Making a deal with the Devil - Working with Riley Jane

Now that it's spring, temperatures are getting warmer (well not here in Michigan but you get used to it). With Riley Jane, things get even hotter with my latest embarrassed and exposed video, the Embarrassed Naked Demon!

 

 The original idea for this script stemmed from a different idea I had (that I still hope to film some day) of an angel being summoned in the most inopportune of times. Of course, with good, there is evil and I wanted to do something to balance that out with a demon-related ENF story that became Embarrassed Naked Demon featuring the return of Riley Jane. I had Riley in mind as a performer with several body mods, the split tongue I thought would make for a great detail in portraying a demon who enslaves mortals. 

 

This was going to be another teleportation related film. It seems simple but in editing it's common to pick out areas where the camera moved slightly or an object that is in one place was slightly moved elsewhere. Once the camera is in place I just had to ensure that it wasn't moved elsewhere. Thankfully this was actually the second film that we shot after filming Embarrassment Quest 2 . It was another film involving start-stop shots so we had found our groove and it was relatively seamless. Honestly the hardest part was snapping my fingers loud enough so that the camera could pick it up or that Riley could hear to start acting.

 

Sometimes when I think of an idea, I like to explore other ways of making an embarrassment clip unique because it can be easy to be repetitive with a clip about someone ending up naked by the end. With this story, Riley was going to be naked first before the more embarrassing stuff would happen. I loved the idea of a tough, scary demon, being caught doing several embarrassing things in addition to being seen in her embarrassing underwear. Riley asked me a very important question when we shot that scene, which was pop music or country music for her to be caught dancing to? It was a hard choice because I think both have a place to be something a demon would be embarrassed dancing to. As a metal and hardcore punk music fan growing up, I can remember feeling embarrassed jamming to Rage Against the Machine and then my music would switch to a pop song after. One time I heard two guys in a car laughing behind me and I was so self conscious I lowered the volume. I think that's why both Riley and I liked this script. Not only is the premise absurd and silly, that someone who managed to summon a demon who grants hm three wishes would waste them on the most mundane things, but it also features forms of embarrassment that are not solely based on stripping someone of their clothes. It involves wearing cute things, dancing/singing, and being caught in a vulnerable moment with a sexual encounter.

We hope you enjoy Embarrassed Naked Demon and stay tuned for the next enf film!

Clownin around with Devious Skunk again filming a Men in Black parody

 I like to play to someone's strengths. one thing you may not know, is that my friend and muse, Devious Skunk is a professional clown! We've talked at length together about how ENF is fun for her because of how silly it can be. I always knew I wanted to incorporate her natural skills in a story and that led to the creation of the Embarrassed Men in Black. 

 I was a big fan of the Men and Black series and thought it would be fun to do a parody because aliens as a trope would make it very easy to use silly stripping elements. I also thought it would be fun would be making Skunk act outside of her typical silly self by playing someone similar to the dry, humorless character of Agent Kay. In doing so, it would make the silly ways in which she is stripped funnier. That's what led me to coming up with some classic slapstick comedy gags, like a bucket on the head, slipping on a banana peel and itching powder. These aren't new gags in ENF clips, I've seen them a lot in other slapstick stories. The question then became, how would I make the delivery of these jokes unique?

 

 That was when I thought of the Kinky Clownians and the idea that they grow stronger through embarrassing pranks was something that was very fun to write. I initially thought I'd use glue as the joke that would strip Skunk but then when I thought about shadow puppets, I couldn't wait to try that effect and act with Skunk to make it look like she was being attacked by a shadow and stripped. This was inspiration I pulled from another great movie, Killer Klowns from outer Space

 

Speaking of acting, this was also a first for me to be exposed on camera. I wouldn't say being humiliated is a strong kink of mine, but I would be lying if I said I didn't think about it from time to time.

 

Hey! I'm the director, I'm not supposed to be embarrassed!

 I knew it would be funny and good for the story for Skunk to pants me after she transformed into a Clownian. I also think humiliation of masculine identified folks hits different because historically, men, cis-men especially, have the privilege of being in power and that trait is automatically associated with that side of the gender spectrum. This is why I think stripping and humiliating masculine folks is funnier and appealing to many. It's also why I feel that sissification is more appealing when it's the masculine identified person being humiliated although I have limited experience with this so I can only speculate.

Technically the shoot was a series of start and stop cuts, with closeups of the comedy device, like the banana peel, before switching to the next shoot. Admittedly I needed a second take of the banana peel slip because how often will I get to see someone slip on a banana peel and laugh? I'd say one of the trickier shots was the shadow puppet scene. I had hoped to use my LED lights to get the effect. The problem was that the light was too bright for the shadow effect to work. So I ended up using a phone camera light and it was the exact effect I needed. It was fun to play with Skunk and adjust my "dog" to act in sink with her pantomiming being bit and I hope everyone gets a kick out of these.

 I think the most amazing part was watching Skunk apply her clown makeup, I was excited to see her go in "clown" mode because I have seen her circus performances. It was admittedly, a little scary waiting for her to pop out in a dark hallway, I'm not someone who is scared of clowns but the mood did give me alittle eerie feeling. We only had one shot to do this take because it was the last (literally) Party City confetti popper I had and there would be no more now that it's out of business. Added to the fact that we suffered a casualty that night, one of my LED lights fell and broke (just the stand luckily) so it was a lesson in making adjustments on the fly to make sure the shot was perfect for the confetti shot.

 

 

 This was the second clip we shot and so by the end of the night, there was some pressure to finish in time and we felt exhausted by the end. It's all worth it because as I watch it in its final form makes me overjoyed to release another silly ENF sketch that I hope you enjoy. See you in April for another clip! *honk honk*

A heavy start to 2025. My next clip with Izzie Robbins as a hitwoman - the art of filming ENF rope bondage

 It's been a challenging and scary time for us, especially people of color, LGBTQIA+, undocumented, and disabled folks as multiple executive orders have been placed that threaten our livelihoods. I am scared and have had days where I am exhausted from holding anger/hopelessness/fear in my body, which has slowed me down to take time to process. I don't have a singular answer because it will not be one thing, but a series of actions and shifting goals to help us survive the next four years. A grounding statement that keeps me centered is a statement from Miriam Kaba, a prison abolitionist who says "Hope and grief can coexist and if we wish to transform the world, we must learn to hold both simultaneously. The process will, as ever, involve reaching for community." I have been rereading ​Let This Radicalize You​ to think of how organizing and devoting my focus to helping communities is one approach I can take to survive. Another article I have found helpful is Florence Ashley's article on ​Palliative Activism​. In this, Florence writes how in a world where things continue to seem hopeless, one course of action is to do think of ways to reduce suffering amid pending doom. Palliative care is about providing comfort and improving quality of life, even when chronic health conditions suggest a poor outcome. In this, my palliative care is to continue making erotic embarrassment art. I will make erotic embarrassment stories focusing on stripping bullies of their power, I will create non-sexual fetish content that continues to be silly and absurd. I will also explore political topics and incorporate that in my stories. This is another form of radical action I can take and I hope you'll join me in this journey, by simply enjoying what I make. 

 Embarrassed Bounty Hunter

The idea behind Embarrassed Bounty Hunter was I wanted to play with the contrast of a tough badass assassin exposed in cutesy underwear and also exposed for having a cutesy side that likes to be pampered. We often let our hair down and act as our natural selves before bed time and for many folks, we would turn down a last minute invitation to be social because we choose not to be seen in our current appearance. To do so might be embarrassing for some and that was the motif Izzie understood when we shot this.

 

Having worked with Izzy a second time, I got to see her comedic chops in a different character. It was cool to see her act in a completely different way than Jane the cartoonist. Instead of a nerdy and awkward character who is accident-prone, Izzy got to play two characters who were bossy, mean, and dominant. My favorite line she adlibbed was calling me "designated weapons bitch" which I have to find a way to use in the future. Acting up this tough bravado made her exposure in her Care Bear undies holding a stuffed animal all the more sexy. I felt the more cutesy things she could wear - bunny slippers, Care Bear panties, stuffed animal, the better and I hope you agree too.

Rope bondage was something else I wanted to involve and the choice to tie someone comes with some challenges. My preference is to keep the camera as still as possible, a helpful tip that the legendary Dalek Supreme gave me after I started filming. For this, I typically use a tripod but in this scene I needed Izzie to get untied so she could stand up and act. I switched to using a harness but the practical approach to tying was figuring out how to tie her up but not so well that she can't escape (in real life, if I don't want you to escape, I make sure my ties are tight so that can't happen ; ). I tied the  cuffs in a way that I thought would be easy to tie....until it wasn't. It was a minor snafu, but once we shot, I found that my simple loose tie remained difficult to undo and get out of so we switched the approach to tying the cuff in a way so she could easily get out of the tie on her own. Rope bondage shoots have a different goal, many of the videos focus on the model struggling, with a shot focusing on them for several minutes. In my scenes, they are a minor element in a larger story and so I often think about how can I merge two different kinks (e.g. embarrassment/exposure and rope bondage) so that both get some screen time.

 

Whether you like rope bondage more than embarrassment or vice versa, I hope you enjoyed this clip and stay tuned for the next one!

Shooting an ENF video game sequel

 We're ending the year with another video game ENF parody! I'm happy to release Embarrassment Quest 2, with the return of Riley Jane! Embarrassment Quest was one of the few videos that had multiple positive comments (this always helps my stores so if you like them, please rate and review!). Rather than do another combat based story, I wanted to film another trope in video games - selling items or in this case, clothes!

 

                                             Selling and robbing clothes of townsfolk in Skyrim
 

I feel like I have seen this setup earlier in my days playing video games, but where I saw the specific idea was in the web series, The Guild. In it, one of the players has his keyboard hijacked by the protagonists, and they sell his avatars' clothes until he is left naked although it is never shown. In video games, like in reality, we want to dress our characters, who are sometimes an extension of ourselves, in the best/most badass look possible. This is why I like the idea of stripping away that "best self" and exposing one that we wouldn't want to be seen, because I find that this is best type of exposure and embarrassment. The heart-print underwear is always a favorite of mine, but it was also my nod to a classic video game Ghouls N' Ghosts, where the Knight in that came will be exposed in his strawberry-print underwear when his armor is destroyed by one hit (I just learned that it is strawberries NOT hearts!)

Initially my plan was to have Riley strip in one long cut as she negotiated for the sword she needs to use to slay the dragon. It occurred to me the day before that a more "video game" effect would be a jump cut where her clothes vanish after confirming the sale of an item. In one way, this would make shooting easier because it makes for a shorter take before cutting and moving to the next clip. The challenge becomes in having Riley freeze and then start the next take in as close of of a position that resembles the last one. Overall this went smoothly, with some very small differential placements. What helped as setting up the merchant table and leaving some items in frame that remained still in between each cut.

 

The other challenge was adding the other images/sounds/music to mimic a video game. The first time doing this in Embarrassment Quest it took two days. This time around things went a bit quicker now that I knew what animations I wanted. The added time can be exhausting but looking at the final cut make it all worth it because all of these elements remind me of video games I used to play. 

 

 

This was also the film that made me laugh the most, so much so I ruined some takes because I couldn't contain my laughter. I knew using the confetti popper was going to be funny, but the large amount of confetti that shot out made me laugh so hard. To avoid laughing on take two, I had to look away. Riley absolutely understood the idea, how it was meant to be silly and over-the-top, breaking the meta by writing her as a player who is aware there is a game. 

 

I couldn't wait to release Embarrassment Quest 2 and I hope y'all enjoy that in addition to the first. I don't know when I'll shoot a third sequel but I do have some ideas that I will save in the future because there are so many tropes I can make fun of.

Izzie Robbins is back! Paying homage to an old classic ENF moment in cinema

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Forget The MCU or DCU, let's make the ECU (Embarrassed Cinematic Universe)

I hope folks had fun celebrating National Erotic Humiliation Day, I have recently released a very personal essay in which I process the painful emotions behind my own embarrassment and shame. It's not exactly a sexy piece, but I felt it honored the spirit of celebrating that people who enjoy this kink have an emotional connection to the fetish as well.

This month's release is the Embarrassed Naked Supervillain, staring Riley Jane. This was the second film I shot with Riley the same day I shot Embarrassed Naked Goth. It was my first time shooting two in one scheduled block of time and I wasn't sure how I would do with getting the shots I needed while sticking to time. Thankfully, Riley was game for it and brought the same fun energy to this story as she did with playing the Dark Empress. As a professional Domme, it was fun to write a character with a dominating personality and see how Riley made her own acting choices to make the character come to life. I wanted her character, The Mad Mask, to be a dominant figure who talked down on her henchmen, mocking them when they are stripped of their underwear before mocking their nakedness. I don't have a small penis humiliation fetish but it was nice to incorporate that kink into the story before Mad Mask gets stripped to her embarrassing underwear.

 

 

 

You may recognize a character mentioned off camera, The Mistress, who I introduced in a story called The Suit, in the Immodest Collection vol 2. This could have been a straight forward ENF clip in that it would have been simple to splice up the shots together for the final cut. I certainly felt too busy and tired at the end of a work week to shoot extra shots. However, in the spirit of a superhero movie, specifically the Batman movies, I felt an added touch would be showing close-up shots of "The Mistress" preparing to fight crime. If you remember the comical way Batman and Robin get suited up in Batman Forever, this is the idea I had when I did some shots of my character. 

 

I didn't have a suit or an actor to play the character, but I knew I could still add dramatic effect with some quick close-up shots of me-er-em the Mistress, putting on a suit just before the actual clip starts. It might not be the reason people buy the clip, but it's a minor detail that adds excitement for me when I watch it through because I wanted to give viewers a visual of who would be behind stripping the Mad Mask. 

 Shooting this scene involved less technical effects than Embarrassed Naked Goth. Both films involve a jump cut between a clothed and less clothed Riley. With the goth storyline, it took more time because we tried our best to match one cut to look like the next to make the time switch seamless. Finding the right smoke and fire effect for the demon magic also took additional time in editing. With Embarrassed Naked Supervillain, it took less time because the lights going on and off took less time to edit. Also, Riley was free to act however she wanted to being stripped in the dark before the lights went on. She used this to her advantage as she came up with some great sound effect ideas to make it clear she was being stripped. I had a great time working with her and it made four hours of shooting fly by because we both had so much fun collaborating ideas. I look forward to shooting with her again and hope you enjoy this latest video.

 You can read more stories featuring the Mistress in A Submissive Superhero Gets Stripped and The Immodest Collection vol 4.

Making a scary ENF sequel with Skunk!

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