The Suit - Immodest Collection volume 2 sample excerpt

I've been giving a lot of love to the second story of the Immodest Collection and you've all seen the cover which comes from the first story. But I have not given much attention to The Suit, which was my nod to superhero comics. Typically we're supposed to look up to the superhero and they are often written to be perfect, physically and interpersonally. We are not supposed to question their values or behavior because, they are the hero. This inflexible mental "armor" gave me a great idea for an embarrassed nude female story. Enjoy a brief excerpt from The Suit and then check out the Immodest Collection Volume 2: Stories of Exposure and Shame on Amazon and Smashwords. 

The crackled sound of radio static interrupts my sleep and causes me to slam my hand on my snooze button. Through one open eye, I see it’s not my alarm clock going off. It’s my police scanner.

"...all units, report to the Bank of the Nation off Michigan Avenue. Shots have been fired. Eye witness accounts say it’s the Engineer."

"Shit." I whip my sheets off and roll out of bed, slapping my face to wake up.

"Remember, the Engineer will be armed and is extremely dangerous, do not engage..."

I scramble to pack my suit, I don’t need to listen to the rest, I remember. It was at the Natural History Museum, the Engineer tried stealing the tomb to a 14th century warlord. He booby trapped the place with motion sensor-activated automatic rifles. The memory of the dumbstruck look on his face when he saw bullets bouncing off my suit makes me smile. That and remembering the cracking sound of his ribs when my gauntlet connected with his chest. His frail body flew back several feet and landed ass-first into a garbage can. The memory brings back the fuzzy sensation all the way down to my toes.

The Engineer escaped six months later. Prison guards reported hearing him rant about “that butch bitch who needed armor to compensate for her inferior strength.” The word “butch” makes me laugh because it’s so different from my actual appearance. I wear makeup in public, I go to the salon to straighten my long black hair, and I have a closet full of tube top dresses that I adore because of the way they hug my tiny frame. That’s why I love being Riot, because I can beat up a dangerous criminal like the Engineer and I can be feminine the day after. It’s a shame I can’t reveal that to him but he can hold onto his “butch fantasy” all he wants.

The Bank of the Nation covers half of a block in downtown Detroit. I know a few spots that are safe to park my van two blocks away behind an abandoned factory. I slip into the back of the van and change into the Riot suit. Once I put my helmet on I leap out of the van. My steel boots slam into the ground and I slowly make my way towards the bank, each step feels like a sledgehammer slamming into the pavement. The air is humid, I’m already sweating in my suit but it’s a price I’m willing to pay to feel nothing.

I take a shortcut through the alley and step onto the sidewalk. The sound of my steps draws attention from the crowd grouped behind the barricade. They hold their phones up for pictures. I wave before I see an officer in uniform run up to me.

"We were wondering if you'd show up. Riot-er Ms. Riot-Mrs?” He looks young. The lack of facial hair gives him a babyface, a cute babyface with freckles. His body on the other hand reminds me of a football player with his wide shoulders and tight forearms. My boots me so much he has to look up to maintain eye contact. I try not to smile too much.

"Riot is fine. Any hostages?" I ask in a graveled tone of voice by straining my throat.

Officer Babyface shakes his head, "They all came out with their hands on their heads. Said that the Engineer killed two guards. We think he’s in the vault. The captain told us all to stand by but I guess you don’t have to worry about any danger.” He stops to scratch his head as he examines my suit. “I sure wouldn’t want to be him. What is it made of?” 

His eyes are level with my chest and I clear my throat, “Why don’t you let the others know I’m coming?”

“Right. Sorry!” He touches the radio resting on his shoulder, "Dispatch, Riot has arrived. I'm sending her over."

I wait for confirmation before continuing towards the bank. A parade of squad cars surrounds the massive twenty story building. A detective runs up to me as I approach the steps. He stops when I hold my hand up. The armored fist is the size of his head. "I already know the situation. Just sit tight, I need to teach him a harder lesson this time."

"Be careful, we don't know what booby traps he's set up. We heard shots fired before the hostages ran out."

I can’t resist being corny in that moment. I slowly turn my head to reveal a smirk. “Bullets aren’t my problem.”

Approaching the glass doors, I pull my arm back before driving my right fist through them. Shards explode and scatter across the tile floor. I step inside and the glass crushes under my boots. My head turns slowly from left to right as I take in the sight of a deserted lobby.

"Okay Engineer. I have better shit to do than play around. Why don't you save us all some time and surrender?"

My hands clench tighter once I hear a speaker system come on. "I've been waiting for you again Riot." his monotone voice is so deep it makes the speakers give off feedback. "You're right. Let's get down to business, I'm waiting by the vault on the other side of the bank."

"Smart man. I’d advise you to have your hands up by the time I get there. I'd hate to have to smash your toys after you worked so hard on them.

I hear the speaker cut off and roll my eyes, he’s so damn serious. I walk past the teller desk and through the metal detectors.  My upbeat mood is soured when I pass through a doorway and see two security guards lying face down on the ground. I clench my jaw, slowing the pace of my walk as I round the corner and see a massive round steel door slightly open. A sliver of fluorescent light spills out.

My left forearm shields my face as I approach the door, using my right to grab the handle and pull it wide open. My pulse rises as I step into the vault shouting, "Hands up Engineer!"

The interior of the 500 square foot roomis lined with metal lockboxes. Standing in the center of it all, a White bald male in his 50s. The red in his beard has started to turn gray. He wears brown khakis and a green plaid button up. Thick bifocal glasses magnify the hate in his dark brown eyes.

"Ms. Riot." His graveled tone is devoid of any warmth in his greeting. "How’ve you been?"

"I guess I didn't hit you hard enough last time." I see a black remote in his hand. His thumb rests on a red button. "Drop the device and you get to keep your teeth."

His body shakes and I see a vein on his forehead. He holds both hands in the air as if to comply, then his thumb pushes the button. "Oops."

I hear a rumble from outside, followed by a humming sound encompassing the entire vault. My eyes shift to the floor, then the ceiling. I hear metal tapping and I hold my hands up to protect my face. It’s not gunfire, it’s the rattling of coins bouncing inside their metal lock boxes. I can’t move my legs, but I notice my feet sliding toward the wall. “Shit.”

I try to lower my arms, but they won’t budge. My breathing gets heavier as I square my hips, trying to put weight into my heels. My triceps and shoulders burn as I try resisting the force pulling me away.

"What's the matter Riot? Is my magnet too much for you?" the Engineer stands next to me with his hands held behind his back.

My head dips ever so slightly, and then I curse when my helmet rips off my head, the red tint replaced with the natural colors of the room. I hear the thud of my helmet sticking to the wall. My pony tail falls loose.

"Mmm, you're a pretty one." The Engineer leans closer. His smile reveals a row of yellow teeth. "What's your name?"

"Fuck you!" I swing my right arm at him, only to lose balance as my right gauntlet rips off my fingers. Before I can save it, the other gauntlet sails towards the wall. With my weapons gone, I stare at my trembling arms. Unlike the bulging shape of my gauntlets, they lack any muscle tone, looking like rubber pencils in comparison. 

I’m snapped out of my trance when a high pitched squeal echoes in the vault. I look down and see the bolts around my chestplate shaking loose. A lump in my throat forms as I try not to wince in front of my enemy. I look back and reach for the doorway. I’m able to grab onto the edge with both hands. Turning my body is a mistake as my feet lift off the ground. I scream, looking down to see metal bolts shoot across the room. The chest and back piece split apart and collide into the wall,

I feel a breeze against my midriff and I kick my legs. "Stop it!" I shout in my natural voice, too panicked to hold onto my bravado. The tank top I wear might as well be a bra with how small it is.

           "Sorry, the remote is fried. Forgot the magnet was going to ruin the hardware." The Engineer dangles the remote before dropping it. "I hope you wore something under there."

Featured artist: Dalek Supreme!

Dalek Supreme was created in a Parallel universe where his Dad, Davros had an idea of creating a
super race devoid of pity for fabric. As a result fabric became rare enough to be used as currency.
Ultimately Davros was put into forced retirement, and Dalek Supreme settled down with Mrs
Supreme to rule the known universe as Emperor. His Peace was occasionally troubled by the
Gallifreyan Time Lord the Doctor! In this Universe the Doctor had always been female and tried to
overthrow the fabric based economy and return to the days of excessive female fashion houses.
She was always thwarted until that fateful day when she regenerated as a male. The idea of a
Naked Male Doctor caused Dalek Supreme to flee his universe to ours where he found Earth... a
treasure trove of unlimited fabric that could be exterminated one bit at a time.

Dalek Supreme has been creating poser ENF art for over ten years. I first was introduced through poser art through the enf stories "Joanna C Mutchmore goes to Cyber Hell" by Morphy and "Particles of Chaos" by Moses3000 (you can find both stories here and here ). Both artists hadn't created any new content but I loved the way poser art captured a realistic style while also maintaining the comedic aspect of enf. Enter Dalek Supreme and Emperor comics. The first story he had published staring Debbie McClintoc was great in that it was a comic that took its time building up the stripping elements to the very end. Dalek has created multiple comics that you can find on his DA page and has been so supportive of other members of the ENF community. I had a great conversation with him about the ENF genre and his approach to writing ENF stories. I was floored when he created these two poser pics incorporating both volumes of the Immodest Collection.

 1. When did you first discover embarrassed nude females as a fetish and what made it resonate
with you?

Well it was of course Benny Hill. It was watched by my father with my mother “tisking” every
time a girl was revealed in her underwear. For some reason the embarrassment the girls
showed appealed. I think it was because they seemed vulnerable and sexy at the same time...
and then cross... in particular it was the brief period of time between when the dress had been
ripped off and when they noticed they were half naked. They were carrying on without
realising their state of dress. It’s soft porn of course and no one gets hurt except for pride, and
Pride can always do with a bit of exposure.

Also Carrie in Mayfair magazine drawn by Steve Kingston. She always lost her clothes in the
most wonderful ways possible. I did some Carrie tributes and Steve was kind enough to say
that they captured the essence of his gal. That was really kind of him.

2. I remember you being one of the earlier enf artists utilizing poser art. how did you get into
using poser as a medium?

Morphy. He was the inspiration. His series Joanna Muchmore was so good and such a labour
of love. And Moses3000, his work was brilliant. Morphy was kind enough to point me in the
direction of Poser and explain how this stuff worked. He was a great bloke and really
encouraging and I hope he is still out there somewhere appreciating what he started. Then I
found Biker... Good grief the grumpy old pencil head is good at what he does... I hope he
doesn’t read this... praise goes straight to his head.

3. It's hard for any artist for fit in time to consistently put out content, you'd been making pdfs of
comics for quite a while. what has that been like and what did you learn over time as you
continued to make comics?

Yea time is hard especially as on a good day I may be able to find time to make 4-5 pages.
The story evolves in my head and then I compose the actual script at the end when compiling
the comic. What I learnt was... to manage expectations. For a time I did one comic a month and I was
also editing, compiling and scriptwriting for Bluetakes Comics. It was too much and I was
working full time as well. I wasn’t being paid and have never asked to be for the comics as I
do it for fun, but the monthly cycle and trying to meet what I perceived as expectations of the
audience was really hard and I had to stop that routine or else I would stop altogether. Now I
do stuff when I feel inspired rather than just trying to hit a deadline.

What else did I learn? I hate Yahoo and Yahoo’s abandonment of Groups and Yahoo Mail!
Also I learnt to help people. I love it when new ENF artist appear on the scene and try to
encourage them. Morphy encouraged me so much... I try to pass that on.

3a.  You mentioned hating yahoo's changes, before yahoo was the only mainstream place to find ENF content in yahoo groups. what have you noticed different between yahoo groups and DA?

I’m concerned by the changes DA are doing with Eclipse as although DA could do with an update they run the risk of ruining what’s good for the sake of trying to make money. The black or white colour scheme is very hard on the eyes and notifications and comments are a complete mess. No doubt they will sort it out. My simplistic view is reproduce what you have first then add new features. They are doing it back to front! Lol!

3b. What did you find challenging as a scriptwriter for ENF for stories involving real models? I also write stories for a fetish model who does ENF clips and I learned early on that the silly-factor is limited with real life actors.

Yes, real life models can be a challenge. Really it depends on if the model “gets it” and understands the fun and the suspension of reality. ENF is certainly not a genre restricted to men and some models love to do ENF as it’s a breath of fresh air and requires them to act. ENF also has an element of burlesque tease. It’s the slow reveal of the girl that is the hook... it’s the performance that’s important.

4. One thing that I find challenging as an ENF writer is thinking of new embarrassing situations.
 What is your process in coming up with stories?

Well some times you see something and think that would be a funny situation, or what would
happen if... or part of a sketch show on TV where you can take a situation further than the
original writers. At other times you get a suggestion from someone that triggers an idea that’s
why feedback is so important. Also you have to play with the world a bit. ENF won’t function in the real world. Clothing does not tear in the way it should and people get embarrassed and cover up within seconds. So lets suspend reality and have fun. I like the suspension of reality... the girls lose clothing and don’t notice or have to carry on regardless. If you make the world less real you can have more fun.

5. As someone who's been part of the community for a while, what have been your impressions
on the enf community and how it responded to your work?

The ENF community is Brilliant! Some of the best and most generous Men and Women and
“Others” (as DA calls gender fluid folks) you could want to meet. They are kind and
encouraging and supportive. Who could ask for more? How have people responded? Wonderful. Its funny I was saying to one of my mates Memfic only the other day about this. Most of us artists love feedback and about 20ish of my 1000 or so watchers comment. Every comment is gold. It’s nice to know you are doing things people like and that they have fun reading my work.

6. Many of your protagonists are either in the navy or policewomen. What was the inspiration for
those tropes?

I love women in uniform. A proper smart uniform. Whether in a suit in the office or in a
profession. Some of Benny Hills sexiest girls were in the traditional British WPC uniform, as
was my favourite Carrie Strip. The Navy, Army, Air force and Police uniforms gives one the chance to put protagonists anywhere doing anything... they start always prim and smart and end up naked and embarrassed having to complete the job as that is their task or mission. They have no choice
but to carry on regardless. They also as very smart dignified professional women have further
to fall into embarrassment. It makes my life easier. Think about it:a woman in a bikini gets stripped she covers up and runs off. End. A Female Navy officer has to retrieve a special document. Her skirt gets ripped off by accident... she has to continue she has no choice and like a beautiful present being
unwrapped she keeps going and gradually is reduced to her underwear. Then her knickers get
snagged on the way out... she has been successful but has left a trail of clothing behind. End.
Which is the more fun?

 Follow Daleksupreme on his deviantart page: https://www.deviantart.com/daleksupreme

Also, be sure to check out my second anthology, Immodest Collection Volume 2: Stories of Exposure and Shame!

Book cover reveal: Immodest Collection Volume 2!

It took over two years, but I'm happy to share with you all that The Immodest Collection Volume 2: Stories of Exposure and Shame will be out May 24th on Smashwords and Amazon! You can pre-order it now on Amazon and Smashwords . Let's all celebrate National Masturbation Month with three new enf tales focused on forced stripping. I wanted to explore some fantasy elements this time around so not only will you get embarrassed nude females, you will get medieval fantasy, superhero fantasy, spanking, wedgies, and other erotic encounters that would not be able to be published here on DA. Book cover by Jes Richardson

Plucking the Peacock
Queen Anna Wismont has conquered every realm in the land of Altrea. She seduced every king and forced them to serve her as slaves. When she learns of a mysterious "Golden City" across the sea, Anna sets sail to meet the Emperor so that she can take his kingdom. Will Anna succeed in taking the Emperor for everything he owns or will she leave the Golden City more than just empty handed?

Reconciling
Robin is a newly hired professor seeking tenure. Her future is dependent on meeting with the Dean at the department banquet. But when an unfortunate spill ruins her dress, Robin is forced to seek help from the person she's tried to avoid, her ex-girlfriend. How will Robin manage to fix her dress before the banquet when her only salvation is a woman she hasn't spoken to in years?

The Suit
Amanda Shepard has protected the city of Detroit from criminals as the superhero, Riot, a brawler who fights crime using an armored suit. But when a former dominatrix, called the Mistress, comes onto the scene, Amanda becomes jealous of the Mistress stealing her thunder. When both of them go after the same villain, what will Amanda do when she suffers a humiliating loss and becomes the unwilling damsel in distress?

Featured artist: Rafa Lee

Rafa Lee is a Brazilian artist who was born and raised in a small town in the Brazilian midwest, before internet even existed. He grew up having fun playing ball on the streets, playing Atari, and reading comics. He recalled that he wanted to draw comics when he was 12 as a profession.It took him some time developing his skills and at 25 years old, he was able to work full time as an artist. He has worked for 8 years as a professional artist and hopes to work for a publisher one day. I first saw one of his pieces that was based off of a scene in the Nutty Professor 2. I really liked the realistic style of his drawings and requested a commission from my short story Knockout from the Immodest Collection Stories of Exposure and shame. 

Rafa Lee has been an active artist in the ENF community and I wanted to reach out to him and talk about his work. I was so grateful he set aside time to answer a few questions.

How did you get started in drawing comics?

-       I loved reading comics as a kid and begin to draw because of that, I just had to make it my day job because honestly I don’t know how to do anything else.

When did you first discover embarrassed nude females as a fetish and what made it resonate with you?

-       It was because of a commission I did back in 2017 called Business Woman, where she is making a business presentation and get stripped by a ghost, this commission became my most popular piece and I gained many followers because of that so I started doing more stuff like it.

I was curious if you yourself enjoy the fetish at all and if so, what do you like about it?
- Well I like to keep my professional and personal life separated so when I'm drawing I'm only thinking about the art and nothing else.

Also, as an artist who has been working for 8 years, why do you suppose ENF was the genre that helped you gain more followers?
- Going back a couple years I didn't knew the importance of marketing for promoting my artwork, I was only posting random art and expecting a result today I know that an artist needs a fan base and I found mine in ENF.

I noticed that you've been drawing more ENF content over the past year, has this been due to commissions or has your own interest grown over time?

-       My interest is to give my followers what they want, so it’s natural do more artwork similar to my most popular posts.

A lot of your work focuses on superheroes. What do you feel makes that genre fit with the ENF genre?

-       Superheroes are what made me fall in love with comics, and also I know those characters very well so it’s easier to work with them than creating new characters every time.

You've drawn ENF characters in an anime style as well as a style that seems more "realistic." What do you enjoy about both?

-       Realism has always been my artistic goal, but anime craziness and exaggeration can be fun sometimes.

ENF/EUF is a genre that can be tricky at times as it is a kink that focuses around nonconsent. Where do you draw the line in terms of your own ethics when choosing a piece to draw?

-       Well, for my commissions I don’t have restrictions I draw anything my clients ask me to, but when it’s up to my Patreon I like to keep things light and fun, basically the kind of scene we would see on 70’s or 80’s movies or in an Anime.

What embarrassing situations inspire you as an ENF artist?

-       Old comedies and modern animes are a good source of ideas for new artworks.

Any upcoming projects you want readers to look out for?

-       Right now I’m really focussed in growing my ENF Comics on Patreon. Where I’m able to produce lots of ENF content every month.

Contact RafaLee for commissions at therafalee@yahoo.com 

You can also join his Patrion: https://www.patreon.com/join/enfcomics?

Deviantart page: https://www.deviantart.com/therafalee

and Twitter: https://twitter.com/rafaleeart