Forget The MCU or DCU, let's make the ECU (Embarrassed Cinematic Universe)

I hope folks had fun celebrating National Erotic Humiliation Day, I have recently released a very personal essay in which I process the painful emotions behind my own embarrassment and shame. It's not exactly a sexy piece, but I felt it honored the spirit of celebrating that people who enjoy this kink have an emotional connection to the fetish as well.

This month's release is the Embarrassed Naked Supervillain, staring Riley Jane. This was the second film I shot with Riley the same day I shot Embarrassed Naked Goth. It was my first time shooting two in one scheduled block of time and I wasn't sure how I would do with getting the shots I needed while sticking to time. Thankfully, Riley was game for it and brought the same fun energy to this story as she did with playing the Dark Empress. As a professional Domme, it was fun to write a character with a dominating personality and see how Riley made her own acting choices to make the character come to life. I wanted her character, The Mad Mask, to be a dominant figure who talked down on her henchmen, mocking them when they are stripped of their underwear before mocking their nakedness. I don't have a small penis humiliation fetish but it was nice to incorporate that kink into the story before Mad Mask gets stripped to her embarrassing underwear.

 

 

 

You may recognize a character mentioned off camera, The Mistress, who I introduced in a story called The Suit, in the Immodest Collection vol 2. This could have been a straight forward ENF clip in that it would have been simple to splice up the shots together for the final cut. I certainly felt too busy and tired at the end of a work week to shoot extra shots. However, in the spirit of a superhero movie, specifically the Batman movies, I felt an added touch would be showing close-up shots of "The Mistress" preparing to fight crime. If you remember the comical way Batman and Robin get suited up in Batman Forever, this is the idea I had when I did some shots of my character. 

 

I didn't have a suit or an actor to play the character, but I knew I could still add dramatic effect with some quick close-up shots of me-er-em the Mistress, putting on a suit just before the actual clip starts. It might not be the reason people buy the clip, but it's a minor detail that adds excitement for me when I watch it through because I wanted to give viewers a visual of who would be behind stripping the Mad Mask. 

 Shooting this scene involved less technical effects than Embarrassed Naked Goth. Both films involve a jump cut between a clothed and less clothed Riley. With the goth storyline, it took more time because we tried our best to match one cut to look like the next to make the time switch seamless. Finding the right smoke and fire effect for the demon magic also took additional time in editing. With Embarrassed Naked Supervillain, it took less time because the lights going on and off took less time to edit. Also, Riley was free to act however she wanted to being stripped in the dark before the lights went on. She used this to her advantage as she came up with some great sound effect ideas to make it clear she was being stripped. I had a great time working with her and it made four hours of shooting fly by because we both had so much fun collaborating ideas. I look forward to shooting with her again and hope you enjoy this latest video.

 You can read more stories featuring the Mistress in A Submissive Superhero Gets Stripped and The Immodest Collection vol 4.

Making a scary ENF sequel with Skunk!

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The Embarrassed Naked Goth video with Riley Jane and my newest ENF Anthology is out!

 It's that time again to talk about my newest ENF/EUF release. This time I got to work with another model with years of experience in the industry, Riley Jane. Riley's clip stores have a wide variety of various fetish content. She had never shot ENF/EUF before but was on board with two scripts we booked to shoot at her dungeon.

 

I always feel a bit anxious working with someone new, I especially feel that way when I'm working with an experienced performer in the industry like Riley. I was also a bit more anxious because this was my first time attempting to shoot two films in one booked session. Up until that point, I've taken my time shooting one clip at a time because I wanted to be patient with learning my own filming process.When I started, I had no idea how long my scripts would be nor did I know how long it would take me to make sure I got the shot I needed. I would usually take 2-3 shots per take because I felt it was effective in giving models a chance to get into character and find more effective choices once they act a second or third time. As I have been filming more of these, I realize that this is not always the case. For some actors, doing every shot 2-3 times results in expending more energy, which can affect their performance later in the shoot. It also takes time. I realize now my scripts at a minimum run about 11 minutes, so the fear of clips being too short was unfounded. Shooting this length typically takes almost the whole amount of time I have booked models. While that was okay starting out, I knew that shooting multiple clips would be something I want to try after it was something Ariel Anderssen suggested to me when we worked together.

Another reason my shoots take longer is that when I write scripts, they tend to be dense in terms of dialogue. A lot of this is due to me pouring out the initial idea on paper, in which the character is not fully formed. This can be hard for me and the model to memorize on the day of shooting and if they are trying to get all of the lines right, one forgotten line means we need to do it again and an otherwise great shot is lost. In preparation for shooting with Riley, I re-edited the scripts, trimming all of the unnecessary wordy dialogue out so that when we shot each scene, it was easier for me to give concise beats of what Riley's character would say. In doing this, I made the decision to forego shooting a second or third take unless a mistake was made. This was risky because if I moved forward with only one take and found out a mistake later (usually a sound issue, something out of continuity, a big ass yellow jeep in the background of a medieval themed story -_-), there would be no way of going back. However, I knew this needed to happen if I was going to shoot two scripts in a quick amount of time.

As soon as I arrived, Riley and I hit it off well. I explained to her a bit more about the ENF/EUF fetish and she got it mainly because as a Domme, she specializes in humiliating folks and understood the assignment. We shot Embarrassed Naked Goth first and it all worked amazingly. Riley got the character and did a wonderful job playing out the vlogger-acting-like-an-occult personality. When it came time to do the exposed underwear scene, Riley did some fantastic improvisation acting embarrassed and alternating between embarrassed poses as she covered up her big, white, strawberry print panties. I also knew things were working because multiple times I had to work hard to stifle my own laughter from what Riley said. We all know ENF/EUF is about being silly and over-the-top ridiculous and Riley delivered some great lines that I think you'll all enjoy.

The concept of the Embarrassed Naked Goth stemmed from an oooooooooooold story I wrote back before I started self publishing called Karmic Balance Dark Magic. In that story a goth woman finds a book that gives her powers to stop time, which she uses to strip her enemies. The demon who possesses those powers eventually strips her, exposing her in strawberry print panties. This was a huge hit with readers when it came out and why I, and others like it is that there's a nice added layer of humiliation when we contrast the dark, brooding image of someone wearing goth attire only to be exposed to be wearing bright, colorful, fruit-themed undergarments underneath the clothes. It's a cutesy look that does not fit with the stereotype of what we see in the goth look. That's why I think a lot of folks in our community like the evil/dark character stripped in cutesy undies trope. It's created a lot and it was something I wanted to shoot as I was planning out my filming projects. Riley also thought the idea was fun and naturally pulls off the goth/occultist look. She also understood how fun it would be once her character is  stripped and exposed.

I've said it before, but I continue to be so grateful for being lucky to work with talented performers who have never acted ENF before but have a knack for it. I hope everyone gives Embarrassed Naked Goth a chance. It is a long clip, and I tried to set a price that is reasonable but also honors the hard work we put into making it. It is 15+ minutes of various ways an occultist who wants to be called the Dark Empress is humiliated as various aspects of her style that contradict this persona (stuffed toys, silly socks, cutesy undies) are exposed.

So please give the clip a watch and stay tuned for Riley's second film with me before the end of the year!

In non film related news, my newest exposed and embarrassed anthology The Immodest Collection Stories of Exposure and Shame vol 4: Bigger & Barer is out! 

 

It's been a long labor of love because I wanted to write a series where I revisit characters from the previous anthologies. This means Erica Hardy from Knockout, The Mistress and Riot from The Suit, and then Caitlin from One Step Too Far and Rana from Indecent Exposure Therapy are all features in their own stories exposed to new embarrassing situations. In addition, I wrote a free follow-up story to The Suit that takes place after that story but before the events in Domina Gets Dominated which is in the next book that you can find here. 

The Bigger & Barer sale and my newest ENF video Haunted House of Humiliation

It's hard to believe summer is over. Before it ends I have lots of exciting things in store for this month and for sENFtember. As you all know, The Immodest Collection volume 4 will be released on 9/1, the first day of sENFtember. The book will feature the return of Erica Hardy and Caitlin McNally from The Immodest Collection volume 1 , The Mistress and Riot from the Immodest Collection volume 2, and Rana Halaweh from Indecent Exposure Therapy To give folks who have not read these books a chance to catch up, for the whole month of August, I am running the Bigger and Barer sale! From now until 8/31/24, you can get the Immodest Collections volumes 1 and 2 AND Indecent Exposure Therapy each for 50% off! That's $1.50 for each story. So, with the final month of summer, use that time to catch up on some spicy exposed and embarrassed erotica and turn up the heat even more! Each book can be purchased on Smashwords . I hope everyone who has not read these books gets a chance to cash in on more enf/euf erotica! In addition, I will be releasing a free story featuring Riot and The Mistress that takes place between the Immodest Collection volume 2 and 4 on my Medium page

Because of these writing projects, I took a month off from filming. So when I resumed again, I was ready to get back into the swing of things with filming and took a step into another area of growth for me, and that was shooting two ENF films back to back.

I previously hesitated into doing two in a row because I did not know the length of time it would take to shoot one clip. I wanted to give myself time to mentally process directing, adjusting lights, and filming and the first 5 films took roughly about 4 hours each. However to be more cost effective, I know a lot of professionals shoot multiple clips within that 4 hour time frame. This makes sense in terms of being cost effective, especially when it comes to booking a shoot space.

So once I found a location I was excited to work with Violet Vixen and Devious Skunk again. My long term goal is to work with a wide range of models but since I'm still new and I have such good fun shooting with both Violet and Skunk, I knew it would be a fun process.

The concept I wanted to do was a relatively simple ENF storyline in terms of setting up ENF gags and a common plot that I see is a real estate agent visiting a house story. The idea is always a model going into rooms with their clothes disappearing. It seems like a basic idea but that was where the fun came in writing the characters. With Violet I envisioned her being a Type A, bossy real estate agent obsessed with a perfect record so that when she is exposed, it makes the contrast nice in terms of focusing on her humiliation. 

 

 

The challenges to this shoot. Which I am still trying to figure out is making seamless cuts between pre and post stripping. For ease of shooting, I break things in chunks so that dialogue is easier to act out and memorize. I also think this makes for stronger performances as there is mental effort put into wondering what the next line is. 

Of course, a seamless cut makes for a smoother transition but here in lies one of the challenges to directing. I could do take after take hoping that the model will eventually get a long page of dialogue down in one take without any slip ups. However, there are other things to keep in mind and that's the models physical and mental well being. It was HOT that day, at least into 90 degree range and to keep sound off I had to switch between turning air conditioners on and off for sound. Violet and Skunk each had to wear business attire and so the risk of doing take after take could have been exhaustion or worse dehydrating them to the point of passing out which I did not want. So making sure water was in supply and also doing as much as I can to minimize wait time wad this shoots lesson, which meant stopping longer to review my shots and make sure I got what I needed before moving forward. 

 

I also have learned more about writing in that I need to trim up and be concise with dialogue. When I write scripts I'm used to pouring the dialogue out as it flows through my imagination, cutting up bits I don't feel are needed later. Much of the extra dialogue is what I think is embarrassing for the character but not exactly what the model will think when they make acting choices. It also adds unnecessary time to shooting because the model wants to do their best to get the lines right and it can be easier on them if I cut out the excess that isn't important. 

I also learned a lot about my own stamina for shooting as it was essentially a full work day. While I was tired by the end, it was satisfying to walk away with two full clips that have been fun editing. Violet stars in Haunted House of Humiliation, in which a real estate agent finds out why anyone who buys the home abandons it out of fear of being stripped naked and spanked. It is available now on my MV page. Skunks film will be not so much a part two and more of a sequel to this story which I will reveal likely at the start of October for the scary season.

As always I appreciate the support from you all and hope you enjoy the latest ENF film!

Getting blasphemous for the 4th of July

I never celebrated Independence Day and today feels particularly surreal in light of all of the recent Supreme Court rulings that empower cities to imprison the homeless, allow bribery for politicians, and for presidents to rule despite being tried for crimes. I've not been a good mental space this week as a result. But, something that gives me a sense of joy, which is important to manage in times of despair and hopelessness to allow survival to fight. So for Independence Day, we're getting blasphemous as I release my newest ENF/EUF film, The Embarrassed Naked Nun

June ended with me feeling slightly burnt out, much of it stemming from work but also in finding what my mental/emotional limit is in terms of shooting ENF films. The most recent film, The Embarrassed Naked Nun was the third film I shot in this month. It of course was fun and a great learning experience and also a bit more exhausting this time around since we shot it at night. As fun as this has been, it also takes time to recover. I love the editing process and it keeps me from being present and engaging in rest on the weekends, which is the only chance I have to recover. With 3 shoots booked in one month I realize I need to find a more balanced schedule with shooting so that it can still be fun for me and also be sustainable long term. 

Each shoot comes with excitement and also anxiety. The anxiety stems from my own worry about not knowing what to do if a shot doesn't work out or if I'm running behind. So that energy carries in the weeks leading up to the shoot. This gets added when I think of location, getting props, and planning my shots. It would be one thing if this was my sole job, but I also work in healthcare slightly over 40 hours. While it was nice to see I could do multiple shoots in one month, I am glad to have seen that this might be my ceiling for now and why for July I'll take a break from shooting so I can focus on wrapping up the Immodest Collection volume 4.

I am glad I was able to complete Embarrassed Naked Nun before this break. This was one of the first shoots I had on my list of ones to prioritize. I have plans to upload things on Clips4Sale and needed 10 videos. Being brand new to this, I wanted to keep story lines simple in terms of shooting, things that wouldn't require a lot of setup/tricks for the exposure scenes. Officer Undressed was easy because Skunk would simply strip in and out of a room that was off camera, which would make editing easier. Ariel Anderssen would strip in real time as part of her story in Embarrassment is Forever and so it was just a still shot on her for the whole clip. 

Embarrassed Naked Nun was planned to be my third film but was delayed after had the confidence to film Embarrassment Quest and Cat Embarrasses the Cartoonist. The Nun script was simple in that the Nun would get stripped as the possessed Matthew turns the lights off. My friend Violet Vixen is someone I met in the local kink community and have enjoyed doing rope scenes before. When I proposed shooting ENF with her she was totally down. She was also new to ENF so it was fun to introduce a new performer to this kink and see how she approached her character. 

 

It took Violet some time to get the sense of her character, but once we got to the stripping scene, she started to get the contrast between the shy-nice-timid seeming Sister Francesca and the kinky, expletive using, sexually repressed  nun that is slowly exposed over time. Violet helped me realize there are a lot of ways to help a performer with character, I used to just write dialogue and plan to work with them during shooting on getting the performance. She highlighted the other important aspect, which was understanding the character to help with the performance. For example, she learned more about her character as we shot the stripping scene and shot the outdoor scene last. She shared that had we shot that first, she would have had less idea about her character and the context of her conversation with Father Dyart. I appreciated her dedication to acting. Having tied with her before, I felt more comfortable trying the pentagram harness and rope panties, something I was most looking forward to because they were the first ties I taught myself when I got into Shibari.

 

The highlight of this film experience was shooting late, waaaaay past both our bed times (I know, we're truly edgy people). I needed the night effect so that when the lights go out it is completely black and with summer, it isn't getting dark until that time. Weather was also a rival as I wanted to get an outdoor shot of Violet under the lamp post, a slight nod to The Exorcist. We were able to get the shot just as it was about to rain but it didn't quite turn out as I'd hoped, and so I opted for an alternate choice, using the still frame of Violet in black and white and zooming in with the audio laid over. As much as I would've liked the outdoor shot, I do like the eerie vibe of the zoom in to her eyes. 

 

I really wanted to shoot this film because for this embarrassment and exposure story, I wanted to focus on a type of embarrassment of exposing secrets, and the idea of a nun having a very sexual side that she's tried to hide that's represented by the racy lingerie she wears was a hot ENF story. The contrast of Violet in her conservative nun habit to her revealing lingerie and then rope underwear I think makes for a wonderful ENF/EUF film that I hope you all enjoy.

A new ENF/EUF film paying homage to one of my favorite comic strips (pun intended).

Today I released my fourth ENF/EUF Clip Cat Embarrasses the Cartoonist. You can probably notice some similarities between the video and a certain comic strip (emphasis on stripped ;). Yes, this is an homage to the Garfield comic strip. This was inspired by an artist who I will discuss in a moment but I also felt inspired to film this long clip because the comic strip, and Jon Arbuckle in particular, is a good representation of what embarrassment and exposure looks like.

I grew up watching the cartoon and reading the comics as a kid. As i thought about that memory and how it led to my motivation to film a whole ass parody of the strip, I realized that an early kernel kink planted in my mind that helped cultivate my interest in embarrassment came from all of the exposure Jon Arbuckle endured in the Garfield comic strip and the cartoon. I cannot count the mount of times Jim Davis has used the exposure of heart/polka-dots/striped underwear for his characters, with Jon suffering the brunt of it. Even off panel it is implied he is exposed naked and so he should be honored as a legend in the exposed and embarrassed genre. 

 

                                              Here Jon embarrasses himself on the Thanksgiving episode

                                                                         Here he's embarrassed again

 

 

And again

                                                            No one's pants are safe!

There's a particular enjoyment I have from seeing Jon exposed in his underwear in front of his crush. Again this adds a simple exposed underwear gag into an even more embarrassing and in my opinion, erotic when someone we're attracted to sees us at our most vulnerable.  This is still only half of the story. The other half, is all thanks to an artist, who is also an ENF fan, named Miss Icy

 Look...I did NOT expect to have the feelings I did when I saw this piece on my Twitter feed. I don't think I've had a crush on a cartoon character in a long time but that ended thanks to this drawing of Icy's. I love the way the eyes are drawn, as if she is a different character than Jon, and I love the suave confidence in the image on the right. But knowing who she was based off of, my kinky mind couldn't resist imagining what happens when the same unlucky exposed and embarrassed situations apply to her. So when I decided to make ENF films, this idea was in the long list of ideas I had that I didn't expect I'd ever shoot. I didn't think I'd ever shoot this video mainly because I had a specific look for Jane I wanted to cast and luckily, through the magic of Twitter, with what little magic it has left now that Apartheid Clyde has taken over, I happened to find Izzabella Robbins who was up for the task at bringing Jane to life.

I tried writing the script to mimic several different scenarios I remember from the series. This meant setting up a storyline in which Jane was excited about preparing for a date and in her excitement, would suffer several embarrassing scenarios in which she's exposed. The challenge was in figuring out what sort of accidents could result in her losing her clothes? One thing that is clear is that Garfield was also responsible for Jon's exposure, often times unintentionally stripping Jon by doing something where he is trying to help. So, some ideas I had were Jane becoming so excited she rushes to greet Liz without pants, her cat (Parker) turning the heat all the way up, causing a fire hazard and forcing Jane to rush without her pants fully on only for them to fall. Her top catching fire, and a few other accidents that leave her naked (well I did let her keep some clothes you'll have to see what that is).
 

 The October 17 1993 strip was an exposed and embarrassed idea I liked for decades because it captured a lot of my favorite things in exposure: Heart-print underwear, an embarrassed/shocked reaction, and in this case, a unique scenario that elevates the humiliation, that is, Jon is exposed in front of a woman he would find attractive, which adds to his embarrassment as he would not want he to see him in such less flattering image. How often have you scrambled to get dressed and styled when someone you like asked to come over and you felt horrified at the idea of being seen in just your morning image? I would actually suggest asking yourself this question to get a good understanding of embarrassment, which is "What would you feel most embarrassed being seen in if your crush saw you? It is this strip below that inspired one of the scenes in Cat Embarrasses the Cartoonist.

            

 

 In talking with Izzie about Jane's character, I explained how Jane would meant to be intentionally, over the top, geeky/nerdy/awkward. This was fun to watch Izzie explore as we shot each scene, doing an adapted retelling of a story line in which Jon has a date with his vet Liz for the Thanksgiving episode of Garfield. This was I think one of the first times I ruined a take because I laughed during Izzie's performance. In my attempt to tell a great story, I didn't realize how long it would be. At 19+ minutes, this video is almost the length of a full Garfield episode. I do want folks to check it out because Izzie did an amazing job and I'm proud of what we made, and I also understand it's on the pricier side. My hope is y'all will find it worth it as lovers of exposed underwear and exposed nudity. There are a lot of fun gags in here, clothes ripping, pants dropping, silly underwear, sexy underwear, unraveling, I packed this video with a lot of exposed embarrassed gags that I hope makes the price worth it. Because we needed a voice for Parker, that is my voice you hear. I did read lines during recording but didn't like how the audio sounded and so I re-recorded it in post. I hope my voice isn't too distracting from what you paid to see. 

Cat Embarrasses the Cartoonist continues to fit in line with the weird, absurd, silly mood of ENF that I continue to be happy to make. I feel so lucky to continue to work with amazing talent who get the type of fetish content I want to make. This was Izzie's first time shooting an ENF focused clip and so I hope folks enjoy her performance and show her as much kindness and support as you have shown me.

An epic Final Fantsy style ENF/EUF film shoot with Devious Skunk and how cars were a bigger threat than the weather

Technically I am on a week-long vacation. As an ENF/EUF erotica writer, artist, and filmmaker this just means I use that free time to focus on my kinky projects instead of actually resting. As exhausting as that is, I am so pleased to finally release my newest ENF/EUF film, Embarrassment Quest!

I had envisioned the idea of a Final Fantasy turn-based narrated combat style ENF clip for years ever since I started writing ENF scripts. It was something I don't think I had seen done before and once I made the leap into making films, this idea was at the top of my list. Since it's a fantasy type idea, I knew the character would need to use a weapon. If you follow Devious Skunk you may know that she is a circus performer and in real life uses a whip in her performances. It was no mystery who I was going to reach out to when I was ready to shoot this and Skunk was 100% on board for this epic, silly, and sexy exposed and embarrassed film.

If you would've told me I'd be in the outdoor space of a stranger shooting close up shots of stuffed animals and directing a naked model, I wouldn't have believed you. Finding any shoot space to do these films is one of the most challenging parts of fetish content making. Luckily, I found someone who was kind and open enough to let me book time and shoot in their outdoor space. One of my biggest fears was that it would rain the day of shooting. Michigan weather is unpredictable and it was actually snow in April that delayed Skunk and I's shoot for Officer Undressed. Luckily the weather was gorgeous. I arrived an hour early to block out my shots and also shoot closeups of the Quokka wizard. If you're wondering why I chose a Quokka to be Skunk's enemy, well you might want to check out the ENF Lounge Discord where it was determined a long time ago by the community that the Quokka would be the representative animal for exposure and embarrassment!

I learned a lot from making this film because there was a specific look I tried to mimic. The story was meant to be told similar to how the Final Fantasy games used to do it through blue narration text boxes.

While this was tedious to edit because every scene required adding text, animating it to side scroll and then sync it up with an audio sound effect, it made the actual shoot day so much smoother and efficient because I did not need to worry about recording audio. I could coach Skunk through each scene knowing that all of the actual sound would be dubbed using music. The turn-based style engine in Final Fantasy games lends itself to a perfect exposed and embarrassed clip because it allows for quick jump cuts between being clothed and being stripped.

 

  

Just when I thought things were smooth sailing, as usual, once I started editing, I learned of a whole new unexpected issue that comes up with shooting outside....CARS..

 

Nothing ruins a fantasy style setting like a good ol delivery truck passing by, or a huge YELLOW jeep parked waaaaaay in the distance that I didn't see until editing. Like flies, I couldn't seem to get rid of cars in the shots I wanted, which left me with a few choices, find a different shot at the expense of giving up my favorite, cutting a scene up to avoid the shot with the car in it, or try to manipulate the image to keep the car out of frame. This is why 2 days of editing turned into about 2.5 as I spent the afternoon adjusting frame-by-frame to try and keep the car out of focus while also keeping the shot as steady as possible on Skunk. I won't say it was perfect, but that's been the fun part of filming, learning new techniques to adapt when things don't go as I'd hoped. It took longer to make than my previous films, but watching Embarrassment Quest with sound effects and music really paid off. It mimics a video game and its exactly what I would want in an exposed and embarrassed clip, funny creative ways of being stripped, sexy undies (I'm so happy I got to help make a fundoshi to keep in theme with the medieval feel), and lots of shots of Skunk covering her nakedness in embarrassment. There's a nice naked walk of shame she does that I loved because we got to use the large outdoor space to imitate a travel sequence in RPG games.

I'm also most appreciative of Skunk not just for her awesome performance but her willingness to shoot silly and spicy fetish content. She too has an appreciation for the silly and absurd and when I pitched to her the concept of a warrior fighting stuffed animals she was in. I've said before how you can tell an actor who isn't comfortable acting embarrassed and one who is. Skunk had never acted ENF before but you'd never know. Her comedic expression and timing in these films make both Officer Undressed and Embarrassment Quest some amazing ENF films that makes her characters come to life. She genuinely acts embarrassed, so much so she is able to naturally blush! Apart from her acting, she's also a kind and lovely person to work with. We both laughed, made jokes, and admired all the critters who visited our "set." I guess deer, chipmunks, bunnies, toads and spiders also like ENF. Skunk's fun, playful energy helped me ignore the anxiety I often have when I worry about how the shoot will go and it made the 4 hours of filming whizz by. She's also a creative artist herself and came up with some great ideas to help me make a 10 minute exposed and embarrassed clip I'm very proud of. I hope you get the chance to check it out and if you like it, please leave are review on Manyvids. You can also support Skunk by going to her OF, please do, because she is so talented and I look forward to when I can work with her on another project.