A heavy start to 2025. My next clip with Izzie Robbins as a hitwoman - the art of filming ENF rope bondage

 It's been a challenging and scary time for us, especially people of color, LGBTQIA+, undocumented, and disabled folks as multiple executive orders have been placed that threaten our livelihoods. I am scared and have had days where I am exhausted from holding anger/hopelessness/fear in my body, which has slowed me down to take time to process. I don't have a singular answer because it will not be one thing, but a series of actions and shifting goals to help us survive the next four years. A grounding statement that keeps me centered is a statement from Miriam Kaba, a prison abolitionist who says "Hope and grief can coexist and if we wish to transform the world, we must learn to hold both simultaneously. The process will, as ever, involve reaching for community." I have been rereading ​Let This Radicalize You​ to think of how organizing and devoting my focus to helping communities is one approach I can take to survive. Another article I have found helpful is Florence Ashley's article on ​Palliative Activism​. In this, Florence writes how in a world where things continue to seem hopeless, one course of action is to do think of ways to reduce suffering amid pending doom. Palliative care is about providing comfort and improving quality of life, even when chronic health conditions suggest a poor outcome. In this, my palliative care is to continue making erotic embarrassment art. I will make erotic embarrassment stories focusing on stripping bullies of their power, I will create non-sexual fetish content that continues to be silly and absurd. I will also explore political topics and incorporate that in my stories. This is another form of radical action I can take and I hope you'll join me in this journey, by simply enjoying what I make. 

 Embarrassed Bounty Hunter

The idea behind Embarrassed Bounty Hunter was I wanted to play with the contrast of a tough badass assassin exposed in cutesy underwear and also exposed for having a cutesy side that likes to be pampered. We often let our hair down and act as our natural selves before bed time and for many folks, we would turn down a last minute invitation to be social because we choose not to be seen in our current appearance. To do so might be embarrassing for some and that was the motif Izzie understood when we shot this.

 

Having worked with Izzy a second time, I got to see her comedic chops in a different character. It was cool to see her act in a completely different way than Jane the cartoonist. Instead of a nerdy and awkward character who is accident-prone, Izzy got to play two characters who were bossy, mean, and dominant. My favorite line she adlibbed was calling me "designated weapons bitch" which I have to find a way to use in the future. Acting up this tough bravado made her exposure in her Care Bear undies holding a stuffed animal all the more sexy. I felt the more cutesy things she could wear - bunny slippers, Care Bear panties, stuffed animal, the better and I hope you agree too.

Rope bondage was something else I wanted to involve and the choice to tie someone comes with some challenges. My preference is to keep the camera as still as possible, a helpful tip that the legendary Dalek Supreme gave me after I started filming. For this, I typically use a tripod but in this scene I needed Izzie to get untied so she could stand up and act. I switched to using a harness but the practical approach to tying was figuring out how to tie her up but not so well that she can't escape (in real life, if I don't want you to escape, I make sure my ties are tight so that can't happen ; ). I tied the  cuffs in a way that I thought would be easy to tie....until it wasn't. It was a minor snafu, but once we shot, I found that my simple loose tie remained difficult to undo and get out of so we switched the approach to tying the cuff in a way so she could easily get out of the tie on her own. Rope bondage shoots have a different goal, many of the videos focus on the model struggling, with a shot focusing on them for several minutes. In my scenes, they are a minor element in a larger story and so I often think about how can I merge two different kinks (e.g. embarrassment/exposure and rope bondage) so that both get some screen time.

 

Whether you like rope bondage more than embarrassment or vice versa, I hope you enjoyed this clip and stay tuned for the next one!

Shooting an ENF video game sequel

 We're ending the year with another video game ENF parody! I'm happy to release Embarrassment Quest 2, with the return of Riley Jane! Embarrassment Quest was one of the few videos that had multiple positive comments (this always helps my stores so if you like them, please rate and review!). Rather than do another combat based story, I wanted to film another trope in video games - selling items or in this case, clothes!

 

                                             Selling and robbing clothes of townsfolk in Skyrim
 

I feel like I have seen this setup earlier in my days playing video games, but where I saw the specific idea was in the web series, The Guild. In it, one of the players has his keyboard hijacked by the protagonists, and they sell his avatars' clothes until he is left naked although it is never shown. In video games, like in reality, we want to dress our characters, who are sometimes an extension of ourselves, in the best/most badass look possible. This is why I like the idea of stripping away that "best self" and exposing one that we wouldn't want to be seen, because I find that this is best type of exposure and embarrassment. The heart-print underwear is always a favorite of mine, but it was also my nod to a classic video game Ghouls N' Ghosts, where the Knight in that came will be exposed in his strawberry-print underwear when his armor is destroyed by one hit (I just learned that it is strawberries NOT hearts!)

Initially my plan was to have Riley strip in one long cut as she negotiated for the sword she needs to use to slay the dragon. It occurred to me the day before that a more "video game" effect would be a jump cut where her clothes vanish after confirming the sale of an item. In one way, this would make shooting easier because it makes for a shorter take before cutting and moving to the next clip. The challenge becomes in having Riley freeze and then start the next take in as close of of a position that resembles the last one. Overall this went smoothly, with some very small differential placements. What helped as setting up the merchant table and leaving some items in frame that remained still in between each cut.

 

The other challenge was adding the other images/sounds/music to mimic a video game. The first time doing this in Embarrassment Quest it took two days. This time around things went a bit quicker now that I knew what animations I wanted. The added time can be exhausting but looking at the final cut make it all worth it because all of these elements remind me of video games I used to play. 

 

 

This was also the film that made me laugh the most, so much so I ruined some takes because I couldn't contain my laughter. I knew using the confetti popper was going to be funny, but the large amount of confetti that shot out made me laugh so hard. To avoid laughing on take two, I had to look away. Riley absolutely understood the idea, how it was meant to be silly and over-the-top, breaking the meta by writing her as a player who is aware there is a game. 

 

I couldn't wait to release Embarrassment Quest 2 and I hope y'all enjoy that in addition to the first. I don't know when I'll shoot a third sequel but I do have some ideas that I will save in the future because there are so many tropes I can make fun of.

Izzie Robbins is back! Paying homage to an old classic ENF moment in cinema

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Forget The MCU or DCU, let's make the ECU (Embarrassed Cinematic Universe)

I hope folks had fun celebrating National Erotic Humiliation Day, I have recently released a very personal essay in which I process the painful emotions behind my own embarrassment and shame. It's not exactly a sexy piece, but I felt it honored the spirit of celebrating that people who enjoy this kink have an emotional connection to the fetish as well.

This month's release is the Embarrassed Naked Supervillain, staring Riley Jane. This was the second film I shot with Riley the same day I shot Embarrassed Naked Goth. It was my first time shooting two in one scheduled block of time and I wasn't sure how I would do with getting the shots I needed while sticking to time. Thankfully, Riley was game for it and brought the same fun energy to this story as she did with playing the Dark Empress. As a professional Domme, it was fun to write a character with a dominating personality and see how Riley made her own acting choices to make the character come to life. I wanted her character, The Mad Mask, to be a dominant figure who talked down on her henchmen, mocking them when they are stripped of their underwear before mocking their nakedness. I don't have a small penis humiliation fetish but it was nice to incorporate that kink into the story before Mad Mask gets stripped to her embarrassing underwear.

 

 

 

You may recognize a character mentioned off camera, The Mistress, who I introduced in a story called The Suit, in the Immodest Collection vol 2. This could have been a straight forward ENF clip in that it would have been simple to splice up the shots together for the final cut. I certainly felt too busy and tired at the end of a work week to shoot extra shots. However, in the spirit of a superhero movie, specifically the Batman movies, I felt an added touch would be showing close-up shots of "The Mistress" preparing to fight crime. If you remember the comical way Batman and Robin get suited up in Batman Forever, this is the idea I had when I did some shots of my character. 

 

I didn't have a suit or an actor to play the character, but I knew I could still add dramatic effect with some quick close-up shots of me-er-em the Mistress, putting on a suit just before the actual clip starts. It might not be the reason people buy the clip, but it's a minor detail that adds excitement for me when I watch it through because I wanted to give viewers a visual of who would be behind stripping the Mad Mask. 

 Shooting this scene involved less technical effects than Embarrassed Naked Goth. Both films involve a jump cut between a clothed and less clothed Riley. With the goth storyline, it took more time because we tried our best to match one cut to look like the next to make the time switch seamless. Finding the right smoke and fire effect for the demon magic also took additional time in editing. With Embarrassed Naked Supervillain, it took less time because the lights going on and off took less time to edit. Also, Riley was free to act however she wanted to being stripped in the dark before the lights went on. She used this to her advantage as she came up with some great sound effect ideas to make it clear she was being stripped. I had a great time working with her and it made four hours of shooting fly by because we both had so much fun collaborating ideas. I look forward to shooting with her again and hope you enjoy this latest video.

 You can read more stories featuring the Mistress in A Submissive Superhero Gets Stripped and The Immodest Collection vol 4.

Making a scary ENF sequel with Skunk!

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The Embarrassed Naked Goth video with Riley Jane and my newest ENF Anthology is out!

 It's that time again to talk about my newest ENF/EUF release. This time I got to work with another model with years of experience in the industry, Riley Jane. Riley's clip stores have a wide variety of various fetish content. She had never shot ENF/EUF before but was on board with two scripts we booked to shoot at her dungeon.

 

I always feel a bit anxious working with someone new, I especially feel that way when I'm working with an experienced performer in the industry like Riley. I was also a bit more anxious because this was my first time attempting to shoot two films in one booked session. Up until that point, I've taken my time shooting one clip at a time because I wanted to be patient with learning my own filming process.When I started, I had no idea how long my scripts would be nor did I know how long it would take me to make sure I got the shot I needed. I would usually take 2-3 shots per take because I felt it was effective in giving models a chance to get into character and find more effective choices once they act a second or third time. As I have been filming more of these, I realize that this is not always the case. For some actors, doing every shot 2-3 times results in expending more energy, which can affect their performance later in the shoot. It also takes time. I realize now my scripts at a minimum run about 11 minutes, so the fear of clips being too short was unfounded. Shooting this length typically takes almost the whole amount of time I have booked models. While that was okay starting out, I knew that shooting multiple clips would be something I want to try after it was something Ariel Anderssen suggested to me when we worked together.

Another reason my shoots take longer is that when I write scripts, they tend to be dense in terms of dialogue. A lot of this is due to me pouring out the initial idea on paper, in which the character is not fully formed. This can be hard for me and the model to memorize on the day of shooting and if they are trying to get all of the lines right, one forgotten line means we need to do it again and an otherwise great shot is lost. In preparation for shooting with Riley, I re-edited the scripts, trimming all of the unnecessary wordy dialogue out so that when we shot each scene, it was easier for me to give concise beats of what Riley's character would say. In doing this, I made the decision to forego shooting a second or third take unless a mistake was made. This was risky because if I moved forward with only one take and found out a mistake later (usually a sound issue, something out of continuity, a big ass yellow jeep in the background of a medieval themed story -_-), there would be no way of going back. However, I knew this needed to happen if I was going to shoot two scripts in a quick amount of time.

As soon as I arrived, Riley and I hit it off well. I explained to her a bit more about the ENF/EUF fetish and she got it mainly because as a Domme, she specializes in humiliating folks and understood the assignment. We shot Embarrassed Naked Goth first and it all worked amazingly. Riley got the character and did a wonderful job playing out the vlogger-acting-like-an-occult personality. When it came time to do the exposed underwear scene, Riley did some fantastic improvisation acting embarrassed and alternating between embarrassed poses as she covered up her big, white, strawberry print panties. I also knew things were working because multiple times I had to work hard to stifle my own laughter from what Riley said. We all know ENF/EUF is about being silly and over-the-top ridiculous and Riley delivered some great lines that I think you'll all enjoy.

The concept of the Embarrassed Naked Goth stemmed from an oooooooooooold story I wrote back before I started self publishing called Karmic Balance Dark Magic. In that story a goth woman finds a book that gives her powers to stop time, which she uses to strip her enemies. The demon who possesses those powers eventually strips her, exposing her in strawberry print panties. This was a huge hit with readers when it came out and why I, and others like it is that there's a nice added layer of humiliation when we contrast the dark, brooding image of someone wearing goth attire only to be exposed to be wearing bright, colorful, fruit-themed undergarments underneath the clothes. It's a cutesy look that does not fit with the stereotype of what we see in the goth look. That's why I think a lot of folks in our community like the evil/dark character stripped in cutesy undies trope. It's created a lot and it was something I wanted to shoot as I was planning out my filming projects. Riley also thought the idea was fun and naturally pulls off the goth/occultist look. She also understood how fun it would be once her character is  stripped and exposed.

I've said it before, but I continue to be so grateful for being lucky to work with talented performers who have never acted ENF before but have a knack for it. I hope everyone gives Embarrassed Naked Goth a chance. It is a long clip, and I tried to set a price that is reasonable but also honors the hard work we put into making it. It is 15+ minutes of various ways an occultist who wants to be called the Dark Empress is humiliated as various aspects of her style that contradict this persona (stuffed toys, silly socks, cutesy undies) are exposed.

So please give the clip a watch and stay tuned for Riley's second film with me before the end of the year!

In non film related news, my newest exposed and embarrassed anthology The Immodest Collection Stories of Exposure and Shame vol 4: Bigger & Barer is out! 

 

It's been a long labor of love because I wanted to write a series where I revisit characters from the previous anthologies. This means Erica Hardy from Knockout, The Mistress and Riot from The Suit, and then Caitlin from One Step Too Far and Rana from Indecent Exposure Therapy are all features in their own stories exposed to new embarrassing situations. In addition, I wrote a free follow-up story to The Suit that takes place after that story but before the events in Domina Gets Dominated which is in the next book that you can find here. 

The Bigger & Barer sale and my newest ENF video Haunted House of Humiliation

It's hard to believe summer is over. Before it ends I have lots of exciting things in store for this month and for sENFtember. As you all know, The Immodest Collection volume 4 will be released on 9/1, the first day of sENFtember. The book will feature the return of Erica Hardy and Caitlin McNally from The Immodest Collection volume 1 , The Mistress and Riot from the Immodest Collection volume 2, and Rana Halaweh from Indecent Exposure Therapy To give folks who have not read these books a chance to catch up, for the whole month of August, I am running the Bigger and Barer sale! From now until 8/31/24, you can get the Immodest Collections volumes 1 and 2 AND Indecent Exposure Therapy each for 50% off! That's $1.50 for each story. So, with the final month of summer, use that time to catch up on some spicy exposed and embarrassed erotica and turn up the heat even more! Each book can be purchased on Smashwords . I hope everyone who has not read these books gets a chance to cash in on more enf/euf erotica! In addition, I will be releasing a free story featuring Riot and The Mistress that takes place between the Immodest Collection volume 2 and 4 on my Medium page

Because of these writing projects, I took a month off from filming. So when I resumed again, I was ready to get back into the swing of things with filming and took a step into another area of growth for me, and that was shooting two ENF films back to back.

I previously hesitated into doing two in a row because I did not know the length of time it would take to shoot one clip. I wanted to give myself time to mentally process directing, adjusting lights, and filming and the first 5 films took roughly about 4 hours each. However to be more cost effective, I know a lot of professionals shoot multiple clips within that 4 hour time frame. This makes sense in terms of being cost effective, especially when it comes to booking a shoot space.

So once I found a location I was excited to work with Violet Vixen and Devious Skunk again. My long term goal is to work with a wide range of models but since I'm still new and I have such good fun shooting with both Violet and Skunk, I knew it would be a fun process.

The concept I wanted to do was a relatively simple ENF storyline in terms of setting up ENF gags and a common plot that I see is a real estate agent visiting a house story. The idea is always a model going into rooms with their clothes disappearing. It seems like a basic idea but that was where the fun came in writing the characters. With Violet I envisioned her being a Type A, bossy real estate agent obsessed with a perfect record so that when she is exposed, it makes the contrast nice in terms of focusing on her humiliation. 

 

 

The challenges to this shoot. Which I am still trying to figure out is making seamless cuts between pre and post stripping. For ease of shooting, I break things in chunks so that dialogue is easier to act out and memorize. I also think this makes for stronger performances as there is mental effort put into wondering what the next line is. 

Of course, a seamless cut makes for a smoother transition but here in lies one of the challenges to directing. I could do take after take hoping that the model will eventually get a long page of dialogue down in one take without any slip ups. However, there are other things to keep in mind and that's the models physical and mental well being. It was HOT that day, at least into 90 degree range and to keep sound off I had to switch between turning air conditioners on and off for sound. Violet and Skunk each had to wear business attire and so the risk of doing take after take could have been exhaustion or worse dehydrating them to the point of passing out which I did not want. So making sure water was in supply and also doing as much as I can to minimize wait time wad this shoots lesson, which meant stopping longer to review my shots and make sure I got what I needed before moving forward. 

 

I also have learned more about writing in that I need to trim up and be concise with dialogue. When I write scripts I'm used to pouring the dialogue out as it flows through my imagination, cutting up bits I don't feel are needed later. Much of the extra dialogue is what I think is embarrassing for the character but not exactly what the model will think when they make acting choices. It also adds unnecessary time to shooting because the model wants to do their best to get the lines right and it can be easier on them if I cut out the excess that isn't important. 

I also learned a lot about my own stamina for shooting as it was essentially a full work day. While I was tired by the end, it was satisfying to walk away with two full clips that have been fun editing. Violet stars in Haunted House of Humiliation, in which a real estate agent finds out why anyone who buys the home abandons it out of fear of being stripped naked and spanked. It is available now on my MV page. Skunks film will be not so much a part two and more of a sequel to this story which I will reveal likely at the start of October for the scary season.

As always I appreciate the support from you all and hope you enjoy the latest ENF film!