scripts changes, making adjustments to costumes/props, and travel are factors that can affect a shoot. Embarrassed Kombat was hit with multiple unexpected moments.

The unpredictability of the weather was the first issue. In April, temperatures were averaging at mid 40s to 50s, which if you've ever been naked in these temperatures, it's not very tolerable. It's also risky because it could result in health issues for exposure to cold temperature for long periods of time. In that sense, I was ready to reschedule if the temperatures were not going to rise. With this comes another challenge, booking. Scheduling with one model takes time and a lot of communication to figure out the right time because we all have our own schedules. Booking two models adds complexity because I had to coordinate between Violet and Skunk's schedules to make sure all three of us could meet to shoot at the booked outdoor location. With a lot of back-and-forth texting, we had our day and I knew that rescheduling could risk further delaying the video if Violet and Skunk couldn't meet on a second day.

 By the week of, things were looking to be better, it seemed it would be in low 60s with sun. It was not my preferred condition, but better than what I had feared and with that, we made the choice to try to shoot. I did let both models know that if they felt uncomfortable or needed to stop then we would because I want to prioritize safety and health of the performers above everything else.  With props, costumes, and robes in hand, we went to work in this wonderful outdoor wooded location that reminded me of the forest fight scene in Mortal Kombat 2

 I was more anxious than I typically feel with shooting, more because this was my first time shooting a two-model scene. I also felt pressure running against the time of nature because I wasn't sure how long we would have sunlight and worried we would lose it. Lucky for me, it was cloudy because...Michigan, and we got a total of 5 minutes of sunlight, so problem solved! I usually shoot things in linear order of the story, but given the time constraints of temperature and lighting, I prioritized efficiency and shot scenes in order of action, stripping, and eventually dialogue. Skunk and Violet handled this all with amazing grace and talent, their motivation and enthusiasm created a fun energy that kept us moving throughout the shoot.

 

 

 My current equipment setup includes a Sony ZV-E10, a Rode Video NTG mic and then my camera phone. The nice part about the Rode mic is it can plug into my Sony and allow me to check the quality of the sound while recording. That day, it had difficulties holding a charge, it would a low battery even after charging all day. It was likely that it would die out during shooting, Luckily, the camera has its own built in mic that I was ready to use but my saving grace would by my camera phone.

My phone has a better quality camera built in than what I've previously had. I still prefer to use my Sony for better image quality, but it does get the job done when needed. I first used it as a second camera with Embarrassment Quest as a wide angle shot.

 

 I regret forgetting to use this more consistently during filming as I only got this shot for the second half of the battle. Despite only using a few scenes spliced with the close-up shots, I liked the transition between wide angle and POV shots because I felt it resembled the camera changes in Final Fantasy 7 combat scenes. With Embarrassed Kombat, I knew I was going to do a section that would parody the actual side-angle shot of the original video game and made sure I had enough space to run the camera phone during the whole shoot. This choice ended up making it the MVP when another issue would happen....gravity. If you watch the video, you can see the fun blooper of my camera lens reaching its end when the stand tipped and landed lens first. This is a bad habit of mine of leaving things unstable and letting them fall, from leaving objects on the edge of a table, to light stands, and the ZV-10 kit lens.

                           Violet's concerned face seeing the last moments of my lens before I could.

At this point, halfway through the shoot I was down my primary camera and no microphone. It was not great however, I didn't panic. Again, the mantra that things will not turn out as I planned helped ground me. I also knew I had my phone camera set up to get a wide angle shot on run the whole time and luckily this was our saving grace because thanks to that, I got every shot I needed and I had decent enough audio to mix with the shots on my Sony camera when the microphone battery died. So, lesson learned, always have a backup camera ready and also make sure your camera stand is stable XD.

 The other unexpected challenge that day was the wind chill factor, bringing our 60 degree temperature down to more of a mid 50 degree temperature. This meant the amount of time being naked outside that was tolerable and safe was a lot shorter. Typically, I try not to rush through takes or if needed, reshoot a take to make sure we have the shots we need. With the temperature a factor and with Skunk and Violet the ones who are naked, I wanted to be mindful of their safety and eliminate any time of unnecessary reshoots. I kept checking in with them for the rest of the time, offering to stop and reschedule if needed. To their credit, they were on board with finishing the shoot and we quickly shot the rest of the script. There might have been a few points from the original script that were omitted, mainly some dialogue, but this was something that wasn't central to what I wanted - an ENF parody in spirit of the videogame Mortal Kombat, not necessarily just the story. Like Embarrassment Quest and Embarrassment Quest 2, I wanted to tell a story that resembled the game mechanics and that meant I could coach Violet and Skunk during their solo fights rather than stop and start multiple takes with scenes involving dialogue.

 By the time we wrapped up shoot, I was anxious if I got everything I needed to edit a coherent story. My hope was to have two parts to this Mortal Kombat themed ENF shoot, something I wanted to film ever since I planned to make films. Having watched it in full sequence, from splicing in the music, the fight sound effects, and my own attempt at mimicking the Mortal Kombat narrator voice, I am overjoyed with this long film Violet, Skunk, and I created. We hope you enjoy it. I would love to make this a series, and so your support in buying the video would be of great help because once cost is covered, I can definitely plan a sequel and I already have a few ideas as to what it could be.

 

Commanded by Skunk - Exploring different forms of humiliation

 Around this time would've been the year anniversary of when I reached out to Devious Skunk to start my career in producing enf content. This comes with the release of Spy vs the Commander - Skunk's Uniform Stolen! This was actually the first video we shot before we shot The Men in Black versus the Kinky Clownians. The idea of this story stemmed from my love of the exposure trope of a character's clothes being stolen and used for a disguise. This is often shown in a lot of action-type movies, sometimes not even showing the actual removal of one's clothes, instead one shot will portray the protagonist and the other character,  with the following scene to show the protagonist wearing the character's clothes. Sometimes we would get to see the character stripped of their clothes and tied up, a double whammy of humiliation. G.I. Joe often used this trope both in the comics and the TV show.

 

 

I also highlighted this trope in a fanfiction story featuring Black Widow in Black Widow's Bad Luck. In this story Black Widow sneaks around, stripping guards of their clothes before she gets caught and is stripped herself. It's one of my earliest stories and one of my most popular ones.

 Thus, that was the idea I had when I created Commander Skunk. I liked the idea of a dominant boss who demeans her soldiers only to be stripped and humiliated as she's tied up in her panties and later, no clothes at all. Still, I didn't feel this was quite enough, I wanted to do something else to make this ENF clip more than just a clothed/unclothed story.

As I have said before, erotic embarrassment and exposure is not just about the nudity/panty exposure, it's about exposing someone's secrets. Most folks have no problems with being seen naked or in their underwear, but it's when there's a detail they don't want people to know about that makes it embarrassing. I thought it would be fun to be in a situation where in being stripped and tied up, that The Commander had a sexual fantasy of this but didn't want anyone to know. This led to the funny premise of her bossing the Spy, to do what she wants him to do to her. We both enjoyed this idea because of how silly it was because in turning the tables, the Spy is now stuck at the mercy of the Commander before she's horribly embarrassed when her men see her caught in the passion of her submissive fantasy.

 

 I thought this would be a simple clip to shoot in terms of the set up and boy was I wrong. Do you know how hard it is to strip someone with a camera strapped to your chest and make sure you have it pointed on the actor? Suuuuuuuupeeeer hard. Once we started filming I realized that I couldn't just focus on removing her catsuit, but I also had to make sure the camera was steady and aimed where I wanted it to. I had to summon all of my lessons from yoga by being very mindful of my body movements so that I moved slowly and not shake the camera. Adding to the challenge was that the catsuit was a lot tighter than I realized, it wasn't something I could simply just pull off.  

These technical issues initially had me concerned because I wasn't sure if the camera would be so shaky it would impact the clip. It was one of the first time I thought about booking a re-shoot, which I now understand the purpose. Thankfully my fears were unfounded as I have watched the clip several times and l love the diverse types of stripping scenarios that Spy vs the Commander has, capturing my love of exposed nerdy and sexy underwear and naked exposure. As always, Skunk's playful and silly energy made this shoot a fun hangout than work. I'm impressed with her ability to write her own cue cards while tied up. We hope you enjoy the clip!

Shooting an ENF video game sequel

 We're ending the year with another video game ENF parody! I'm happy to release Embarrassment Quest 2, with the return of Riley Jane! Embarrassment Quest was one of the few videos that had multiple positive comments (this always helps my stores so if you like them, please rate and review!). Rather than do another combat based story, I wanted to film another trope in video games - selling items or in this case, clothes!

 

                                             Selling and robbing clothes of townsfolk in Skyrim
 

I feel like I have seen this setup earlier in my days playing video games, but where I saw the specific idea was in the web series, The Guild. In it, one of the players has his keyboard hijacked by the protagonists, and they sell his avatars' clothes until he is left naked although it is never shown. In video games, like in reality, we want to dress our characters, who are sometimes an extension of ourselves, in the best/most badass look possible. This is why I like the idea of stripping away that "best self" and exposing one that we wouldn't want to be seen, because I find that this is best type of exposure and embarrassment. The heart-print underwear is always a favorite of mine, but it was also my nod to a classic video game Ghouls N' Ghosts, where the Knight in that came will be exposed in his strawberry-print underwear when his armor is destroyed by one hit (I just learned that it is strawberries NOT hearts!)

Initially my plan was to have Riley strip in one long cut as she negotiated for the sword she needs to use to slay the dragon. It occurred to me the day before that a more "video game" effect would be a jump cut where her clothes vanish after confirming the sale of an item. In one way, this would make shooting easier because it makes for a shorter take before cutting and moving to the next clip. The challenge becomes in having Riley freeze and then start the next take in as close of of a position that resembles the last one. Overall this went smoothly, with some very small differential placements. What helped as setting up the merchant table and leaving some items in frame that remained still in between each cut.

 

The other challenge was adding the other images/sounds/music to mimic a video game. The first time doing this in Embarrassment Quest it took two days. This time around things went a bit quicker now that I knew what animations I wanted. The added time can be exhausting but looking at the final cut make it all worth it because all of these elements remind me of video games I used to play. 

 

 

This was also the film that made me laugh the most, so much so I ruined some takes because I couldn't contain my laughter. I knew using the confetti popper was going to be funny, but the large amount of confetti that shot out made me laugh so hard. To avoid laughing on take two, I had to look away. Riley absolutely understood the idea, how it was meant to be silly and over-the-top, breaking the meta by writing her as a player who is aware there is a game. 

 

I couldn't wait to release Embarrassment Quest 2 and I hope y'all enjoy that in addition to the first. I don't know when I'll shoot a third sequel but I do have some ideas that I will save in the future because there are so many tropes I can make fun of.

Forget The MCU or DCU, let's make the ECU (Embarrassed Cinematic Universe)

I hope folks had fun celebrating National Erotic Humiliation Day, I have recently released a very personal essay in which I process the painful emotions behind my own embarrassment and shame. It's not exactly a sexy piece, but I felt it honored the spirit of celebrating that people who enjoy this kink have an emotional connection to the fetish as well.

This month's release is the Embarrassed Naked Supervillain, staring Riley Jane. This was the second film I shot with Riley the same day I shot Embarrassed Naked Goth. It was my first time shooting two in one scheduled block of time and I wasn't sure how I would do with getting the shots I needed while sticking to time. Thankfully, Riley was game for it and brought the same fun energy to this story as she did with playing the Dark Empress. As a professional Domme, it was fun to write a character with a dominating personality and see how Riley made her own acting choices to make the character come to life. I wanted her character, The Mad Mask, to be a dominant figure who talked down on her henchmen, mocking them when they are stripped of their underwear before mocking their nakedness. I don't have a small penis humiliation fetish but it was nice to incorporate that kink into the story before Mad Mask gets stripped to her embarrassing underwear.

 

 

 

You may recognize a character mentioned off camera, The Mistress, who I introduced in a story called The Suit, in the Immodest Collection vol 2. This could have been a straight forward ENF clip in that it would have been simple to splice up the shots together for the final cut. I certainly felt too busy and tired at the end of a work week to shoot extra shots. However, in the spirit of a superhero movie, specifically the Batman movies, I felt an added touch would be showing close-up shots of "The Mistress" preparing to fight crime. If you remember the comical way Batman and Robin get suited up in Batman Forever, this is the idea I had when I did some shots of my character. 

 

I didn't have a suit or an actor to play the character, but I knew I could still add dramatic effect with some quick close-up shots of me-er-em the Mistress, putting on a suit just before the actual clip starts. It might not be the reason people buy the clip, but it's a minor detail that adds excitement for me when I watch it through because I wanted to give viewers a visual of who would be behind stripping the Mad Mask. 

 Shooting this scene involved less technical effects than Embarrassed Naked Goth. Both films involve a jump cut between a clothed and less clothed Riley. With the goth storyline, it took more time because we tried our best to match one cut to look like the next to make the time switch seamless. Finding the right smoke and fire effect for the demon magic also took additional time in editing. With Embarrassed Naked Supervillain, it took less time because the lights going on and off took less time to edit. Also, Riley was free to act however she wanted to being stripped in the dark before the lights went on. She used this to her advantage as she came up with some great sound effect ideas to make it clear she was being stripped. I had a great time working with her and it made four hours of shooting fly by because we both had so much fun collaborating ideas. I look forward to shooting with her again and hope you enjoy this latest video.

 You can read more stories featuring the Mistress in A Submissive Superhero Gets Stripped and The Immodest Collection vol 4.

Making a scary ENF sequel with Skunk!

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The Embarrassed Naked Goth video with Riley Jane and my newest ENF Anthology is out!

 It's that time again to talk about my newest ENF/EUF release. This time I got to work with another model with years of experience in the industry, Riley Jane. Riley's clip stores have a wide variety of various fetish content. She had never shot ENF/EUF before but was on board with two scripts we booked to shoot at her dungeon.

 

I always feel a bit anxious working with someone new, I especially feel that way when I'm working with an experienced performer in the industry like Riley. I was also a bit more anxious because this was my first time attempting to shoot two films in one booked session. Up until that point, I've taken my time shooting one clip at a time because I wanted to be patient with learning my own filming process.When I started, I had no idea how long my scripts would be nor did I know how long it would take me to make sure I got the shot I needed. I would usually take 2-3 shots per take because I felt it was effective in giving models a chance to get into character and find more effective choices once they act a second or third time. As I have been filming more of these, I realize that this is not always the case. For some actors, doing every shot 2-3 times results in expending more energy, which can affect their performance later in the shoot. It also takes time. I realize now my scripts at a minimum run about 11 minutes, so the fear of clips being too short was unfounded. Shooting this length typically takes almost the whole amount of time I have booked models. While that was okay starting out, I knew that shooting multiple clips would be something I want to try after it was something Ariel Anderssen suggested to me when we worked together.

Another reason my shoots take longer is that when I write scripts, they tend to be dense in terms of dialogue. A lot of this is due to me pouring out the initial idea on paper, in which the character is not fully formed. This can be hard for me and the model to memorize on the day of shooting and if they are trying to get all of the lines right, one forgotten line means we need to do it again and an otherwise great shot is lost. In preparation for shooting with Riley, I re-edited the scripts, trimming all of the unnecessary wordy dialogue out so that when we shot each scene, it was easier for me to give concise beats of what Riley's character would say. In doing this, I made the decision to forego shooting a second or third take unless a mistake was made. This was risky because if I moved forward with only one take and found out a mistake later (usually a sound issue, something out of continuity, a big ass yellow jeep in the background of a medieval themed story -_-), there would be no way of going back. However, I knew this needed to happen if I was going to shoot two scripts in a quick amount of time.

As soon as I arrived, Riley and I hit it off well. I explained to her a bit more about the ENF/EUF fetish and she got it mainly because as a Domme, she specializes in humiliating folks and understood the assignment. We shot Embarrassed Naked Goth first and it all worked amazingly. Riley got the character and did a wonderful job playing out the vlogger-acting-like-an-occult personality. When it came time to do the exposed underwear scene, Riley did some fantastic improvisation acting embarrassed and alternating between embarrassed poses as she covered up her big, white, strawberry print panties. I also knew things were working because multiple times I had to work hard to stifle my own laughter from what Riley said. We all know ENF/EUF is about being silly and over-the-top ridiculous and Riley delivered some great lines that I think you'll all enjoy.

The concept of the Embarrassed Naked Goth stemmed from an oooooooooooold story I wrote back before I started self publishing called Karmic Balance Dark Magic. In that story a goth woman finds a book that gives her powers to stop time, which she uses to strip her enemies. The demon who possesses those powers eventually strips her, exposing her in strawberry print panties. This was a huge hit with readers when it came out and why I, and others like it is that there's a nice added layer of humiliation when we contrast the dark, brooding image of someone wearing goth attire only to be exposed to be wearing bright, colorful, fruit-themed undergarments underneath the clothes. It's a cutesy look that does not fit with the stereotype of what we see in the goth look. That's why I think a lot of folks in our community like the evil/dark character stripped in cutesy undies trope. It's created a lot and it was something I wanted to shoot as I was planning out my filming projects. Riley also thought the idea was fun and naturally pulls off the goth/occultist look. She also understood how fun it would be once her character is  stripped and exposed.

I've said it before, but I continue to be so grateful for being lucky to work with talented performers who have never acted ENF before but have a knack for it. I hope everyone gives Embarrassed Naked Goth a chance. It is a long clip, and I tried to set a price that is reasonable but also honors the hard work we put into making it. It is 15+ minutes of various ways an occultist who wants to be called the Dark Empress is humiliated as various aspects of her style that contradict this persona (stuffed toys, silly socks, cutesy undies) are exposed.

So please give the clip a watch and stay tuned for Riley's second film with me before the end of the year!

In non film related news, my newest exposed and embarrassed anthology The Immodest Collection Stories of Exposure and Shame vol 4: Bigger & Barer is out! 

 

It's been a long labor of love because I wanted to write a series where I revisit characters from the previous anthologies. This means Erica Hardy from Knockout, The Mistress and Riot from The Suit, and then Caitlin from One Step Too Far and Rana from Indecent Exposure Therapy are all features in their own stories exposed to new embarrassing situations. In addition, I wrote a free follow-up story to The Suit that takes place after that story but before the events in Domina Gets Dominated which is in the next book that you can find here.